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A union list of serials commencing publication after Dec. 31, 1949.
This book explores the aesthetic forms of the political left across the borders of post-colonial, post-partition South Asia. Spanning India, Sri Lanka, Pakistan and Bangladesh, the contributors study art, film, literature, poetry and cultural discourse to illuminate the ways in which political commitment has been given aesthetic form and artistic value by artists and by cultural and political activists in postcolonial South Asia. With a focused conceptualization this volume asks: Does the political left in South Asia have a recognizable aesthetic form? And if so, what political effects do left-wing artistic movements and aesthetic artefacts have in shaping movements against inequality and injustice? Reframing political aesthetics within a postcolonial and decolonised framework, the contributors detail the trajectories and transformations of left-wing cultural formations and affiliations and focus on connections and continuities across post-1947/8 India, Pakistan, Sri Lanka and Bangladesh.
The texts that make up postcolonial print cultures are often found outside the archival catalogue, and in lesser-examined repositories such as personal collections, the streets, or appendages to established collections. This volume examines the published and unpublished writing, magazines, pamphlets, paratexts, advertisements, cartoons, radio, and street art that serve as the intellectual forces behind opposition to colonial orders, as meditations on the futures of embryonic nation states, and as visions of new forms of equality. The print cultures examined here are necessarily anti-institutional; they serve as a counterpoint to the colonial archive and, relatedly, to more traditional genres and text formats coming out of large-scale publishers. This means that much of the primary material analyzed in this book has not been scrutinized before. Many of these print productions articulate collective liberation projects with origins in the grassroots. They include debates around the shape of the postcolonial nation and the new state formation that necessarily draw on a diverse and contentious public sphere of opinion. Their rhetoric ranges from the reformist to the revolutionary. Reflecting the diversity, indeed the disorderliness, of postcolonial print cultures this book covers local, national, and transnational cultures from Asia, Africa, Europe and the Americas. Its wide-ranging essays offer a nuanced and, taken together, a definitive (though that is not to say comprehensive or systematic) study of a global phenomenon: postcolonial print cultures as a distinct literary field. The chapters recover the efforts of writers, readers and publishers to produce a postcolonialism 'from below', and thereby offer a range of fresh perspectives on the meaning and history of postcolonialism.
This book explores the global history of anti-apartheid and international solidarity with southern African freedom struggles from the 1960s. It examines the institutions, campaigns and ideological frameworks that defined the globalization of anti-apartheid, the ways in which the concept of solidarity was mediated by individuals, organizations and states, and considers the multiplicity of actors and interactions involved in generating and sustaining anti-apartheid around the world. It includes detailed accounts of key case studies from Europe, Asia, and Latin America, which illustrate the complex relationships between local and global agendas, as well as the diverse political cultures embodied in anti-apartheid. Taken together, these examples reveal the tensions and synergies, transnational webs and local contingencies that helped to create the sense of ‘being global’ that united worldwide anti-apartheid campaigns.
In The Ideological Scramble for Africa, Frank Gerits examines how African leaders in the 1950s and 1960s crafted an anticolonial modernization project. Rather than choose Cold War sides between East and West, anticolonial nationalists worked to reverse the psychological and cultural destruction of colonialism. Kwame Nkrumah's African Union was envisioned as a federation of liberation to challenge the extant imperial forces: the US empire of liberty, the Soviet empire of equality, and the European empires of exploitation. In the 1950s, the goal of proving the potency of a pan-African ideology shaped the agenda of the Bandung Conference and Ghana's support for African liberation, while also determining what was at stake in the Congo crisis and in the fight against white minority rule in southern and eastern Africa. In the 1960s, the attempt to remake African psychology was abandoned, and socioeconomic development came into focus. Anticolonial nationalists did not simply resist or utilize imperial and Cold War pressures but drew strength from the example of the Haitian Revolution of 1791, in which Toussaint Louverture demanded the universal application of Europe's Enlightenment values. The liberationists of the postwar period wanted to redesign society in the image of the revolution that had created them. The Ideological Scramble for Africa demonstrates that the Cold War struggle between capitalism and Communism was only one of two ideological struggles that picked up speed after 1945; the battle between liberation and imperialism proved to be more enduring.