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In a groundbreaking historical work that focuses on the long, tense convergence of Judaism, Christianity, and Islam with an uncompromising secular perspective, Susan Jacoby illuminates the social and economic forces that have shaped individual faith and the voluntary conversion impulse that has changed the course of Western history—for better and for worse. Covering the triumph of Christianity over paganism in late antiquity, the Spanish Inquisition, John Calvin’s dour theocracy, American plantations where African slaves had to accept their masters’ religion—along with individual converts including Augustine of Hippo, John Donne, Edith Stein, Muhammad Ali, George W. Bush and Mike Pence—Strange Gods makes a powerful case that nothing has been more important in struggle for reason than the right to believe in the God of one’s choice or to reject belief in God altogether.
The Archbishop of New York fell down dead. Michael Manning was the sixth cardinal among the international Catholic clergy to die under violent and suspicious circumstances. Somebody is killing cardinals. But what is going on and why? With the latest death, the Vatican is forced to act. The Church pulls Nate Condon, a young New York attorney, into the investigation. As the history of the crimes unfolds, we are drawn inside the magnificent city of Rome, her ancient secrets, and the most privileged inner sanctums of the Catholic hierarchy. In the midst of Nate’s investigation, more tragedy befalls the Church: The pope dies, a Vatican cardinal commits suicide, and the Mafia murders Nate’s primary contact, a self-loathing gay monsignor who is knee-deep in scandal. Soon after, an American cardinal, determined to change the corruption deep within the Church, is elected as the new pope. Will he be able to narrow the divide that is destroying everything he holds dear, or will the schism that separates the Church win out? Strange Gods was written by two priests with firsthand knowledge of the degree to which the Church will go to cover up financial corruption, abuse of power, sexual scandal, and evil. With an eye on the holiness and grace of ordinary people who keep the Church alive and want to change her future, Strange Gods promises is an exciting, engaging and thought-provoking read.
Despite frequent declarations of the sanctity of love and marriage, British Protestant culture nurtured the fear that human affection might easily slip into idolatry. Throughout the nineteenth-century, theological essays, sermons, hymns, and didactic fiction and poetry urged the faithful to maintain a constant watch over their hearts, lest they become engrossed by human love, guilty of worshipping the creature rather than the Creator. Strange Gods: Love and Idolatry in the Victorian Novel traces the concerns produced in Protestant culture by this broad interpretation of idolatry. In chapters focusing on Charles Kingsley and Charlotte Brontë, Mary Elizabeth Braddon, George Eliot, Oscar Wilde, and Thomas Hardy, this volume shows that even supposedly secular novels obsessively reenact an ideological clash between Protestant faith and human love. Anxiety about adoring humans more than God frequently overshadows and sometimes derails the progress of romance in Victorian novels. By probing this anxiety and its narrative effects, Strange Gods uncovers how a central Protestant belief exerts its influence over stories about love and marriage.
In early 20th century British East Africa, there are rules for the British and different ones for the Africans. Vera McIntosh, the daughter of Scottish missionaries, doesn't feel she belongs to either group; having grown up in Africa, she is not interested in being the well-bred Scottish woman her mother would like her to be. More than anything she dreams of seeing again the handsome police officer she's danced with. But more grisly circumstances bring Justin Tolliver to her family's home. The body of Vera's uncle, Dr. Josiah Pennyman, is found with a tribesman's spear in his back. Tolliver, an idealistic Assistant District Superintendent of Police, is assigned to the case. He first focuses on Gichinga Mbura, a Kikuyu medicine man who has been known to hatefully condemn Pennyman because Pennyman's cures are increasingly preferred over his. But the spear belonged to the Maasai tribe, not Kikuyu, and it's doubtful Mbura would have used it to kill his enemy. Tolliver's superior wants him to arrest the medicine man and be done with it, but Tolliver pleads that he have the chance to prove the man's guilt. With the help of Kwai Libazo, a tribal lieutenant, Tolliver discovers that others had reasons to hate Pennyman as well, and the list of suspects grows. Annamaria Alfieri's Strange Gods is the first in a new series. Romantic and engaging, this mystery captures the beauty and the danger of the African wild and the complexities of imposing a culture on a foreign land.
Strange Gods brings to life the reality of a growing mission field on our doorsteps and provides tools to vanquish the demons in our neighborhoods. Animism (spirit worship) is moving across North America with an insatiable appetite for destroying our culture, the Church, and our souls. Nothing less than the eternal salvation of millions is at stake. People are increasingly turning to the occult and darkness, but only the glorious and revealing light of Jesus Christ provides true answers. What once was practiced in secrecy is now in the mainstream. This trend is the result of the resurgence of Native American religions, the proliferation of New Age teachings, and the increase of animist immigrants. Dr. Bailey is eminently qualified to write this book. He contends that only through a Spirit-filled Church armed with sound doctrine and the integrity of practical holiness can animistic spirit worship be defeated.
From a disciple of the late Chinua Achebe comes a masterful and universally acclaimed novel that is at once a taut, literary thriller and an indictment of greed’s power to subsume all things, including the sacred. Foreign Gods, Inc., tells the story of Ike, a New York-based Nigerian cab driver who sets out to steal the statue of an ancient war deity from his home village and sell it to a New York gallery. Ike's plan is fueled by desperation. Despite a degree in economics from a major American college, his strong accent has barred him from the corporate world. Forced to eke out a living as a cab driver, he is unable to manage the emotional and material needs of a temperamental African American bride and a widowed mother demanding financial support. When he turns to gambling, his mounting losses compound his woes. And so he travels back to Nigeria to steal the statue, where he has to deal with old friends, family, and a mounting conflict between those in the village who worship the deity, and those who practice Christianity. A meditation on the dreams, promises and frustrations of the immigrant life in America; the nature and impact of religious conflicts; an examination of the ways in which modern culture creates or heightens infatuation with the "exotic," including the desire to own strange objects and hanker after ineffable illusions; and an exploration of the shifting nature of memory, Foreign Gods is a brilliant work of fiction that illuminates our globally interconnected world like no other.
Julius's critically acclaimed study (looking both at the detail of Eliot's deployment of anti-Semitic discourse and at the role it played in his greater literary undertaking) has provoked a reassessment of Eliot's work among poets, scholars, critics and readers, which will invigorate debate for some time to come.
William Miller was the founder of the modern American millennial tradition. Using various dates found in scripture, he sought to calculate the chronology of Christ's return to earth. Although his prediction that Christ would visibly return in 1843 failed spectacularly, followers reinterpreted his message and laid the basis for the modern Seventh-day Adventist Church. In this book, David L. Rowe utilizes the vast collection of Miller primary materials to reconstruct Miller's life. He relies on information found in correspondence. Rowe gives special attention to the Miller family connections and to Miller's personal identity struggles, documenting a deep tension between proclivities for both obedience and rebellion.