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A story of desire and vengeance, this book starts with the longing of a wealthy man called Shehu for a child of his own and continues with the obsessive search by Abu Bakir for revenge on Shehu for luring away the woman he was to marry. It ends with the murder of Shehu by his own son.
A story of desire and vengeance, this book starts with the longing of a wealthy man called Shehu for a child of his own and continues with the obsessive search by Abu Bakir for revenge on Shehu for luring away the woman he was to marry. It ends with the murder of Shehu by his own son..
African-American Entertainment in Baltimore captures the brilliance of the city's musical heritage from 1930 to 1980. This educational and entertaining volume invites readers to take a visual trip down memory lane to the days when Pennsylvania Avenue, the heart of the city's African-American community, vibrated with life. Celebrated within these pages are entertainers such as The Ink Spots, Sonny Til & the Orioles, Illinois Jacquet, Cab Calloway, Lionel Hampton, Sammy Davis Jr., Slappy White, Pearl Bailey, Billie Holiday, and Ella Fitzgerald; The Avenue's hottest nightspots and theaters including the legendary Royal Theater, The Regent Theater, the Sphinx, and Club Casino; and the DJs and promoters who helped cultivate the city's musical talents.
"The inspiring journey of a girl from Africa whose near-death experience sparked a dream that changed the world"--
McAllister offers a history of black theater pioneer William Brown's career and places his productions within the broader context of U.S. social, political, and cultural history.
A Best Book of the Year: The Washington Post • Chicago Tribune • NPR • Vogue • Elle • Real Simple • InStyle • Good Housekeeping • Parade • Slate • Vox • Kirkus Reviews • Library Journal • BookPage Longlisted for the 2020 Booker Prize An Instant New York Times Bestseller A Reese's Book Club Pick "The most provocative page-turner of the year." --Entertainment Weekly "I urge you to read Such a Fun Age." --NPR A striking and surprising debut novel from an exhilarating new voice, Such a Fun Age is a page-turning and big-hearted story about race and privilege, set around a young black babysitter, her well-intentioned employer, and a surprising connection that threatens to undo them both. Alix Chamberlain is a woman who gets what she wants and has made a living, with her confidence-driven brand, showing other women how to do the same. So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains' toddler one night, walking the aisles of their local high-end supermarket. The store's security guard, seeing a young black woman out late with a white child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated. Alix resolves to make things right. But Emira herself is aimless, broke, and wary of Alix's desire to help. At twenty-five, she is about to lose her health insurance and has no idea what to do with her life. When the video of Emira unearths someone from Alix's past, both women find themselves on a crash course that will upend everything they think they know about themselves, and each other. With empathy and piercing social commentary, Such a Fun Age explores the stickiness of transactional relationships, what it means to make someone "family," and the complicated reality of being a grown up. It is a searing debut for our times.
Introduction to African Stories by Moonlight. The most memorable evenings I had as a child were those in which, together with other children, I listened to adults tell us stories which were often accompanied with rhythmic and delightful songs. When I started raising my own family in the city, my children looked forward to those nights when we would regale them with those stories and songs. I noticed then that many urban children were not exposed to these stories, as they were no longer in the environment in which they were told. It was after I did some studies on Indigenous African Education as a Visiting Scholar in the African Studies Center at UCLA, that I realized the molding influence of these stories on our character. Storytelling, of course, was a basic ingredient for traditional African education. I have therefore decided to share some of these stories with those children of African descent who are now away from the environment where they are told. Children and adults of other cultures will enjoy these stories, and learn from the wisdom embedded in them. The enthusiastic reception given to them by the multicultural classes to which I read them in the Long Beach Unified School District in California, further encouraged me to seek to publish them. I have written ten short stories in a language suitable for school readers, and a wider audience. If these stories help to revive storytelling in homes and communities, one objective for writing this book shall have been achieved. For the benefit of teachers who want to use the book to teach English, social studies, or multicultural studies, and for the benefit of families who would like to use the book for entertainment and learning, comprehension questions and answers have been prepared on each of the stories. These are available from [email protected]
NEW YORK TIMES BESTSELLER • A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller shares visceral memories of her childhood in Africa, and of her headstrong, unforgettable mother. “This is not a book you read just once, but a tale of terrible beauty to get lost in over and over.”—Newsweek “By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling.”—The New Yorker Though it is a diary of an unruly life in an often inhospitable place, Don’t Let’s Go to the Dogs Tonight is suffused with Fuller’s endearing ability to find laughter, even when there is little to celebrate. Fuller’s debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time. From 1972 to 1990, Alexandra Fuller—known to friends and family as Bobo—grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation. Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don’t Let’s Go to the Dogs Tonight is more than a survivor’s story. It is the story of one woman’s unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt. Praise for Don’t Let’s Go to the Dogs Tonight “Riveting . . . [full of] humor and compassion.”—O: The Oprah Magazine “The incredible story of an incredible childhood.”—The Providence Journal