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These two volumes list late-and mid-Victorian poets, with brief biographical information and bibliographical details of published works. The major strength of the works is the 'discovery' of very many minor poets and their work, unrecorded elsewhere.
"In the Fall of 2010 I gave an assignment in my Appalachian Literature class at Berea College, telling my students to write their own version of "Where I'm From" poem based on the writing prompt and poem by George Ella Lyon, one of the preeminent Appalachian poets. I was so impressed by the results of the assignment that I felt the poems needed to be preserved in a bound document. Thus, this little book. These students completely captured the complexities of this region and their poems contain all the joys and sorrows of living in Appalachia. I am proud that they were my students and I am very proud that together we produced this record of contemporary Appalachian Life" -- Silas House
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
To interpret poetry is then to lose the entity of poetry itself. A simple poem that may find one reader simply laughing at its rhyme, just might yet lead another to be found simply wondering what the true intention of that verse was. Simply put It just might not have one in the first place! A rhyme and reason? Well, this book of poetry is literally 'jam-packed' full of them both. So get ready to sit back comfortably in your favorite chair, treat yourself to a nice hot cup of coffee or tea, and before long you will soon begin to find out the reason why you're taking your valuable time to read this collection of verses. There are a wide variety of tasteful poems throughout this book, but in a sense they were designed to enlighten the reader's taste buds, in the desire that they will truly savor the heartfelt intention that this book of poetry was written for. Wally Edmond's prolific style of poetry had been featured for over twenty years through the late Bob Stalder's poetry column "Poet's Pen," which was published in the Beatrice Daily Sun, a Nebraskan newspaper. He and his family live in the rural town of Wymore Nebraska, where he enjoys writing his featured column "Artistically Arbor" for the Wymore Arbor State, a local weekly newspaper. The column is mixed with Wally's, poetry, quotations, and short stories.
Responding to the enormous interest in African-American literature, Columbia University Press is publishing a Granger's(R) index devoted exclusively to poetry by African-Americans. To compile the Index to African-American Poetry, a team of consultants indentified the best, most widely available anthologies and volumes of collected and selected works. The result: this new index includes more than 11,000 poems by 659 poets.