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Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.
Engaging questions of language, identity, and reception to restore South African and diaspora writing to the African literary tradition
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
In Black to Nature: Pastoral Return and African American Culture, author Stefanie K. Dunning considers both popular and literary texts that range from Beyoncé’s Lemonade to Jesmyn Ward’s Salvage the Bones. These key works restage Black women in relation to nature. Dunning argues that depictions of protagonists who return to pastoral settings contest the violent and racist history that incentivized Black disavowal of the natural world. Dunning offers an original theoretical paradigm for thinking through race and nature by showing that diverse constructions of nature in these texts are deployed as a means of rescrambling the teleology of the Western progress narrative. In a series of fascinating close readings of contemporary Black texts, she reveals how a range of artists evoke nature to suggest that interbeing with nature signals a call for what Jared Sexton calls “the dream of Black Studies”—abolition. Black to Nature thus offers nuanced readings that advance an emerging body of critical and creative work at the nexus of Blackness, gender, and nature. Written in a clear, approachable, and multilayered style that aims to be as poignant as nature itself, the volume offers a unique combination of theoretical breadth, narrative beauty, and broader perspective that suggests it will be a foundational text in a new critical turn towards framing nature within a cultural studies context.
Nature conservation in southern Africa has always been characterised by an interplay between Capital, specific understandings of Morality, and forms of Militarism, that are all dependent upon the shared subservience and marginalization of animals and certain groups of people in society. Although the subjectivity of people has been rendered visible in earlier publications on histories of conservation in southern Africa, the subjectivity of animals is hardly ever seriously considered or explicitly dealt with. In this edited volume the subjectivity and sentience of animals is explicitly included. The contributors argue that the shared human and animal marginalisation and agency in nature conservation in southern Africa (and beyond) could and should be further explored under the label of ‘sentient conservation’. Contributors are Malcolm Draper, Vupenyu Dzingirai, Jan-Bart Gewald, Michael Glover, Paul Hebinck, Tariro Kamuti, Lindiwe Mangwanya, Albert Manhamo, Dhoya Snijders, Marja Spierenburg, Sandra Swart, Harry Wels.
Today, the East African state of Tanzania is renowned for wildlife preserves such as the Serengeti National Park, the Ngorongoro Conservation Area, and the Selous Game Reserve. Yet few know that most of these initiatives emerged from decades of German colonial rule. This book gives the first full account of Tanzanian wildlife conservation up until World War I, focusing upon elephant hunting and the ivory trade as vital factors in a shift from exploitation to preservation that increasingly excluded indigenous Africans. Analyzing the formative interactions between colonial governance and the natural world, The Nature of German Imperialism situates East African wildlife policies within the global emergence of conservationist sensibilities around 1900.
In 1955 on a visit to South Africa, Robert Ardrey became aware of the growing evidence that man had evolved on the African continent from carnivorous, predatory stock, who had also, long before man, achieved the use of weapons. A dramatist, Ardrey's interest in the African discoveries sprang less from purely scientific grounds than from the radical new light they cast on the eternal question: Why do we behave as we do? Are we naturally inclined towards war and weapons? From 1955 to 1961, Ardrey commuted between the museums and libraries and laboratories of the North, and the games reserves and fossil beds of Africa trying to answer that question. Eventually, his investigation expanded to include nationalism and patriotism, private property and social order, hierarchy and status-seeking, even conscience. All revealed roots in our most ancient animal beginnings and parallels in primate societies. African Genesis is at once the story of an unprecedented personal search and a story of man that had never before been told. It is a shocking book in that it challenges assumptions of human uniqueness that color every segment of modern thought and every aspect of our daily life. While evolutionary science has advanced markedly since Ardrey's times, his insights on human behavior have a timeless quality and African Genesis remains a classic reference for anyone exploring life's biggest questions. Praise for the 1961 edition: "It is fate and fortune of some books to mark or make a turning point in science and culture. This I believe African Genesis will do." Dr Harlow Shapley, Harvard University "The most enjoyable and stimulating book on the evolution of man that has been published for some time." The Nation "What this sensational book presents is a new and radical interpretation of human behavior. Since Ardrey has written it with excitement, clarity and style, the book will undoubtedly be widely read and cause widespread controversy. But African Genesis also deserves the most serious attention on the part of scientists as well as laymen." Dr Kenneth Oakley, Leading British Anthropologist, Senior Principal Scientific Officer, British Museum "Mr Ardrey's African Genesis is a fascinating drama played on a very broad and deep stage of space, time, biological evolution and ideas. The theme develops around man's striving to collect evidence and to understand the relational orders and timed sequences of living organisms. The search is for rational light on the true place of man himself in these biotic orders, and in the vast sweeps of the controlling environments. In this high drama the characters enter, leave relics and artifacts, act their roles as species, express their views and then exit. Among the characters are men of prehistory, nonhuman primates and the searching scientists themselves. The latter quarrel and dispute, cooperate and agree, strive for status and retreat from controversy. They are 'humans' as portrayed skillfully by Ardrey. Nevertheless, they contribute to the slowly advancing understanding of man in his living world or to what Ardrey describes as a revolution of biological conceptions." C. R. Carpenter, Penn State University "This quarrel about the innate nature of man began outside the gates of Eden, was continued by Darwin and Wallace and now looms menacingly across the threshold of the United Nations. Mr Ardrey has peered into our inner human darkness with wisdom gained from discoveries of natural history." Loren Eiseley, Benjamin Franklin Professor of Anthropology and History of Science, University of Pennsylvania
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