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Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's readymades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical "this is beautiful" with "this is art." De Duve employs this shift (replacing the word "beauty" by the word "art") in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.Part I of the book revolves around Duchamp's famous/infamous Fountain. Part II explores his passage from painting to the readymades, from art in particular to art in general. Part III looks at the aesthetic and ethical consequences of the replacement of "beauty" with "art" in Kant's Third Critique. Finally, part IV attempts to reconstruct an "archaeology" of modernism that paves the way for a renewed understanding of our postmodern condition.The essays : Art Was a Proper Name. Given the Richard Mutt Case. The Readymade and the Tube of Paint. The Monochrome and the Blank Canvas. Kant after Duchamp. Do Whatever. Archaeology of Pure Modernism. Archaeology of Practical Modernism.
This book argues that the theory of force elaborated in Immanuel Kant's aesthetics (and in particular, his theorization of the dynamic sublime) is of decisive importance to poetry in the nineteenth century and to the connection between poetry and philosophy over the last two centuries. Inspired by his deep engagement with the critical theory of Walter Benjamin, who especially developed this Kantian strain of thinking, Kevin McLaughlin uses this theory of force to illuminate the work of three of the most influential nineteenth-century writers in their respective national traditions: Friedrich Hölderlin, Charles Baudelaire, and Matthew Arnold. The result is a fine elucidation of Kantian theory and a fresh account of poetic language and its aesthetic, ethical, and political possibilities.
Freedom after Kant situates Kant's concept of freedom in relation to leading philosophers of the period to trace a detailed history of philosophical thinking on freedom from the 18th to the 20th century. Beginning with German Idealism, the volume presents Kant's writings on freedom and their reception by contemporaries, successors, followers and critics. From exchanges of philosophical ideas on freedom between Kant and his contemporaries, Reinhold and Fichte, through to Kant's ideas on rational self-determination in Hegel and Schelling, we see Kant's original arguments transformed through concepts of autonomy, freedom and absolutes. The political aspect of Kant's freedom finds further articulation in chapters on Marx and Mill who developed their own notions of political freedom after Kant. Revealing how Kant's concept of freedom shaped the history of philosophy in the broadest sense, contributors chart the development of an ethics of freedom in the 20th century which brings Kant into conversation with Heidegger, Beauvoir, Sartre, Levinas and Murdoch. This line of thinking on freedom signals a new departure for Kantian studies which brings his ideas into the present day and traverses major schools of thought including Idealism, Marxism, existentialism and moral philosophy.
"A reflection on the legacy of money, law, and history in modern political thought"--
"Jacques Derrida's career-long engagement with the philosophy of Emmanuel Kant has made possible a sea-change in both the understanding and methods of appraisal of Kant's work. Kant After Derrida is a collection of essays which reflects the breadth of this re-appraisal, assessing the principal points of contact and dissonance between the Derridean deconstructive approach and Kant's 'critical apparatus' ... While explicitly avoiding simple opposition, Derrida's work and its influence has intimately effected reconfigurations on familiar Kantian subjects such as beauty, nature, freedom, the transcendental, the categories, casting anew the ethical, aesthetic, physical and metaphysical systems with which Kant blazed his 'Copernican revolution'. The richness and diversity of these essays is evidence both of the strength and enduring power of Kant's achievement some two hundred years after his death, and tribute to the value of the very Derridean notion of 'reading with'." -- From back cover.
Occupying him for more than the last decade of his life, this volume includes the first English translation of Kant's last major work, the so-called Opus postumum, which he described as his "chef d'oeuvre" and the keystone of his entire philosophical system.
The new standard anthology of nineteenth and twentieth century philosophy.
This volume, originally published in 2002, assembles the historical sequence of writings that Kant published between 1783 and 1796 to popularize, summarize, amplify and defend the doctrines of his masterpiece, the Critique of Pure Reason of 1781. The best known of them, the Prolegomena, is often recommended to beginning students, but the other texts are also vintage Kant and are important sources for a fully rounded picture of Kant's intellectual development. As with other volumes in the series there are copious linguistic notes and a glossary of key terms. The editorial introductions and explanatory notes shed light on the critical reception accorded Kant by the metaphysicians of his day and on Kant's own efforts to derail his opponents.
Kant declared that philosophy began in 1781 with his Critique of Pure Reason. In 1806 Hegel announced that philosophy had now been completed. Eckart Förster examines the reasons behind these claims and assesses the steps that led in such a short time from Kant's "(Bbeginning" to Hegel's "(Bend." He concludes that, in an unexpected yet significant sense, both Kant and Hegel were indeed right. The Twenty-Five Years of Philosophy follows the unfolding of a key idea during this exceptionally productive period: the Kantian idea that philosophy can be scientific and, consequently, can be completed. Förster's study combines historical research with philosophical insight and leads him to propose a new thesis. The development of Kant's transcendental philosophy in his three Critiques, Förster claims, resulted in a fundamental distinction between "(Bintellectual intuition" and "(Bintuitive understanding." Overlooked until now, this distinction yields two takes on how to pursue philosophy as science after Kant. One line of thought culminates in Fichte's theory of freedom (Wissenschaftslehre), while the other--and here Förster brings Goethe's significance to the fore--results in Goethe's transformation of the Kantian idea of an intuitive understanding in light of Spinoza's third kind of knowledge. Both strands are brought together in Hegel and propel his split from Schelling. Förster's work makes an original contribution to our understanding of the classical era of German philosophy--an expanding interest within the Anglophone philosophical community.
Freedom after Kant situates Kant's concept of freedom in relation to leading philosophers of the period to trace a detailed history of philosophical thinking on freedom from the 18th to the 20th century. Beginning with German Idealism, the volume presents Kant's writings on freedom and their reception by contemporaries, successors, followers and critics. From exchanges of philosophical ideas on freedom between Kant and his contemporaries, Reinhold and Fichte, through to Kant's ideas on rational self-determination in Hegel and Schelling, we see Kant's original arguments transformed through concepts of autonomy, freedom and absolutes. The political aspect of Kant's freedom finds further articulation in chapters on Marx and Mill who developed their own notions of political freedom after Kant. Revealing how Kant's concept of freedom shaped the history of philosophy in the broadest sense, contributors chart the development of an ethics of freedom in the 20th century which brings Kant into conversation with Heidegger, Beauvoir, Sartre, Levinas and Murdoch. This line of thinking on freedom signals a new departure for Kantian studies which brings his ideas into the present day and traverses major schools of thought including Idealism, Marxism, existentialism and moral philosophy.