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After Midnight is a lyrical journey thru life and explores different issues and aspect of love.
Many people who have been harmed or wronged often feel that to respond with non-violence and forgiveness is to be weak. As Katy Hutchison reveals here, to forgive and seek reconciliation not only requires even more strength than a resort to force or retaliation, but also ensures deeper, more far-reaching beneficial consequences for all concerned. I am sure her remarkable story will serve as an inspiration to others by beset by grief and loss as she was. -The Dalai Lama On New Year's Eve, 1997, Bob McIntosh left his family and friends at the dinner table to check on a disturbance at a neighbor's house. He never came home. Savagely beaten by an unknown assailant, McIntosh died that night at a local hospital, leaving behind his wife and twin four-year olds. While authorities searched for McIntosh's killer, his wife, author Katy Hutchison, began the slow process of rebuilding a life for her children and herself. Refusing to be defined by her husband's murder, she moved to a different town, pursued a new career, and eventually remarried--but, with questions about her husband's death still unanswered, the healing Hutchison longed for was slow in coming. In the spring of 2002, authorities arrested a young man named Ryan Aldrigde for the murder of Bob McIntosh. On hearing the news, Hutchison startled investigators by asking to meet the man who had killed her husband. She didn't take satisfaction in seeing Aldridge in custody, nor did she want to rail against him for the harm he had inflicted on her and her family. Instead, she wanted to learn from him why he had attacked McIntosh and what she could do to help stop incidents like it from happening again. In a letter she sent to Aldridge after his arrest, Hutchison offered this remarkable sentiment: All I want for you is what you took from Bob--a happy and productive life. Walking After Midnight tells a story at turns devastating and triumphant, a unique exploration of one woman's courageous response to tragedy that challenges our expectations about grief and loss. It's an inspiring account of the power of forgiveness, compassion, and a different kind of justice. An excellent primer for handling loss with intelligence and dignity…an antidote to the endless cycles of violence that consume too many lives and too many countries. -Frederic Luskin, Ph.D., author of Forgive for Good and director of the Stanford University Forgiveness Projects A remarkable story of tragedy and transcendence. Not everyone who walks this road will make the choices Hutchison did, but all will recognize the intersections and obstacles she encounters along the way. And no one who reads this story can dismiss the authenticity and passion with which it is told. -Howard Zehr, founding theorist of restorative justice, professor of restorative justice at the Center for Justice and Peacebuilding of Eastern Mennonite University and author of Changing Lenses
My life was boring until I met him. Painfully tedious, pathetically lonely, and I absolutely hated it. But I was too scared to do anything about it. Too scared to change . . . at least until I met Kace. I should have been terrified of him—scared of his size (he towered over my short, curvy self), freaked out by the fierce tats covering his arms and torso (they even crawled up his neck), and definitely frightened by the angry scowl he unleashed on anyone who dared to disrupt him (though this happened rarely, it still did happen). Except, Kace seemed to like me—shy, boring, socially inept me. He couldn’t change the tats or the towering, but he rarely unleashed his trademark scowl on me. Okay, so maybe it was more like he tolerated me, but regardless, Kace didn’t seem to care that I hung around the bar he worked at, putting my night owl tendencies to work as I wrote. See, my work was the only place I explored. My safe place to write as dirty and steamy and kinky of books as I wanted. My readers loved them—loved the hot sex, the tough alphas, the guaranteed happy endings. As thus, I made good money, only somewhat because I was a decent writer, but mostly because my imagination was very active, beyond active . . . some might even say too active. As for me personally? I’d never experienced anything close to the types of things I wrote. But I’d decided it was time to change that. With scowly, sexy, terrifying Kace.
This volume presents five variants of the Imdeduya myth: two versions of the actual myth, a short story, a song and John Kasaipwalova’s English poem “Sail the Midnight Sun”. This poem draws heavily on the Trobriand myth which introduces the protagonists Imdeduya and Yolina and reports on Yolina’s intention to marry the girl so famous for her beauty, on his long journey to Imdeduya’s village and on their tragic love story. The texts are compared with each other with a final focus on the clash between orality and scripturality. Contrary to Kasaipwalova’s fixed poetic text, the oral Imdeduya versions reveal the variability characteristic for oral tradition. This variability opens up questions about traditional stability and destabilization of oral literature, especially questions about the changing role of myth – and magic – in the Trobriand Islanders' society which gets more and more integrated into the by now “literal” nation of Papua New Guinea.

Sometime in the 1950s, Emiko Davies' nonno-in-law began the tradition of ringing in the new year with tortellini al sugo. He served it along with spumante and a round of tombola, and sparked a trend; up until the 1970s, you could find tortellini at midnight on New Year's Eve in the bars around the Tuscan town of Fucecchio.

This is just one of the heirloom dishes in this collection, for which Emiko Davies has gathered some of her favourite family recipes. They trace generations that span the length of Italy, from the Mediterranean port city of Taranto in the southern heel of Puglia to elegant Turin, the city of aperitif and Italian cafe culture in the far north and, finally, back to Tuscany, which Emiko calls home. 

Tortellini at Midnight is a book rich with nostalgia, with fresh, comforting food and stunning photography. It is a book that is good for the soul.

Souljah brings to her millions of fans an adventure about young, deep love, the ways in which people across the world express their love, and the lengths that they will go to have it.
This poetry collection focuses on themes, metaphors, and experiences revolving around love in three stages: broken, lost, recovery into self-healing, worth, and love, while returning to love for commitment, martial, and reflection of the other half in femininity. Just a mirror shows the reflection. It comes back in 3D to see oneself carefully while living in the spectrum, which would be an echo, safe, and sound in which one comes out of seeing the midnight in life. What makes this collection diverse are the magnetic themes of relearning, reliving, and removing all over again in spectrums of the inner self. Living In Midnight carries the torches of love before, after, and the beyond in which living is the greatest joy and never holding back.
This is the true story of the journey of the Midnight Sun Mosque. In 2010 a Winnipeg-based charity raised funds to build and ship a mosque to Inuvik, one of the most northern towns in Canada’s Arctic. A small but growing Muslim community there had been using a cramped trailer for their services, but there just wasn't enough space. The mosque travelled over 4,000 kilometers on a journey fraught with poor weather, incomplete bridges, narrow roads, low traffic wires and a deadline to get on the last barge heading up the Mackenzie River before the first winter freeze. But it made it just in time and is now one of the most northern mosques in the world. This beautiful picture book reminds us that the collective dream of fostering a multicultural and tolerant Canada exists and that people of all backgrounds will come together to build bridges and overcome obstacles for the greater good of their neighbors.
All theater romances are tragedies. Ella Blythe knows this. Still, she cannot help but hope her own story may turn out different than most--and certainly different than the tragic story of the Ghost of Craven Street Theater. Yet as she struggles to maintain her tenuous place in the ever-shrinking ballet company, win the attentions of principal dancer Philippe, and avoid company flirt Jack, Ella cannot deny the uncanny feeling that her life is mirroring that of the dead ballerina. Is she dancing ever closer to the edge of her own tragic end? Or will the secrets that are about to come to light offer release from the past? Mystery and romance make the perfect dance partners in this evocative story from fan-favorite Joanna Davidson Politano.
Following its Volume 1, Silver Strands comes with its 2nd volume. It is an anthology by writers who have come together to put their works in one book, joining like precious silver strands. In here you will find poems, proses, shayaris, short stories, and other various genres of literature both comprising of Hindi and English language.