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Giles County was founded on November 14, 1809, and is known as the land of milk and honey. The county is home to over 30 National Register properties, Civil War skirmish sites, a varied cultural heritage, and intersecting Trail of Tears routes (Benge's and Bell's). It is also the beginning place for many well-known African Americans, such as noted architect Moses McKissack, founder of McKissack and McKissack. Giles County is a place where many ancestral lineages return home to their roots for research or to discover their rich African American history and heritage.
Giles County was founded on November 14, 1809, and is known as the land of milk and honey. The county is home to over 30 National Register properties, Civil War skirmish sites, a varied cultural heritage, and intersecting Trail of Tears routes (Benge's and Bell's). It is also the beginning place for many well-known African Americans, such as noted architect Moses McKissack, founder of McKissack and McKissack. Giles County is a place where many ancestral lineages return home to their roots for research or to discover their rich African American history and heritage.
It was the summer of 1863 at the height of the U.S. Civil War. Federal troops fanned across Tennessee, the final state to secede from the Union, and emancipated its slaves. By July they reached Giles County and the slaves belonging to the extended family of the Abernathys, Easons, Rivers, and Tarpleys. While some chose to remain on those plantations, at least 59 of their slave men enlisted to the Union Army. They were divided among 6 colored regiments, provided essential services, participated in 12 battles and skirmishes, and were mistreated by Confederates for 9 months as prisoners of war. Many of their stories are told in their own words. It is from their military service records and pension files that their stories of slavery, family, bravery, suffering, love, and loss are revealed. This book honors their lives and is dedicated to their descendants. This book is intended to be a tool to help African-Americans break through the genealogical brick wall of slavery. ISBN 978-0-9772822-8-9
The first comprehensive examination of the nineteenth-century Ku Klux Klan since the 1970s, Ku-Klux pinpoints the group's rise with startling acuity. Historians have traced the origins of the Klan to Pulaski, Tennessee, in 1866, but the details behind the group's emergence have long remained shadowy. By parsing the earliest descriptions of the Klan, Elaine Frantz Parsons reveals that it was only as reports of the Tennessee Klan's mysterious and menacing activities began circulating in northern newspapers that whites enthusiastically formed their own Klan groups throughout the South. The spread of the Klan was thus intimately connected with the politics and mass media of the North. Shedding new light on the ideas that motivated the Klan, Parsons explores Klansmen's appropriation of images and language from northern urban forms such as minstrelsy, burlesque, and business culture. While the Klan sought to retain the prewar racial order, the figure of the Ku-Klux became a joint creation of northern popular cultural entrepreneurs and southern whites seeking, perversely and violently, to modernize the South. Innovative and packed with fresh insight, Parsons' book offers the definitive account of the rise of the Ku Klux Klan during Reconstruction.
Gold Nautilus Book Award Winner Leading African American Buddhist teachers offer lessons on racism, resilience, spiritual freedom, and the possibility of a truly representative American Buddhism. With contributions by Acharya Gaylon Ferguson, Cheryl A. Giles, Gyōzan Royce Andrew Johnson, Ruth King, Kamilah Majied, Lama Rod Owens, Lama Dawa Tarchin Phillips, Sebene Selassie, and Pamela Ayo Yetunde. What does it mean to be Black and Buddhist? In this powerful collection of writings, African American teachers from all the major Buddhist traditions tell their stories of how race and Buddhist practice have intersected in their lives. The resulting explorations display not only the promise of Buddhist teachings to empower those facing racial discrimination but also the way that Black Buddhist voices are enriching the Dharma for all practitioners. As the first anthology comprised solely of writings by African-descended Buddhist practitioners, this book is an important contribution to the development of the Dharma in the West.
"The Last Last-Day-of-Summer reminds me that all children deserve to exist in magical spaces where their imaginations and familial bonds will them into heroism. Every single child should have the freedom to be one of The Legendary Alstons. And I, for one, am grateful to Giles, and this brilliant story, for that reminder." --Jason Reynolds, author of Newbery Honoree Long Way Down "The legendary heroes of this legendary book are already legendary when the story begins From there things can only get legendary-er " --Tom Angleberger, author of the Origami Yoda series "Lamar Giles has written an instant classic--readers won't want their time with the Legendary Alston Boys of Logan County to end." --Gwenda Bond, author of the Lois Lane series The Hardy Boys meets The Phantom Tollbooth, in the new century When two adventurous cousins accidentally extend the last day of summer by freezing time, they find the secrets hidden between the unmoving seconds, minutes, and hours are not the endless fun they expected. Otto and Sheed are the local sleuths in their zany Virginia town, masters of unraveling mischief using their unmatched powers of deduction. And as the summer winds down and the first day of school looms, the boys are craving just a little bit more time for fun, even as they bicker over what kind of fun they want to have. That is, until a mysterious man appears with a camera that literally freezes time. Now, with the help of some very strange people and even stranger creatures, Otto and Sheed will have to put aside their differences to save their town--and each other--before time stops for good.
A thrilling and incisive examination of the post-Reconstruction era struggle for and suppression of African American voting rights in the United States. Following the Civil War, the Reconstruction era raised a new question to those in power in the US: Should African Americans, so many of them former slaves, be granted the right to vote?In a bitter partisan fight over the legislature and Constitution, the answer eventually became yes, though only after two constitutional amendments, two Reconstruction Acts, two Civil Rights Acts, three Enforcement Acts, the impeachment of a president, and an army of occupation. Yet, even that was not enough to ensure that African American voices would be heard, or their lives protected. White supremacists loudly and intentionally prevented black Americans from voting -- and they were willing to kill to do so.In this vivid portrait of the systematic suppression of the African American vote for young adults, critically acclaimed author Lawrence Goldstone traces the injustices of the post-Reconstruction era through the eyes of incredible individuals, both heroic and barbaric, and examines the legal cases that made the Supreme Court a partner of white supremacists in the rise of Jim Crow. Though this is a story of America's past, Goldstone brilliantly draws direct links to today's creeping threats to suffrage in this important and, alas, timely book.