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“Her knowledge of the Bible is evident and her creativity shines through as she weaves nine thoughtful and layered accounts of distant, complicated times.” —Publisher's Weekly “Reminiscent of Anita Diamant’s The Red Tent. . . . These beautifully written stories feel like meeting Eve, Lot’s wife, and many other compelling characters for the first time.” —LAUREL CORONA, author of The Mapmaker’s Daughter and The Four Seasons: A Novel of Vivaldi’s Venice “Stunning.” —MOLLY ANTOPOL, author of The UnAmericans “Gorgeous and captivating.” —DARA HORN, author of A Guide for the Perplexed and The World to Come “Marvelous.” —MICHELLE HUNEVEN, author of Off Course and Blame “What struck me most about these stories is their clear, assured confidence—as if Michal Lemberger had pulled apart some of the lines in the old story, spied a new story tucked in there way off in a corner, shimmied in a fishhook and pulled it out.” —AIMEE BENDER, author of The Color Master and The Particular Sadness of Lemon Cake “Lemberger liberates the voices that are trapped beneath the [biblical] text . . . with artistry and erudition.” —RABBI DAVID WOLPE, Rabbi of Sinai Temple, Los Angeles and author of Why Faith Matters Eve considers motherhood. Miriam tends Moses. Lot’s wife looks back. Vividly reimagined with startling contemporary clarity, Michal Lemberger’s debut collection of short stories gives voice to silent, oft-marginalized biblical women: their ambitions, their love for their children, their values, their tremendous struggles and challenges. Informed by Lemberger’s deep knowledge of the Bible, each of these nine stories story recasts a biblical saga from the perspective of a pivotal woman. Michal Lemberger’s nonfiction and journalism have appeared in Slate, Salon, Tablet, and other publications, and her poetry has been published in a number of print and online journals. A story from After Abel, her first collection of fiction, was featured in Lilith Magazine. Lemberger holds an MA and PhD in English from UCLA and a BA in English and religion from Barnard College. She has taught the Hebrew Bible as Literature at UCLA and the American Jewish University. She was born and raised in New York and now lives in Los Angeles with her husband and two daughters.
Delve into three of Spanish philosopher Miguel de Unamuno's most haunting parables. This essential Unamuno reader begins with the full-length novel Abel Sanchez, a modern retelling of the story of Cain and Abel. Also included are two remarkable short stories, The Madness of Doctor Montarco and San Manuel Bueno, Martyr, featuring quixotic, philosophically existential characters confronted by the dull ache of modernity. Translated by Anthony Kerrigan and with an insightful introduction by Mario J. Valdes
James Bond is possibly the most well known fictional character in history. What most people don’t know is that almost all of the characters, plots and gadgets come from the real life experiences of Bond’s creator - Commander Ian Fleming. In this book, we go through the plots of Fleming’s novels explaining the real life experiences that inspired them. The reader is taken on a journey through Fleming’s direct involvement in World War II intelligence and how this translated through his typewriter into James Bond’s world, as well as the many other factors of Fleming’s life which were also taken as inspiration. Most notably, the friends who Fleming kept, among whom were Noel Coward and Randolph Churchill and the influential people he would mingle with, British Prime Ministers and American Presidents. Bond is known for his exotic travel, most notably to the island of Jamaica, where Fleming spent much of his life. The desk in his Caribbean house, Goldeneye, was also where his life experiences would be put onto paper in the guise of James Bond. As the island was highly influential for Fleming, it features heavily in this book, offering an element of escapism to the reader, with tales of a clear blue sea, Caribbean climate and island socialising. Ian Fleming might have died prematurely aged 53, but so much of him lives on to this day through the most famous spy in the world, James Bond.
"Chemo brain. Fatigue. Chronic pain. Insomnia. Depression. These are just a few of the ongoing, debilitating symptoms that plague some breast-cancer survivors long after their treatments have officially ended. After the Cure is a compelling read filled with fascinating portraits of more than seventy women who are living with the aftermath of breast cancer." "Having heard repeatedly that "the problems are all in your head," many don't know where to turn for help. The doctors who now refuse to validate their symptoms are often the very ones they depended on to provide life-saving treatments. Sometimes family members who provided essential support through months of chemotherapy and radiation don't believe them. Their work lives, already disrupted by both cancer and its treatment, are further undermined by the lingering symptoms. And every symptom serves as a constant reminder of the trauma of diagnosis, the ordeal of treatment, and the specter of recurrence." "Most narratives about surviving breast cancer end with the conclusion of chemotherapy and radiation, painting stereotypical portraits of triumphantly healthy survivors, women who not only survive but emerge better and stronger than before. After the Cure allows us to hear the voices of those who are silenced by the optimistic breast cancer culture, women who live with a broad array of health problems long after therapy ends. Here, at last, survivors step out of the shadows and speak compellingly about their real stories, giving voice to the complicated, often painful realities of life after the cure."--BOOK JACKET.
Appearing together in English for the first time, two masterpieces that take on the jazz age, the Nuremburg trials, postwar commercialism, and the feat of writing a book, presented in one brilliant volume The Death of My Brother Abel and its delirious sequel, Cain, constitute the magnum opus of Gregor von Rezzori’s prodigious career, the most ambitious, extravagant, outrageous, and deeply considered achievement of this wildly original and never less than provocative master of the novel. In Abel and Cain, the original book, long out of print, is reissued in a fully revised translation; Cain appears for the first time in English. The Death of My Brother Abel zigzags across the middle of the twentieth century, from the 1918 to 1968, taking in the Jazz Age, the Anschluss, the Nuremberg trials, and postwar commercialism. At the center of the book is the unnamed narrator, holed up in a Paris hotel and writing a kind of novel, a collage of sardonic and passionate set pieces about love and work, sex and writing, families and nations, and human treachery and cruelty. In Cain, that narrator is revealed as Aristide Subics, or so at least it appears, since Subics’ identity is as unstable as the fictional apparatus that contains him and the times he lived through. Questions abound: How can a man who lived in a time of lies know himself? And is it even possible to tell the story of an era of lies truthfully? Primarily set in the bombed-out, rubble- strewn Hamburg of the years just after the war, the dark confusion and deadly confrontation and of Cain and Abel, inseparable brothers, goes on.
Van Pelt's first collection, "Strangers and Beggars," was voted one of the Best Books of 2003 by the American Library Association. This new collection continues to explore the ever-changing boundaries of science fiction, fantasy and horror.
William's Steig's Abel's Island tells the story of a mouse who gets swept away from his beloved wife—a truly timeless classic about life's simple pleasures. Abel's place in his familiar, mouse world has always been secure; he had an allowance from his mother, a comfortable home, and a lovely wife, Amanda. But one stormy August day, furious flood water carry him off and dump him on an uninhabited island. Despite his determination and stubborn resourcefulness--he tried crossing the river with boats and ropes and even on stepping-stones--Abel can't find a way to get back home. Days, then weeks and months, pass. Slowly, his soft habits disappear as he forages for food, fashions a warm nest in a hollow log, models clay statues of his family for company, and continues to brood on the problem of how to get across the river--and home. Abel's time on the island brings him a new understanding of the world he's separated from. Faced with the daily adventure of survival in his solitary, somewhat hostile domain, he is moved to reexamine the easy way of life he had always accepted and discovers skills and talents in himself that hold promise of a more meaningful life, if and when he should finally return to Mossville and his dear Amanda again. Abel's Island is a 1976 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, and a 1977 Newbery Honor Book. It was adapted to a short animated film directed by Michael Sporn in 1988.
Legend has it that Pancho Villa’s grave was robbed—and his head stolen—in 1926. A gringo is credited with the theft, but Gus Corral’s great-grandfather was there too. As often happens to Chicanos, his role was given short shrift. But the Corral family has taken care of the skull for as long as Gus can remember. It’s a jolt when “Panchito” is stolen from his sister’s house. It’s the only connection to the old-timers of the family, so Gus knows he will have to get to the bottom of the disappearance, even if it means tangling with thieves and thugs. A variety of characters—writers, attorneys, Vietnam vets, cops, soldiers—populate these stories in which situations frequently aren’t what they seem. An old man knows more about the disappearance of a neighbor than he lets on. A barber is involved in something that brings a ski-mask wearing, gun-toting hoodlum into his shop. And a cop accused of using excessive force hasn’t told his family the whole truth. Many stories in this gripping collection feature Mexican Americans struggling with their circumstances as an ethnic minority in the United States. Others cover historical events, from the Mexican Revolution to an encounter with Jack Kerouac. All spotlight Ramos’ artistry and dexterity as he shifts from noir to historical and even ficción rápida, or flash fiction. Spanning his acclaimed writing career, this volume includes Ramos’ first story published in 1986, “White Devils and Cockroaches,” which features an attorney who served as the prototype for Luis Montez, the protagonist in five of his award-winning novels.
The mega-bestselling novel that made Jeffrey Archer a star, Kane and Abel, “a sprawling blockbuster!”—Publishers Weekly TWO STRANGERS BORN WORLDS APART. ONE DESTINY THAT WOULD DEFINE THEM BOTH... William Lowell Kane and Abel Rosnovski, one the son of a Boston millionaire, the other a penniless Polish immigrant—born on the same day near the turn of the century on opposite sides of the world—are brought together by fate and the quest of a dream. Two men—ambitious, powerful, ruthless—are locked in a relentless struggle to build an empire, fueled by their all-consuming hatred. Over sixty years and three generations, through war, marriage, fortune, and disaster, Kane and Abel battle for the success and triumph that only one man can have. “Archer is a master entertainer.”—Time