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Offers information on the arts and artisans of Africa, provided by African Crafts Online. Profiles the craft people, art designers, and a list of retailers of African arts, crafts, and apparel.
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
Looks at the art of Africa including pottery, baskets, and wood carving and explains what we can learn about the culture of Africa while examining these art forms.
Presents an overview of West African culture and provides step-by-step instructions for using simple household materials to make such traditional items as a mask, a coiled pot, block-printed and woven cloths, and a drum.
Instructions for duplicating the crafts of various African peoples. Includes pottery, furniture, jewelry, West African textiles, and toys.
Instructions for making replicas of household items, houses, musical instruments, ceremonial objects, clothing, and personal effects of various African tribes. Includes a brief explanation of the origin, use, and significance of each object.
Once seen as a collection of artifacts and ritual objects, African art now commands respect from museums and collectors. Bennetta Jules-Rosette and J.R. Osborn explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa. The authors take a three-pronged approach. Part One ranges from curiosity cabinets to virtual websites to offer a history of ethnographic and art museums and look at their organization and methods of reaching out to the public. In the second part, the authors examine museums as ecosystems and communities within communities, and they use semiotic methods to analyze images, signs, and symbols drawn from the experiences of curators and artists. The third part introduces innovative strategies for displaying, disseminating, and reclaiming African art. The authors also propose how to reinterpret the art inside and outside the museum and show ways of remixing the results. Drawing on extensive conversations with curators, collectors, and artists, African Art Reframed is an essential guide to building new exchanges and connections in the dynamic worlds of African and global art.
Discusses African American folk art, decorative art, photography, and fine arts.
A selection of 48 images from African art. Includes commentaries and an introduction.
Published in dual print and electronic formats, this is a new edition of a much acclaimed reference source that brings together a wide range of sources of information in the African studies field, covering both print and electronic sources. It evaluates the best online resources, the major general reference tools in print format, current bibliographies and indexing services, biographical, cartographic, statistical and economic resources, as well as film and video resources. Additionally, there are separate sections on African studies library collections and repositories throughout the world, a directory of over 250 African studies journals; listings of news sources, profiles of publishers active in the African studies field, dealers and distributors of African studies materials, African studies societies and associations, major African and international organizations, donor agencies and foundations, awards and prizes in African studies, electronic mailing lists and discussion forums, and more.