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African Renaissance in the Millennium frames a critical debate for the essential and necessary transformation of Africa in this epoch. E. Ike Udogu highlights how political, social, and economic development enterprises are to be vigorously pursued in order to advance the continent's renewal. Bringing into focus the discourses that are significant to move the continent forward, the author provides possible strategies that might lead to peaceful coexistence, development, and generation of wealth for the area's recovery. After several decades of policy missteps, inadequate government, ethnic and religious conflicts, and civil war, Africa is in need of this resurgence. African Renaissance in the Millennium is a book appropriate to all levels of students and researchers with an interest in Africa's future. Book jacket.
First Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.
Africa faces several major development challenges that have adversely affected the political and material well being of the majority of the people living there. This collection of new essays rigorously analyzes those frontier development issues--including democracy, leadership, the economy, poverty alleviation through microfinance schemes, food security, education, health and political instability--and offers prescriptions that differ from the dominant neoliberal solutions.
The African Renaissance and the Afro-Arab Spring addresses the often unspoken connection between the powerful call for a political-cultural renaissance that emerged with the end of South African apartheid and the popular revolts of 2011 that dramatically remade the landscape in Egypt, Libya, and Tunisia. Looking between southern and northern Africa, the transcontinental line from Cape to Cairo that for so long supported colonialism, its chapters explore the deep roots of these two decisive events and demonstrate how they are linked by shared opposition to legacies of political, economic, and cultural subjugation. As they work from African, Islamic, and Western perspectives, the book’s contributors shed important light on a continent’s difficult history and undertake a critical conversation about whether and how the desire for radical change holds the possibility of a new beginning for Africa, a beginning that may well reshape the contours of global affairs.
Confronting the Challenges and Prospects in the Creation of a Union of African States in the 21st Century frames the discourse around the important issue of African unification, against the backdrop of the region’s political and economic marginalization. Arguably the richest continent in the world, in terms of its abundant untapped natural resources and human capital, it still lags behind the other regions of the world developmentally. Undeniably, Africa is at the crossroads in this millennium, within the context of the powerful events and effects of the “New Globalization.” One of the central issues that academics and political actors, interested in African development, must tackle immediately is how to make the region politically and economically relevant in global affairs. These objectives could be attained through continental amalgamation. Accordingly, this book debates and suggests, inter alia, strategies that might advance Africa’s unification effort in order to provide the politico-economic clout needed to spur continental development. Further, it argues that such a Union of African States is critical for promoting the “good political life” for all Africans.
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Trends in Twenty-First Century African Theatre and Performance is a collection of regionally focused articles on African theatre and performance. The volume provides a broad exploration of the current state of African theatre and performance and considers the directions they are taking in the 21st Century. It contains sections on current trends in theatre and performance studies, on applied/community theatre and on playwrights. The chapters have evolved out of a working group process, in which papers were submitted to peer-group scrutiny over a period of four years, at four international conferences. The book will be particularly useful as a key text for undergraduate and postgraduate courses in non-western theatre and performance (where this includes African theatre and performance), and would be a very useful resource for theatre scholars and anyone interested in African performance forms and cultures.
An intellectual tour de force, this bold, imaginative and provocative analysis of Africa's striving for political stability and economic growth demonstrates the potential for an African Renaissance today. One of Africa's leading intellectuals, Okumu analyses new initiatives such as NEPAD and discusses their potential role in Africa's economic welfare and future, while putting forward his own practical, policy oriented programme for an African Renaissance.
Featuring a notable list of international contributors, this book presents a systematic and stimulating discussion on regionalism, covering topical issues such as recent financial crises, enlargement within EU and the post-Lome regionalism of Africa.