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A classic murder-mystery set among the struggling upper classes of 1920s Perthshire as, in the aftermath of the First World War, their comfortable world begins to crumble. Dandy Gilver, her husband back from the War, her children off at school and her uniform growing musty in the attic, is bored to a whimper in the spring of 1923 and a little light snooping seems like harmless fun. Before long, though, the puzzle of what really happened to the Duffy diamonds after the Armistice Ball has been swept aside by a sudden, unexpected death in a lonely seaside cottage in Galloway. Society and the law seem ready to call it an accident but Dandy, along with Cara Duffy's fiancé Alec, is sure that there is more going on than meets the eye. What is being hidden by members of the Duffy family: the watchful Lena, the cold and distant Clemence and old Gregory Duffy with his air of quiet sadness, not to mention Cara herself whose secret always seems just tantalizingly out of view? Dandy must learn to trust her instincts and swallow most of her scruples if he is to uncover the truth and earn the right to call herself a sleuth.
A vivid, intimate hour-by-hour account of Armistice Day 1918, including photographs: “A pleasure to read . . . full of fascinating tidbits.” —The Wall Street Journal This is the first book to focus on the day the armistice was signed between the Allies and Germany, ending World War I. In this rich portrait of Armistice Day, which ranges from midnight to midnight, Guy Cuthbertson brings together news reports, photos, literature, memoirs, and letters to show how the people on the street, as well as soldiers and prominent figures like D. H. Lawrence and Lloyd George, experienced a strange, singular day of great joy, relief, and optimism—and examines how Britain and the wider world reacted to the news of peace. “[A] brilliant portrayal of Britain on the day that peace broke out; when people could believe there was an end to the war to end all wars. He weaves a wonderful tapestry of the mood and events across the country, drawing on a wide range of local and regional newspapers . . . accessible history at its best . . . outstanding.” —The Evening Standard
Sample Text
Immediately after the armistice was signed in November, 1918, an American journalist asked Paul von Hindenburg who won the war against Germany. He was the chief of the German General Staff, co-architect with Erich Ludendorff of Germany’s Eastern Front victories and its nearly war-winning Western Front offensives, and he did not hesitate in his answer. “The American infantry,” he said. He made it even more specific, telling the reporter that the final death blow for Germany was delivered by “the American infantry in the Argonne.” The British and the French often denigrated the American contribution to the war, but they had begged for US entry into the conflict, and their stake in America’s victory was, if anything, even greater than that of the United States itself. But How America Won WWI will not litigate the points of view of Britain and France. The book will accepts as gospel the assessment of the top German leader whose job it had been to oppose the Americans directly - that the American infantry won the war - and this book will tell how the American infantry did it.
Eigene und Fremde Welten Herausgegeben von Jörg Baberowski, Stefan Rinke und Michael Wildt Mit dem Gedenken an den Ausbruch des Ersten Weltkriegs hat sich die Art der Erinnerung an dieses welthistorische Ereignis verändert. Die Beiträge dieses Bandes zielen darauf ab, Verknüpfungen zwischen individuellen Kriegserfahrungen, Geschichtsschreibung und Erinnerung herzustellen und so den Begriff eines statischen, klar definierten "Endes" des Ersten Weltkrieges zu hinterfragen, eines Konstrukts, das hauptsächlich auf europäischen Entwicklungen beruht.
The story of an epochal event in German history, this is also the story of the most important revolution that you might never have heard of.
November 11, 1918. The final hours pulsate with tension as every man in the trenches hopes to escape the melancholy distinction of being the last to die in World War I. The Allied generals knew the fighting would end precisely at 11:00 A.M, yet in the final hours they flung men against an already beaten Germany. The result? Eleven thousand casualties suffered–more than during the D-Day invasion of Normandy. Why? Allied commanders wanted to punish the enemy to the very last moment and career officers saw a fast-fading chance for glory and promotion. Joseph E. Persico puts the reader in the trenches with the forgotten and the famous–among the latter, Corporal Adolf Hitler, Captain Harry Truman, and Colonels Douglas MacArthur and George Patton. Mainly, he follows ordinary soldiers’ lives, illuminating their fate as the end approaches. Persico sets the last day of the war in historic context with a gripping reprise of all that led up to it, from the 1914 assassination of the Austrian archduke, Franz Ferdinand, which ignited the war, to the raw racism black doughboys endured except when ordered to advance and die in the war’s last hour. Persico recounts the war’s bloody climax in a cinematic style that evokes All Quiet on the Western Front, Grand Illusion, and Paths of Glory. The pointless fighting on the last day of the war is the perfect metaphor for the four years that preceded it, years of senseless slaughter for hollow purposes. This book is sure to become the definitive history of the end of a conflict Winston Churchill called “the hardest, cruelest, and least-rewarded of all the wars that have been fought.”
“Marvelous . . . [Vonnegut] wheels out all the complaints about America and makes them seem fresh, funny, outrageous, hateful and lovable.”—The New York Times In Breakfast of Champions, one of Kurt Vonnegut’s most beloved characters, the aging writer Kilgore Trout, finds to his horror that a Midwest car dealer is taking his fiction as truth. What follows is murderously funny satire, as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth. “Free-wheeling, wild and great . . . uniquely Vonnegut.”—Publishers Weekly
The Americans had considerable initial success when they launched their huge offensive against the Germans in the Meuse-Argonne in the last days of September 1918. However, not everything went smoothly and the attack became bogged down, held up by the several lines of the Hindenburg System and logistical challenges. A major additional obstacle was the presence of batteries of German artillery on the high ground on the right bank of the Meuse, almost untroubled by any significant assaults by the allied forces. These guns created severe problems for the American commanders and their troops. Eventually sufficient resources were allocated for an American-French attack on the right bank, with the aim of removing the German artillery and pushing the Germans off the Meuse Heights, part of the renewed offensive on the Left Bank and the Argonne Forest. The action often took place over ground that had already seen ferocious fighting during the Battle of Verdun in 1916 and the French offensive of late summer 1917. It also involved the very difficult achievement of getting large bodies of troops over the River Meuse and its associated canal. The terrain is rugged and, even then, quite heavily wooded. The American and French troops often had to fight uphill and in the face of German defences that had been developed over the previous twelve months. On the other hand, the quality of the defending troops was not high, as Germany faced so much pressure in other sectors, and included a significant number of Austro-Hungarian troops. Popular opinion tends to be dismissive of the fighting quality of these Austrian troops who, in fact, performed well. The tours take the visitor over some beautiful countryside, with stunning views over the Meuse and the Woevre Plain. There are significant vestiges of the war still to be seen, including numerous observation bunkers and shelters as well as trenches. An unusual feature of the area are the traces of part of the Maginot Line, notably bunkers (some of which are very large) and the rail infrastructure to support it, sometimes making use of lines that the Germans built during the First World War. One of these tours follows the fate of Henry Gunther, officially the last American soldier to be killed in action in the Great War. There is substantial myth about Gunther; the facts surrounding his death are examined, as well as placing his last action on the ground. There is a tour dedicated just to him.