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From one of Africa’s most influential and eloquent essayists, a posthumous collection that highlights his biting satire and subversive wisdom on topics from travel to cultural identity to sexuality “A fierce literary talent . . . [Wainaina] shines a light on his continent without cliché.”—The Guardian “Africa is the only continent you can love—take advantage of this. . . . Africa is to be pitied, worshipped, or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed.” Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist remembered as one of the greatest chroniclers of contemporary African life. This groundbreaking collection brings together, for the first time, Wainaina’s pioneering writing on the African continent, including many of his most critically acclaimed pieces, such as the viral satirical sensation “How to Write About Africa.” Working fearlessly across a range of topics—from politics to international aid, cultural heritage, and redefined sexuality—he describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of his home country and continent. These works present the portrait of a giant in African literature who left a tremendous legacy.
In this groundbreaking work, Scott A. Frisch and Sean Q Kelly draw on significant new data from congressional archives—gleaned from the papers of both Democratic and Republican leaders from the 85th to the 103rd Congress—to reveal the complex process through which congressional members get assigned to the powerful committees of the House. They conclude that parties differ in their committee assignment methods and that party approaches can change over time depending on leadership. They also pay particular attention to the increasing roles of race and gender in the assignment process. Based on extensive primary and secondary research, this volume fills a crucial gap in our understanding of the internal dynamics of the American political system.
African Stability and Integration is a practical and meaningful analysis of the ways to bring Africans together in order to pursue growth and development on the continent of Africa. By combining vivid examination of past and contemporary uniting efforts of continental and diasporic Africans, Agyemang Attah-Poku stresses unity and its resultant stability as the most important goal for Africa to function as a constructive, harmonic society. Attah-Poku investigates the past activities and ideas of Pan-Africanism, relates Pan-Africanism to contemporary time, and makes suggestions, recommendations, and proposals for the immediate and future stability, growth, and development of Africa. A timely work, African Stability and Integration will be of great interest to students and professors of history, economics, politics, international relations, and cross-cultural studies.
Ruling the World tells the story of how the largest and most diverse empire in history was governed, everywhere and all at once. Focusing on some of the most tumultuous years of Queen Victoria's reign, Alan Lester, Kate Boehme and Peter Mitchell adopt an entirely new perspective to explain how the men in charge of the British Empire sought to manage simultaneous events across the globe. Using case studies including Canada, South Africa, the Caribbean, Australia, India and Afghanistan, they reveal how the empire represented a complex series of trade-offs between Parliament's, colonial governors', colonists' and colonised peoples' agendas. They also highlight the compromises that these men made as they adapted their ideals of freedom, civilization and liberalism to the realities of an empire imposed through violence and governed in the interests of Britons.
During the four years he spent in black Africa as the bureau chief for the Los Angeles Times, David Lamb traveled through almost every country south of the Sahara, logging more than 300,000 miles. He talked to presidents and guerrilla leaders, university professors and witch doctors. He bounced from wars to coups oceans apart, catching midnight flights to little-known countries where supposedly decent people were doing unspeakable things to one another. In the tradition of John Gunther's Inside Africa, The Africans is an extraordinary combination of analysis and adventure. Part travelogue, part contemporary history, it is a portrait of a continent that sometimes seems hell-bent on destroying itself, and of people who are as courageous as they are long-suffering.
This text examines the mutual relationship between Jews and African Americans through visual art. It investigates how artists of both backgrounds have viewed each other in the past - how visual languages and thematic concerns have changed to reflect different issues of concern to each group.