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This volume catalogs the impressive gold collection held by the Gold Museum in Cape Town, South Africa. It illustrates and surveys an enormous range of ornamental objects from the Sahel and the central West African forest regions. The pieces date from the nineteenth and twentieth centuries and include headdresses, rings, bracelets, necklaces, earrings, and items of royal regalia. Many are decorated with figurative motifs such as birds, fish, and fruit, symbols which refer to local proverbs. Magnificent displays of gold intended as demonstrations of a tribal chiefís power and prestige are still worn today in ceremonial occasions. Through his research in the area Timothy F. Garrard, the worldís foremost authority on goldsmith art from the African continent, became acquainted with goldsmith techniques as well as the system of bartering and weighing. His commentary offers a historical and cultural context through which to view the pieces. AUTHOR: Timothy F. Garrard (b. 1943-d.2007) was a historian, archaeologist and lawyer who lived in Bouake on the Ivory Coast. During his lifetime he published numerous studies on the metal arts of West Africa and served as guest curator at the Barbier-Mueller Museum in Geneva, Switzerland. ILLUSTRATIONS: 226 colour
Issued in conjunction with the exhibition Caravans of Gold, Fragments in Time, held January 26, 2019-July 21, 2019, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois.
This book takes a fresh approach to the puzzle of sub-Saharan Africa’s resource curse. Moving beyond current scholarship’s state-centric approach, it presents cutting-edge evidence gathered through interviews with mining company executives and industry representatives to demonstrate that firms are actively controlling the regulation of the gold mining sector. It shows how large mining firms with significant private authority in South Africa, Ghana and Tanzania are able to engender rules and regulations that are acknowledged by other actors, and in some cases even adopted by the state. In doing so, it establishes that firms are co-governing Africa’s gold mining sector. By exploring the implications for resource-cursed states, this significant work argues that firm-led regulation can improve governance, but that many of these initiatives fail to address country/mine specific issues where there remains a role for the state in ensuring the benefits of mining flow to local communities. It will appeal to economists, political scientists, and policy-makers and practitioners working in the field of mining and extractives.
The book explores the evolving economics of gold as a global commodity as well as the production and trade of gold in and from the African continent. The growth of gold as an increasingly important and diverse source of African wealth is examined, alongside the impact that the rise of China in the 21st century has had on the demand for gold. The volatility of the gold price has increased as a result of the dramatic decline of gold demand for manufacturing purposes. Gold is Africa’s second largest export after oil and is a perfect metaphor for a continent rich in resources while so much of its population lives in such dire poverty. The artisanal and small scale gold mining (ASGM) sector, is surprisingly widely perceived as being beneficial to the development of Africa despite its exploitation and dreadful health and environmental consequences. African Gold: Production, Trade and Economic Development considers policy issues regarding the gold mining sector, the economics of beneficiation, the retreat of jewelry manufacturing across the continent as well as ‘Africa’s golden future’. It is a relevant book for both academics and policymakers interested in Africa, natural resource, and development economics.
A 1972 book on the determination of wages amongst miners in South Africa.
The classic history of copper working and use throughout Africa. Researched with a depth of scholarship that will leave future historians green with envy.
Set against the ongoing corporate enclosure of West Africa’s goldfields, A Ritual Geology tells the untold history of one of the world’s oldest indigenous gold mining industries: Francophone West Africa’s orpaillage. Establishing African miners as producers of subterranean knowledge, Robyn d’Avignon uncovers a dynamic “ritual geology” of techniques and cosmological engagements with the earth developed by agrarian residents of gold-bearing rocks in savanna West Africa. Colonial and corporate exploration geology in the region was built upon the ritual knowledge, gold discoveries, and skilled labor of African miners even as states racialized African mining as archaic, criminal, and pagan. Spanning the medieval and imperial past to the postcolonial present, d’Avignon weaves together long-term ethnographic and oral historical work in southeastern Senegal with archival and archeological evidence from Burkina Faso, Côte d’Ivoire, Guinea, and Mali. A Ritual Geology introduces transnational geological formations as a new regional framework for African studies, environmental history, and anthropology.
Brown Gold is a compelling history and analysis of African-American children's picturebooks from the mid-nineteenth century to the present. At the turn of the nineteenth century, good children's books about black life were hard to find — if, indeed, young black readers and their parents could even gain entry into the bookstores and libraries. But today, in the "Golden Age" of African-American children's picturebooks, one can find a wealth of titles ranging from Happy to be Nappy to Black is Brown is Tan. In this book, Michelle Martin explores how the genre has evolved from problematic early works such as Epaminondas that were rooted in minstrelsy and stereotype, through the civil rights movement, and onward to contemporary celebrations of blackness. She demonstrates the cultural importance of contemporary favorites through keen historical analysis — scrutinizing the longevity and proliferation of the Coontown series and Ten Little Niggers books, for example — that makes clear how few picturebooks existed in which black children could see themselves and their people positively represented even up until the 1960s. Martin also explores how children's authors and illustrators have addressed major issues in black life and history including racism, the civil rights movement, black feminism, major historical figures, religion, and slavery. Brown Gold adds new depth to the reader's understanding of African-American literature and culture, and illuminates how the round, dynamic characters in these children's novels, novellas, and picturebooks can put a face on the past, a face with which many contemporary readers can identify.