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Few authors in America write with such sheer love of story, language, and imagination as T.C. Boyle, and nowhere is that passion more evident than in his inventive, wickedly funny, and widely praised short stories. In After the Plague, Boyle speaks of contemporary social issues in a range of emotional keys. The sixteen stories gathered here address everything from air rage to abortion doctors to first love and its consequences. The collection ends with the brilliant title story, a whimsical and imaginative vision of a disease-ravaged Earth. Presented with characteristic wit and intelligence, these stories will delight readers in search of the latest news of the chaotic, disturbing, and achingly beautiful world in which we live. "Boyle's imagination and zeal for storytelling are in top form here."—Publishers Weekly
Theology, according to liberation theologians is only a second step. The first is praxis. A liberating praxis puts the poor and the marginalised at the centre. It is found in the collective response of global religious communities responding to crises – and a global pandemic offers an important case in point, reminding religions of our shared humanity, and the need for interreligious cooperation and understanding to effect a positive response. In the context of seismic socio-economic and political change, religion provides a communal response for feeding the poor, fighting for their rights, and challenging the post-colonial financial model that is now beginning to lose its ground. This book blends an examination of emerging research on the socio-economic impact of the COVID-19 pandemic in marginalised communities, with the author’s own research on social and poverty isolation in India, and his own experience as told in diaries written whilst in lockdown in a poor district of Santiago, Chile. It challenges majority world churches and religions in a post-pandemic world to learn from each other and from Jesus’ own identification with the outcast, and urges them to take on a way of life and prophetic learning from the world of the poor.
They came to earth--Pestilence, War, Famine, Death--four horsemen riding their screaming steeds, racing to the corners of the world. Four horsemen with the power to destroy all of humanity. They came to earth, and they came to end us all. When Pestilence, the first of the horsemen, comes for Sara Burn's town, one thing is certain: everyone she knows and loves is marked for death. Unless, of course, the angelic-looking horseman is stopped, which is exactly what Sara has in mind when she shoots the unholy beast off his steed. Too bad no one told her Pestilence can't be killed. Alive and furious, the horseman takes Sara prisoner, determined to make her suffer for impeding his mission. Despite her pleas, nothing and no one gets in the way of his orders to destroy humankind. Only, the longer Pestilence spends beside Sara's bravery and compassion, the more he seems to understand her, and understand humanity. And the longer Sara travels with Pestilence and his plague, the more uncertain she grows about his true feelings toward her...and hers toward him. Sara might still be able to save the world, but she'll have to sacrifice her heart in the process.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
Since the late fourteenth century, European artists created an extensive body of images, in paintings, prints, drawings, sculptures, and other media, about the horrors of disease and death, as well as hope and salvation. This interdisciplinary study on disease in metaphysical context is the first general overview of plague art written from an art-historical standpoint. The book selects masterpieces created by Raphael, Titian, Tintoretto, Rubens, Van Dyck, and Poussin, and includes minor works dating from the fourteenth to twentieth centuries. It highlights the most important innovative artistic works that originated during the Renaissance and the Catholic Reformation. This study of the changing iconographic patterns and their iconological interpretations opens a window to the past.
To read the book of Revelation is to see a myriad of representations pass by our gaze, offering and kaleidoscope of bizarre and incongruent images. This world strikes us at first as fearfully and mysteriously strange and fantastic. But once these symbols are properly deciphered, they combine to present crucial messages for those living in the last days. These messages were designed by God to lead all successfully through these troubled times if they will read, hear, and do his will. This commentary presents a comprehensive analysis of John's book aided by the lens of LDS doctrine and Mormon experience. God delivered his messages in the form of images housed within discrete visions, with each symbol explaining, exposing, or emphasizing various aspects of the message conveyed. The challenge is getting beyond the symbols to the represented realities. Information is drawn from all the Standard Works, the Joseph Smith Translation of the Bible, and from modern Prophets and Apostles.
DigiCat Publishing presents to you this special edition of "Epidemics Resulting from Wars" by Friedrich Prinzing. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.