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Some Library of Congress Representatives placed AFRO-CHRISTIANO-HAITIANO-Voodoo (A. C. H. V.) under the category of scientific work! Ms. Barrett (Literary Agent) acknowledged A. C. H. V.s objectivity! Writers Literary Agency Representatives like the concept and found it unique. Mr. C. H. Dodd Peters said "a tradition may undergo alteration or distortion in the course of long transmission by word-of-mouth. . . . When . . . written, stands substantially unaltered; . . . test and control it by a careful and critical study of the documents which caught and fixed it at the earliest accessible stage of development [1]." In order to prevent alteration or distortion, one put in writing some of the elements found in voodoo (i.e., songs, prayers, tales, etc) that initiates and non-initiates heard. In passing, I did not intend to reveal any secrets initiates kept. We strived to come to call voodoo AFRO-CHRISTIANO-HAITIANO. This project became important to me after learning from several sources some people have been looking for anti-Christ elements to destroy them. I planned to make necessary repairs. * * * We intended to present some questions many voodooists posed about voodoo and to transmit objective responses through AFRO-CHRISTIANO-HAITIANO-Voodoo (A. C. H. V.). One aimed at confirming the responses with studies conducted and empirical data; honoring voodooists who did not question voodoo. One worked to sustain the faith of those persons and to perpetuate the words of God. One aimed at proving that God exists. This specially came to be more important when I heard on the radio (U. S. A.) most "baby boomers" asked whether God existed or not; if they have worked on Earth in vain. Here, one planed to honor the major and minor spirits. My work differs from the books of DOKTOR Snake (VOODOO SPELLBOOK) and Mrs. Denise Alvarado (THE VOODOO HOODOO SPELL BOOK). In their books, they paid attention to spells. I paid attention to spells and other matters in my book. Mrs. Catherine YRONWODE's work entailed herb and root virtues or their inclusion in magic. (The title of her book is HOODOO HERB AND ROOT MAGIC.) I paid attention to magic and other matters in book. Mr. Milo RIGAUD's SECRETS OF VOODOO dealt with secrets of voodoo. Mine did not. I included hundreds of lyrics to voodoo songs in my work and they, at the very least, render it unique.
This book uncovers secrets secluded by the evil forces of religion. Since the European and Middle easterner slave dealers ventured foot into Africa, Haiti and the Americas, blacks and other non-whites have had legacies stolen, re-branded and rewritten.True Historical FiguresOverflowing with intriguing chunks of actuality and data, The Black Craft incorporates incredible well-known and 'should be' well-known Witches, like:✓ Morgan Le Fay✓ Marie Laveau✓ Joan of Arc✓ Isobel GowdieAlso included are Denmark Vesey, Nat Turner, Harriet Jacobs, and David Ruggles. Sorted out sequentially and fastidiously investigated, this book gives an instructive take a look at the conspicuous job that these people played and how their lives helped change abilities, thoughts, and aptitude added to witchcraft & black magic as we know it today.History of Black MagicLe'Fay investigates the history of the Black Church, the category of 'Black Magic', Vodoun as a dark magic custom, shamanism in Peru, religion introduced in slavery, Black American genocide and non-white injustice as it advanced both in the United States and the Caribbean after the landing of oppressed Africans. Regularly, when individuals discuss "Black Magic" they are alluding to African, Native American and Mestizo customs and rituals outlawed and re-branded by the power structure., truth be told, the dominant part of slaves were conveyed to the Caribbean, South America, and Haiti. It was there, Le'Fay contends, that the Black religious experience was conceived.The monstrous Afro-Caribbean populace could set up a type of Christianity that safeguarded African Gods and practices, yet combined them with Christian lessons, bringing about religions, for example, Cuba's Santería. The Black religious involvement in the U.S. was particularly unique since African Americans were a political and social minority. The Plantation Church turned into a position of comfort and opposition that furnished its individuals with a feeling of family relationship, not exclusively to one another yet in addition to their familial past.Similarities in FaithDespite their common origins, most religions are not studied together:✓ Christianity✓ Islam✓ Wicca✓ Voodoo✓ Witchcraft✓ Shamanism✓ Spiritism✓ Animism The Black Craft looks at the parallel accounts of these strands of the Religion, demonstrating where their authentic ties stay solid and where diverse conditions have driven them down surprisingly dissimilar ways. The outcome will be a work that lights up the accounts, religious philosophies, governmental issues, and customs of these related parts of Religion.Questions & Answers RevealedWhat are the origins of black magic, voodoo, and witchcraft? How are Christianity, Witchcraft, Voodoo and African Spiritism common? How does the modern Black American culture form and evolve from religion & witchcraft? How did slavery, Jim Crow Laws, the One Drop Rule, Christianity, and Witchcraft help the inducement of black genocide in the modern colonized United States?Are you Willing to?Discover out what's truly going on in the background of Religion, Christianity, and Witchcraft as it relates to present day Black America, servitude and genocide.
This book traces the development of Haiti's combined Vodou-Christian religion from 1500 to the present and explains how this combination of distinct faiths coalesces in a coherent belief system. What are the historical reasons for the popularity of two contradictory worldviews in Haiti, Vodou and Catholicism? What elements of Vodou and Catholicism are alike, and how are they drastically different? What is the connection between indigenous African religions and Vodou? And why has religion in Haiti evidenced an accelerating rate of change in recent decades? Roots of Haiti's Vodou-Christian Faith: African and Catholic Origins answers these questions and more in its examination of the highly unique and often-misunderstood religious practices in Haiti. Reaching back half a millennium to the European conquest of the island of Haiti, author R. Murray Thomas inspects the origins and nature of these two competing and complementary religious traditions: the traditional African faiths brought by the slaves who were imported to Haiti to labor in the fields and mines, and the Catholicism promoted—often violently—by Spanish and French colonial authorities. Following a historical background, the subsequent chapters focus on the organization of Haitian religion, spirits, creation belief, causes and ceremonies, maxims and tales, symbols and sacred objects, sacred sites, religious societies, and the future of the Vodou-Christian faith.
Part textbook, part life-story, part theological exposé, Understanding Haitian Voodoo comes from a much-respected Haitian gentleman who writes as a lawyer, judge, and evangelist who cares deeply about his people and their bondage in Voodoo. "Voodoo is not simply a myth, toward which we can remain indifferent. It is not just popular culture that we should teach and practice in schools through dances and songs. The gods of Voodoo are not simply idols or harmless gods. They are real beings, intelligent beings, they lust after worship and are full of cruelty." With testimonies from Voodoo priests, followers, witch doctors and more, Understanding Haitian Voodoo is a deep observation of Haitian Voodoo through the eyes of Christian faith, molded in Haitian theology that is biblical, contemporary, relevant and transformational. From his identity as a Christian believer and as a Haitian, proud of his culture, traditions, language and customs, author Emmanuel Félix brings a remarkable contribution to a better understanding of the relationship of Voodoo to Haitian culture, to Christianity, to zombies, community life, religions and beliefs, identity and more. The final conclusion of this majestic work confirms all that man seeks is found in the Almighty God Jehovah, through Jesus Christ, and in Him alone, no matter a man's race, culture and beliefs. Whether you're planning to visit Haiti, seeking to pray more intelligently for the work of the Gospel or are simply looking to learn more about the Haitian people, this book is a must-read. Read this book prayerfully, with a Bible at your side and an eye on the realities of life in Haiti. Published by Radio 4VEH, The Evangelistic Voice of Haiti, serving God and the Haitian people through effective Christian broadcasting since 1950. Proceeds from the sale of Understanding Haitian Voodoo support the ministry of Radio 4VEH.
Vodou, the folk religion of Haiti, is a by-product of the contact between Roman Catholicism and African and Amerindian traditional religions. In this book, Leslie Desmangles analyzes the mythology and rituals of Vodou, focusing particularly on the inclusion of West African and European elements in Vodouisants' beliefs and practices. Desmangles sees Vodou not simply as a grafting of European religious traditions onto African stock, but as a true creole phenomenon, born out of the oppressive conditions of slavery and the necessary adaptation of slaves to a New World environment. Desmangles uses Haitian history to explain this phenomenon, paying particular attention to the role of the seventeenth- and eighteenth-century maroon communities in preserving African traditions and the attempts by the Catholic, educated elite to suppress African-based "superstitions." The result is a society in which one religion, Catholicism, is visible and official; the other, Vodou, is unofficial and largely secretive.
Voodoo in Haiti is a masterwork of observation and description by one of the most distinguished anthropologists of the twentieth century. Alfred Métraux has written a rich and lasting study of the lives and rituals of the Haitian mambos and adepts, and of the history and origins of their religion. It is an accurate and engaging account of one of the most fascinating and misunderstood cultures in the world. “Métraux’s book is a landmark in the serious study of Afro-Atlantic religion. The breadth and subtlety of its approach is such that it remains an essential classic of Afro-American ethnology.”—Robert Farris Thompson, professor of art history, Yale University, author of Flash of the Spirit “This is a work deserving of wide readership, and assured of it by its understanding and appeal.”—Library Journal “This book gives what is surely the most authoritative general account of that complex of belief and practice called vaudou available in the literature....No other observer of vaudou has contributed to its study the exquisite documentation of detail that marks the work of Alfred Métraux.”—Sidney W. Mintz, professor of anthropology, Johns Hopkins University
This compelling reference work introduces the religions of Voodoo, a onetime faith of the Mississippi River Valley, and Vodou, a Haitian faith with millions of adherents today. Unlike its fictional depiction in zombie films and popular culture, Voodoo is a full-fledged religion with a pantheon of deities, a priesthood, and communities of believers. Drawing from the expertise of contemporary practitioners, this encyclopedia presents the history, culture, and religion of Haitian Vodou and Mississippi Valley Voodoo. Though based primarily in these two regions, the reference looks at Voodoo across several cultures and delves into related religions, including African Vodu, African Diasporic Religions, and magical practices like hoodoo. Through roughly 150 alphabetical entries, the work describes various aspects of Voodoo in Louisiana and Haiti, covering topics such as important places, traditions, rituals, and items used in ceremonies. Contributions from scholars in the field provide a comprehensive overview of the subject from various perspectives and address the deities and ceremonial acts. The book features an extensive collection of primary sources and a selected, general bibliography of print and electronic resources.
Haitian Vodou breaks away from European and American heuristic models for understanding a religio-philosophical system such as Vodou in order to form new approaches with an African ethos. The contributors to this volume, all Haitians, examine the potentially radical and transformative possibilities of the religious and philosophical ideologies of Vodou and locate its foundations more clearly within an African heritage. Essays examine Vodou's roles in organizing rural resistance; forming political values for the transformation of Haiti; teaching social norms, values, and standards; influencing Haitian culture through art and music; merging science with philosophy, both theoretically and in the healing arts; and forming the Haitian "manbo," or priest.
Secrets of Voodoo traces the development of this complex religion (in Haiti and the Americas) from its sources in the brilliant civilizations of ancient Africa. This book presents a straightforward account of the gods or loas and their function, the symbols and signs, rituals, the ceremonial calendar of Voodoo, and the procedures for performing magical rites are given. "Voodoo," derived from words meaning "introspection" and "mystery," is a system of belief about the formation of the world and human destiny with clear correspondences in other world religions. Rigaud makes these connections and discloses the esoteric meaning underlying Voodoo's outward manifestations, which are often misinterpreted. Translated from the French by Robert B. Cross. Drawings and photographs by Odette Mennesson-Rigaud. Milo Rigaud was born in Port au Prince, Haiti, in 1903, where he spent the greater part of his life studying the Voodoo tradition. In Haiti he studied law, and in France ethnology, psychology, and theology. The involvement of Voodoo in the political struggle of Haitian blacks for independence was one of his main concerns.
This book begins with a simple question: why do so many Dominicans deny the African components of their DNA, culture, and history? Seeking answers, Milagros Ricourt uncovers a complex and often contradictory Dominican racial imaginary. Observing how Dominicans have traditionally identified in opposition to their neighbors on the island of Hispaniola—Haitians of African descent—she finds that the Dominican Republic’s social elite has long propagated a national creation myth that conceives of the Dominican as a perfect hybrid of native islanders and Spanish settlers. Yet as she pores through rare historical documents, interviews contemporary Dominicans, and recalls her own childhood memories of life on the island, Ricourt encounters persistent challenges to this myth. Through fieldwork at the Dominican-Haitian border, she gives a firsthand look at how Dominicans are resisting the official account of their national identity and instead embracing the African influence that has always been part of their cultural heritage. Building on the work of theorists ranging from Edward Said to Édouard Glissant, this book expands our understanding of how national and racial imaginaries develop, why they persist, and how they might be subverted. As it confronts Hispaniola’s dark legacies of slavery and colonial oppression, The Dominican Racial Imaginary also delivers an inspiring message on how multicultural communities might cooperate to disrupt the enduring power of white supremacy.