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The book is constituted in four chapters, each of which addresses a specific aspect of the the physical realities of the Islamic city. The first chapter introduces issues that pertain to the dialectic relationship between buildings, cities, and civilizations and highlights the typological processes involved. The second chapter involves a typological analysis of the Islamic houses which formed the structure of many cities including Fez, Mostar, Aleppo, and Algiers--among others. Chapter 3 addresses the physical aspects of the building tissue in the Islamic city and the dialectic relations between the building tissue and the larger contextual fabric. In chapter 4, the city is analytically described as an urban organism; it also involves methods of interpretation while at the same time concluding with the fact that Islamic cities have unique character, especially in terms of its spontaneity and intentionality.
Literary criticism produced by Indian scholars from the earliest times to the present age is represented in this book. These include Bharatamuni, Tholkappiyar, Anandavardhana, Abhinavagupta, Jnaneshwara, Amir Khusrau, Mirza Ghalib, Rabindranath Tagore, Sri Aurobindo, B.S. Mardhekar, Ananda Coomaraswamy, and A.K. Ramanujam and Sudhir Kakar among others. Their statements have been translated into English by specialists from Sanskrit, Persian and other languages.
The two-time Booker Prize winner now gives us an exceedingly timely, exhilarating novel—at once dark, suspenseful, and seriously funny—that journeys to the place where the cyber underworld collides with international power politics. When Gaby Baillieux releases the Angel Worm into Australia’s prison computer system, hundreds of asylum-seekers walk free. And because the Americans run the prisons (let’s be honest: as they do in so many parts of her country) the doors of some five thousand jails in the United States also open. Is this a mistake, or a declaration of cyber war? And does it have anything to do with the largely forgotten Battle of Brisbane between American and Australian forces in 1942? Or with the CIA-influenced coup in Australia in 1975? Felix Moore, known to himself as “our sole remaining left-wing journalist,” is determined to write Gaby’s biography in order to find the answers—to save her, his own career, and, perhaps, his country. But how to get Gaby—on the run, scared, confused, and angry—to cooperate? Bringing together the world of hackers and radicals with the “special relationship” between the United States and Australia, and Australia and the CIA, Amnesia is a novel that speaks powerfully about the often hidden past—but most urgently about the more and more hidden present.
"One of the best analyses of the impact of Tiananmen throughout China in the years since 1989." --The New York Times Book Review
A stranger enters the city archives, corners a librarian, and begins to tell him a story. The librarian is supposed to be married in four hours' time, but the stranger compels him to listen. Many hours later he is still listening, and still unmarried. The stranger's name is Izzy Darlow, and the story revolves around his fractured family and their obsessions. The family home is a labyrinth. His older brother, Aaron, conducts secret and increasingly perilous experiments in his attic bedroom. His younger brother, Josh, who speaks with a lisp but sings like an angel, wanders the streets at night consumed by visions of destruction. Izzy's own place in this curious family is complicated by disturbing influences: the terrifying books he reads compulsively in the school library, his charismatic but dangerous friend Campbell, the vicious force of his emerging sexuality. Woven into Izzy's tale is the story of a young woman called Katie, who has been confined to a mental hospital as a result of a cruel violation suffered in her youth. Where do these two stories meet? What is Izzy leaving out, what has he forgotten? And why can the anxious librarian not extricate himself from the web that Izzy weaves around him? As the story swirls deeper, taking reference from architecture, literature, history and myth, the reader is drawn into Izzy's frighteningly dislocated world, where the only response to suffering and guilt is amnesia.
“A deeply moving account of amnesia that . . . reminds us how we are all always trying to find a version of ourselves that we can live with.” —Los Angeles Times On October 17, 2002, David MacLean “woke up” on a train platform in India with no idea who he was or why he was there. No money. No passport. No identity. Taken to a mental hospital by the police, MacLean then started to hallucinate so severely he had to be tied down. He could remember song lyrics, but not his family, his friends, or the woman he was told he loved. The illness, it turned out, was the result of a commonly prescribed antimalarial medication he had been taking. Upon his return to the United States, he struggled to piece together the fragments of his former life. In this “mesmerizing, unsettling memoir about the ever-echoing nature of identity—written in vivid, blooming detail,” he tells the harrowing, absurd, and unforgettable story of his journey back to himself (Gillian Flynn, author of Gone Girl). “[MacLean] is an exceedingly entertaining psychotic. . . . [A] raw, honest and beautiful memoir.” —The New York Times “If bad things are going to happen, we are lucky when they happen to someone with the wit, humanity and sweetness—to say nothing of an eye for detail and a gift for pacing—that MacLean brings to this wrenching tale. . . . Readers who flip open the book will find MacLean, preserved between pages, goofy and serious, lost and found.” —Chicago Tribune “[MacLean] writes eloquently about the bizarre and disturbing experience of having his sense of self erased and then reconstructed from scratch.” —The New Yorker
A “provocative” (Kirkus Reviews), timely, and topical work that examines what’s good for American business and what’s good for Americans—and why those interests are misaligned. In American Amnesia, bestselling political scientists Jacob S. Hacker and Paul Pierson trace the economic and political history of the United States over the last century and show how a viable mixed economy has long been the dominant engine of America’s prosperity. We have largely forgotten this reliance, as many political circles and corporate actors have come to mistakenly see government as a hindrance rather than the propeller it once was. “American Amnesia” is more than a rhetorical phrase; elites have literally forgotten, or at least forgotten to talk about, the essential role of public authority in achieving big positive-sum bargains in advanced societies. The mixed economy was the most important social innovation of the twentieth century. It spread a previously unimaginable level of broad prosperity. It enabled steep increases in education, health, longevity, and economic security. And yet, extraordinarily, it is anathema to many current economic and political elites. Looking at this record of remarkable accomplishment, they recoil in horror. And as the advocates of anti-government free market fundamentalist have gained power, they are hell-bent on scrapping the instrument of nearly a century of unprecedented economic and social progress. In the American Amnesia, Hacker and Pierson explain the full “story of how government helped make America great, how the enthusiasm for bashing government is behind its current malaise, and how a return to effective government is the answer the nation is looking for” (The New York Times).
Donna Lethal's debut is an authentic, can't-put-it-down page-turner, an astonishing first-time work about growing up in Lowell, Massachusetts (Jack Kerouac's home town) in the 1970s. With a stern ex-nun for a mother, a rascally bookie for a dad and a brother behind bars as often as not, Donna's purgatory years in Lowell make for unforgettable reading. Her book is peopled with a rogues' gallery of memorable local personalities, most hovering on the edge of small time crime, alcoholism, drug abuse and general oblivion. Funny and melancholic, sweet and brutal, it is everything a family memoir should be, a vivid flashback of haunting and hilarious memories arriving unbidden in the consciousness. Unlike some compulsive reads that evaporate after you've finished them, MILK OF AMNESIA's images will stay with you, making you laugh or tear up at unexpected moments.
A New Statesman essential non-fiction book of 2021 Featured in Book Riot's 12 best nonfiction books about Black identity and history A Times Higher Education Book of the Week 2022 Finalist for the Prose Awards (Media and Cultural Studies category) Why are there so many examples of public figures, entertainers, and normal, everyday people in blackface? And why aren't there as many examples of people of color in whiteface? This book explains what blackface is, why it occurred, and what its legacies are in the 21st century. There is a filthy and vile thread-sometimes it's tied into a noose-that connects the first performances of Blackness on English stages, the birth of blackface minstrelsy, contemporary performances of Blackness, and anti-Black racism. Blackface examines that history and provides hope for a future with new performance paradigms. Object Lessons is published in partnership with an essay series in The Atlantic.