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Black New Jersey brings to life generations of courageous men and women who fought for freedom during slavery days and later battled racial discrimination. Extensively researched, it shines a light on New Jersey's unique African American history and reveals how the state's black citizens helped to shape the nation.
Dutch and English settlers brought the first enslaved people to New Jersey in the seventeenth century. By the time of the Revolutionary War, slavery was an established practice on labor-intensive farms throughout what became known as the Garden State. The progenitor of the influential Morris family, Lewis Morris, brought Barbadian slaves to toil on his estate of Tinton Manor in Monmouth County. "Colonel Tye," an escaped slave from Shrewsbury, joined the British "Ethiopian Regiment" during the Revolutionary War and led raids throughout the towns and villages near his former home. Charles Reeves and Hannah Van Clief married soon after their emancipation in 1850 and became prominent citizens of Lincroft, as did their next four generations. Author Rick Geffken reveals stories from New Jersey's dark history of slavery.
"Union County Black Americans is a first-time glimpse into the struggles and triumphs of local Blacks from the first days of English rule to contemporary times. Using a wide array of images and concisely written original text, the book juxtaposes Black historical figures, events, and places with mainstream recordings of local, state, and national history.
In this remarkable book, Graham Hodges presents a comprehensive history of African Americans in New York City and its rural environs from the arrival of the first African--a sailor marooned on Manhattan Island in 1613--to the bloody Draft Riots of 1863. Throughout, he explores the intertwined themes of freedom and servitude, city and countryside, and work, religion, and resistance that shaped black life in the region through two and a half centuries. Hodges chronicles the lives of the first free black settlers in the Dutch-ruled city, the gradual slide into enslavement after the British takeover, the fierce era of slavery, and the painfully slow process of emancipation. He pays particular attention to the black religious experience in all its complexity and to the vibrant slave culture that was shaped on the streets and in the taverns. Together, Hodges shows, these two potent forces helped fuel the long and arduous pilgrimage to liberty.
This project became available online in 1995 as "The Cemetery." The site was an attempt to provide access to my earliest artworks that addressed history, memory, and memorial within the African American community. In the late 1990's the web project evolved to include a wider range of works and the project title became "Small Towns, Black Lives." To coincide with a large survey exhibition and the publication of the book version of the project, I created the final version of the web project in 2002.
Focusing on the development of a single African American community in eastern New Jersey, Hodges examines the experience of slavery and freedom in the rural north. This unique social history addresses many long held assumptions about the experience of slavery and emancipation outside the south. For example, by tracing the process by which whites maintained "a durable architecture of oppression" and a rigid racial hierarchy, it challenges the notions that slavery was milder and that racial boundaries were more permeable in the north. Monmouth County, New Jersey, because of its rich African American heritage and equally well-preserved historical record, provides an outstanding opportunity to study the rural life of an entire community over the course of two centuries. Hodges weaves an intricate pattern of life and death, work and worship, from the earliest settlement to the end of the Civil War.
This book examines the evolution of Muslim community development in Newark, New Jersey. It is an historical account of the efforts of a diverse community that over several decades grappled with the challenge of establishing a respected place for their Islamic lifestyle within the United States. Further, it is a story linked closely to the experience of African Americans who have claimed Islam as their religion and struggled to create and to maintain an identity in the social fabric of Newark's twentieth-century Black religious culture. The complexities of race, identity, inter-religious and intra-religious relations are the four central themes explored.
On March 1, 1894, two African American men broke into a home in rural Franklin Park and murdered a white woman and her daughter before her husband fought and killed the attackers. The newspapers called it the "Franklin Park Tragedy," and the story captivated public attention nationally and abroad. Another tragedy came afterward, with the racist forced expulsion of many local African American residents. Author Brian Armstrong tells the shocking story of this "sundown town" and how it evolved into the diverse community that exists today.
Cemeteries have stories to tell and lessons from the past that we can draw upon. If These Stones Could Talk brings fresh light to a forgotten corner of American history that begins in a small cemetery in central New Jersey.