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Celebrating the sesquicentennial anniversary of the completion of the first transcontinental railroad in the United States , After Promontory: One Hundred and Fifty Years of Transcontinental Railroading profiles the history and heritage of this historic event. Starting with the original Union Pacific—Central Pacific lines that met at Promontory Summit, Utah, in 1869, the book expands the narrative by considering all of the transcontinental routes in the United States and examining their impact on building this great nation. Exquisitely illustrated with full color photographs, After Promontory divides the western United States into three regions—central, southern, and northern—and offers a deep look at the transcontinental routes of each one. Renowned railroad historians Maury Klein, Keith Bryant, and Don Hofsommer offer their perspectives on these regions along with contributors H. Roger Grant and Rob Krebs.
An interesting object is found on a archaeological research site in northern Brazil. Incredibly old it is send to the UK for interpretation, resulting on an amazing story of a impossibly existing past civilization on this world. The story unfolds into a thriller and a very unexpected end.
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Spirit Lands of the Eagle and Bear explores advances in the prehistory and early history of Numic hunter-gatherers in the Rocky Mountain West through the presentation and analysis of archaeological and historic research on the period from the earliest established presence in the Rockies and its borderlands more than a thousand years ago to the forced removal of Ute, Shoshone, and other tribes to reservations in the mid-nineteenth century. New research into Numic archaeology, ethnohistory, and ethnography is significantly changing the understanding of migratory patterns, cultural interactions, chronology, and shared cultural-religious practices of regionally defined Numic branches and non-Numic populations of the American West. Contributors examine case studies of Ute and Shoshone material culture (ceramics, lithics, features and structures, trade and seasonal migration), chronology (dendrochronology, radiocarbon dating, thermoluminescence), and subsistence systems (hunting camps, game drives, faunal and botanical evidence of food sources). They also delineate different hunter-gatherer “ethnic groups” who co-occupied or interacted within one another’s territories through trade, raiding, or seasonal subsistence migrations, such as the Late Fremont/Ute and the Shoshone or the early Navajo/Ute and the Shoshone. With a strong emphasis on diverse cases and new and original archaeological, ethnohistoric, and ethnographic lines of evidence, Spirit Lands of the Eagle and Bear interweaves anthropological theory and innovative applications of leading-edge scientific methodologies and technologies. The book presents a cross-section of field, laboratory, and ethnohistoric studies—including indigenous consultation—that explore past, recent, and ongoing developments in Numic cultural history and prehistory. It will be of interest to scholars of Southwestern archaeology, as well as private and government cultural resource specialists and museum staff. Contributors: Richard Adams, John Cater, Christine Chady, David Diggs, Rand Greubel, John Ives, Byron Loosle, Curtis Martin, Sally McBeth, Lindsay Montgomery, Bryon Schroeder, Matthew Stirn
Longarm’s after a killer who slays with fire… In her youth, her fiery temper and wild ways earned her the nickname Naughty Nellie. But this close kin to Marshal Billy Vail is no killer—at least Billy doesn’t think so. A jury in Carson City disagrees, and they’ve sentenced Nellie to hang for burning her husband alive in their marriage bed. Billy has always turned to his best deputy marshal to put out his fires—but this time it’s personal. Longarm barely has time to rekindle his romance with a Denver waitress before he lights out for Carson City. After he sees Nellie, he’s determined to make sure an innocent widow doesn’t go to the gallows—and a match-happy murderer burns in hell…
The construction of the transcontinental railroad (1865–1869) marked a milestone in United States history, symbolizing both the joining of the country’s two coasts and the taming of its frontier wilderness by modern technology. But it was through the power of images—and especially the photograph—that the railroad attained its iconic status. Iron Muse provides a unique look at the production, distribution, and publication of images of the transcontinental railroad: from their use as an official record by the railroad corporations, to their reproduction in the illustrated press and travel guides, and finally to their adaptation to direct sales and albums in the late nineteenth and twentieth centuries. Tracing the complex relationships and occasional conflicts between photographer, publisher, and curator as they crafted the photographs’ different meanings over time, Willumson provides a comprehensive portrayal of the creation and evolution of an important slice of American visual culture.