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Not since the likes of Robert Bateman has there been a masterpiece such as African Menagerie--one of the largest and most ambitious paintings in the history of wildlife art--here reproduced in exquisite detail in this oversize volume with gatefolds. Depicting more than 220 African species, the stunning large-scale mural African Menagerie is artist Brian Jarvi's masterwork. Lavishly reproduced in an oversize format with a gatefold, this book brings this landscape masterpiece to the conservationist, lover of Africa, and fan of wildlife art. In oversized color reproductions, the book African Menagerie offers readers a look at the finer details of the realist renderings of the animals and birds across the seven panels and thirty feet. There are also reproductions of the animal studies Jarvi created in the seventeen years leading up to the final work. Measuring 28 feet across and a full one-story tall, and connected via seven interlocking panels, Brian Jarvi's painting includes more than 200 different African wildlife species, presented as if they are looking at us, the human viewers, seemingly challenging us to save this planet. Many of the species featured in Jarvi's painting are, according to experts, expected to be extinct in the wild by the middle of this century unless humankind takes bold action to ensure their continued existence. In oversized color reproductions, African Menagerie brings the masterpiece home in an accessible manner. The studies offer a glimpse into the work and mind of a creative genius. In addition, the book tells the story of the work, and tracks the evolution and unlikely journey of Jarvi--from once being a Duck Stamp artist to becoming one of the most notable wildlife painter of this generation.
Menagerie is the story of the panoply of exotic animals that were brought into Britain from time immemorial until the foundation of the London Zoo — a tale replete with the extravagant, the eccentric, and — on occasion — the downright bizarre. From Henry III's elephant at the Tower, to George IV's love affair with Britain's first giraffe and Lady Castlereagh's recalcitrant ostriches, Caroline Grigson's tour through the centuries amounts to the first detailed history of exotic animals in Britain. On the way we encounter a host of fascinating and outlandish creatures, including the first peacocks and popinjays, Thomas More's monkey, James I's cassowaries in St James's Park, and Lord Clive's zebra — which refused to mate with a donkey, until the donkey was painted with stripes. But this is not just the story of the animals themselves. It also the story of all those who came into contact with them: the people who owned them, the merchants who bought and sold them, the seamen who carried them to our shores, the naturalists who wrote about them, the artists who painted them, the itinerant showmen who worked with them, the collectors who collected them. And last but not least, it is about all those who simply came to see and wonder at them, from kings, queens, and nobles to ordinary men, women, and children, often impelled by no more than simple curiosity and a craving for novelty.
Forty fine-feathered friends to crochet using easy-to-master techniques with projects for all skill levels, from the bestselling author of Edward’s Menagerie. You’ll be as happy as a lark as you crochet your way through this colorful collection of birds, including a bashful Flamingo, a romance-writing Owl, and a politically incorrect Pheasant. Read all about these kooky characters, their adorations and aversions, daydreams and delusions, then crochet them for friends and family. Each bird can be crocheted in four different sizes, making over 160 different pattern possibilities—so pick your first project and get started! The patterns use basic stitches, are grouped by difficulty and include step-by-step technical guides for beginners, so there’s no excuse to chicken out. These loveable birds are quick to make using a super-soft yarn in a sophisticated color palette, and will become your best friends as their larger-than-life personalities and easy-to-master techniques get their claws into you. Praise for Edward’s Menagerie: Birds “This book is a hoot! (Pun intended . . . ) . . . I’m not naturally a fan of amigurumi, but this book by Kerry Lord may change all that.” —Bonnie Bay Crochet “Edward's Menagerie: Birds has some of the most adorable toy birds that I have ever seen! . . . The author put a tremendous amount of detail into each bird pattern, which makes them all adorable in their own way.” —The Stitchin’ Mommy
An Anthology of readings from 50 leading conservationists discussing "what motivates them" to keep working at saving some of the most endangered species and threatened areas of the planet.
In the eighteenth century, it would not have been impossible to encounter an elephant or a kangaroo making its way down the Strand, heading towards the menagerie of Mr. Pidcock at the Exeter Change. Pidcock's was just one of a number of commercial menagerists who plied their trade in London in this period the predecessors to the zoological societies of the Victorian era. As the British Empire expanded and seaborne trade flooded into London's ports, the menagerists gained access to animals from the most far-flung corners of the globe, and these strange creatures became the objects of fascination and wonder. Many aristocratic families sought to create their own private menageries with which to entertain their guests, while for the less well-heeled, touring exhibitions of exotic creatures both alive and dead satisfied their curiosity for the animal world. While many exotic creatures were treasured as a form of spectacle, others fared less well turtles went into soups and civet cats were sought after for ingredients for perfume. In this entertaining and enlightening book, Plumb introduces the many tales of exotic animals in London.
2015 National Outdoor Book Award Winner: Design & Artistic Merit A collection of unparalleled photographs—spanning forty years and seven continents—by one of the world’s foremost wildlife photographers. Capturing the splendor of wild places and intimate moments with animals, this luxurious volume chronicles legendary nature photographer Thomas D. Mangelsen’s photographic adventures in the field. Driven by a passion for sharing and preserving the Earth’s last great wild places, Mangelsen is as much a conservationist as a natural history photographer and artist. From majestic elephants and giraffes on the plains of Kilimanjaro to polar bears in the Arctic, and from mountains and prairies to primordial jungles, Mangelsen invites us to witness fleeting wildness. A quiet call to action, an inventory of our planet as it battles climate change, and a celebration of wildness and its intrinsic value, The Last Great Wild Places is a record of the Earth’s last great locales, one that will inspire present and future generations with the message that what we have can, and must, be saved.
Two acclaimed illustrators have created this collection of intricately designed animal headshots for keen colorists the world over. From mighty bears to awe-inspiring tigers, each illustration is printed on perforated paper, so it's easily pulled out and available for display.
Demonstrates how Africa's physical features, savannas and abundant grazers enabled frugivorous apes to become savanna-living hunters.
The long-overdue, definitive career retrospective of an early-20th-century gag cartoonist. From the 1880s to the Roaring 1920s, Sullivant took to the drawing board and dreamed up all manner of hilarious gag cartoons featuring animals of all stripes, perennial American "types" like hayseeds and hobos, and classic characters from myths and biblical tales. These comics haven’t seen the light of day since their initial appearance in pioneering humor magazines like Puck and Judge over a century ago. Includes essays by John Cuneo, Peter de Seve, Barry Blitt, Steve Brodner, Rick Marshall, Nancy Beiman, and R.C. Harvey, with a foreword by cartoonist Jim Woodring.
One of the Globe & Mail’s 100 Best Books of 2018 A timely collection of work about race and immigration in Paris by one of France's most revered cult comic book artists. Yvan Alagbé is one of the most innovative and provocative artists in the world of comics. In the stories gathered in Yellow Negroes and Other Imaginary Creatures—drawn between 1994 and 2011, and never before available in English—he uses stark, endlessly inventive black-and-white brushwork to explore love and race, oppression and escape. It is both an extraordinary experiment in visual storytelling and an essential, deeply personal political statement. With unsettling power, the title story depicts the lives of undocumented migrant workers in Paris. Alain, a Beninese immigrant, struggles to protect his family and his white girlfriend, Claire, while engaged in a strange, tragic dance of obsession and repulsion with Mario, a retired French Algerian policeman. It is already a classic of alternative comics, and, like the other stories in this collection, becomes more urgent every day. This NYRC edition is an oversized paperback with French flaps, printed endpapers, and extra-thick paper, and features new English hand-lettering and a brand-new story, exclusive to this edition.