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Some Library of Congress Representatives placed AFRO-CHRISTIANO-HAITIANO-Voodoo (A. C. H. V.) under the category of scientific work! Ms. Barrett (Literary Agent) acknowledged A. C. H. V.s objectivity! Writers Literary Agency Representatives like the concept and found it unique. Mr. C. H. Dodd Peters said "a tradition may undergo alteration or distortion in the course of long transmission by word-of-mouth. . . . When . . . written, stands substantially unaltered; . . . test and control it by a careful and critical study of the documents which caught and fixed it at the earliest accessible stage of development [1]." In order to prevent alteration or distortion, one put in writing some of the elements found in voodoo (i.e., songs, prayers, tales, etc) that initiates and non-initiates heard. In passing, I did not intend to reveal any secrets initiates kept. We strived to come to call voodoo AFRO-CHRISTIANO-HAITIANO. This project became important to me after learning from several sources some people have been looking for anti-Christ elements to destroy them. I planned to make necessary repairs. * * * We intended to present some questions many voodooists posed about voodoo and to transmit objective responses through AFRO-CHRISTIANO-HAITIANO-Voodoo (A. C. H. V.). One aimed at confirming the responses with studies conducted and empirical data; honoring voodooists who did not question voodoo. One worked to sustain the faith of those persons and to perpetuate the words of God. One aimed at proving that God exists. This specially came to be more important when I heard on the radio (U. S. A.) most "baby boomers" asked whether God existed or not; if they have worked on Earth in vain. Here, one planed to honor the major and minor spirits. My work differs from the books of DOKTOR Snake (VOODOO SPELLBOOK) and Mrs. Denise Alvarado (THE VOODOO HOODOO SPELL BOOK). In their books, they paid attention to spells. I paid attention to spells and other matters in my book. Mrs. Catherine YRONWODE's work entailed herb and root virtues or their inclusion in magic. (The title of her book is HOODOO HERB AND ROOT MAGIC.) I paid attention to magic and other matters in book. Mr. Milo RIGAUD's SECRETS OF VOODOO dealt with secrets of voodoo. Mine did not. I included hundreds of lyrics to voodoo songs in my work and they, at the very least, render it unique.
This book begins with a simple question: why do so many Dominicans deny the African components of their DNA, culture, and history? Seeking answers, Milagros Ricourt uncovers a complex and often contradictory Dominican racial imaginary. Observing how Dominicans have traditionally identified in opposition to their neighbors on the island of Hispaniola—Haitians of African descent—she finds that the Dominican Republic’s social elite has long propagated a national creation myth that conceives of the Dominican as a perfect hybrid of native islanders and Spanish settlers. Yet as she pores through rare historical documents, interviews contemporary Dominicans, and recalls her own childhood memories of life on the island, Ricourt encounters persistent challenges to this myth. Through fieldwork at the Dominican-Haitian border, she gives a firsthand look at how Dominicans are resisting the official account of their national identity and instead embracing the African influence that has always been part of their cultural heritage. Building on the work of theorists ranging from Edward Said to Édouard Glissant, this book expands our understanding of how national and racial imaginaries develop, why they persist, and how they might be subverted. As it confronts Hispaniola’s dark legacies of slavery and colonial oppression, The Dominican Racial Imaginary also delivers an inspiring message on how multicultural communities might cooperate to disrupt the enduring power of white supremacy.
Voodoo in Haiti is a masterwork of observation and description by one of the most distinguished anthropologists of the twentieth century. Alfred Métraux has written a rich and lasting study of the lives and rituals of the Haitian mambos and adepts, and of the history and origins of their religion. It is an accurate and engaging account of one of the most fascinating and misunderstood cultures in the world. “Métraux’s book is a landmark in the serious study of Afro-Atlantic religion. The breadth and subtlety of its approach is such that it remains an essential classic of Afro-American ethnology.”—Robert Farris Thompson, professor of art history, Yale University, author of Flash of the Spirit “This is a work deserving of wide readership, and assured of it by its understanding and appeal.”—Library Journal “This book gives what is surely the most authoritative general account of that complex of belief and practice called vaudou available in the literature....No other observer of vaudou has contributed to its study the exquisite documentation of detail that marks the work of Alfred Métraux.”—Sidney W. Mintz, professor of anthropology, Johns Hopkins University
The best spy story; the worst spy. Compared with the burning rage of a fired woman, global warming is a cosy campfire. The International Climate Conference in Krakow will save the world from every known ecological disaster. The LSD (Luxembourg Spy Department) wants to help: they send Red, The Runner, to start this story with a BANG. But when Red completes his mission, he discovers that global warming is just a cosy campfire, compared with Scarlett's burning rage after being fired. Red tries to stay cool: "You deserve a better job. I'll help you." But Scarlett is not interested in finding a new job; she wants to find the criminal who made her lose the old one. All the terrible things in human history were done by men. Women are nice, warm, soft, friendly, kind, with a big mother's heart for everyone. When a woman like Scarlett wants revenge, there's nothing to be afraid of.
When African slaves were brought to the American South to work the plantations, they brought with them their culture, traditions, and religion—including what came to be called voodoo. This unique blend of Christianity, herbalism, and folk magic is still practiced in South Carolina's Lowcountry. Though a beginners guide, Lowcountry Voodoo offers a surprising wealth of information about this fascinating part of Lowcountry life. Learn about: the Gullah and their ways how to bring good luck and avoid bad luck spells and curses and how to avoid them how to cook up traditional good-luck meals for New Years Day a real voodoo village you can visit sweetgrass baskets events and tours to acquaint you with Lowcountry culture. In a selection of Lowcountry tales that feature voodoo, meet: a boo hag bride who sheds her skin at night Dr. Buzzard, the most famous root doctor a giant ghost dog a young man whose love potion worked too well George Powell, who outwitted a haint Crook-Neck Dick, who (mostly) outwitted a hangman Doctor Trott, who captured a mermaid.
Vodou, the folk religion of Haiti, is a by-product of the contact between Roman Catholicism and African and Amerindian traditional religions. In this book, Leslie Desmangles analyzes the mythology and rituals of Vodou, focusing particularly on the inclusion of West African and European elements in Vodouisants' beliefs and practices. Desmangles sees Vodou not simply as a grafting of European religious traditions onto African stock, but as a true creole phenomenon, born out of the oppressive conditions of slavery and the necessary adaptation of slaves to a New World environment. Desmangles uses Haitian history to explain this phenomenon, paying particular attention to the role of the seventeenth- and eighteenth-century maroon communities in preserving African traditions and the attempts by the Catholic, educated elite to suppress African-based "superstitions." The result is a society in which one religion, Catholicism, is visible and official; the other, Vodou, is unofficial and largely secretive.
Collected essays exploring the origins and evolution of music and dance in Afro-Atlantic culture