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African Americans in the History of Mass Communication offers a variety of stories focusing on how African Americans use the media to educate, advocate, empower, and serve others. Stories ranging from the Civil War to the Civil Rights Era, which include different forms of media from cinema and music to newspapers and public relations, offer perspectives that have yet to be told. The book's concluding chapter includes personal accounts from several of its contributing authors detailing how they researched their chapters. These accounts offer questions designed to generate thought about scholarship and history. Students may use these anecdotes as guides for their own research.
From pamphlets denouncing slavery to boycotts of Hollywood, African Americans have fought for adequate representations of themselves in the mass media industries of the United States. This book provides readers with an interdisciplinary overview of the past, present, and future of African Americans in U.S. media and the ongoing project of gaining racial equality in media: a process which spans generations. Catherine Squires introduces the reader to the varied ways in which Black Americans have navigated cultural, political, and economic obstacles both to make their own media and to critique mainstream media. Synthesizing the work of social scientists, historians, cultural critics, as well as comments from audience members and media producers, African Americans and the Media gives readers a lively entry point to classic and contemporary studies of Black Americans and mass media. Across the chapters, readers follow African Americans’ struggles to harness the power of print, broadcasting, film, and digital media, through five main themes which are woven through the book: representation, circulation, innovation, audience and responsibility. Taking in examples as diverse as Blaxploitation films, the work of 20th Century black activist journalists such as Ida B. Wells and A. Philip Randolph, and popular television such as The Cosby Show, this book will be essential reading for all students and scholars of media and communications and African American studies.
A text for undergraduates in mass media and journalism, incorporating the voices of African Americans, women, immigrants, and others striving for political power and social equality, as well as voices of media corporations. Chronological sections explore areas including communication issues in the a
This book argues that the no-Marxists mostly have it wrong. Although corporate media are structurally organized to maximize profits and produce content that generally helps elites achieve their goals, this does not mean corporate media have less capacity to facilitate social change than entrepreneurial or other forms of media. In fact, historical evidence and comparative critical studies presented in this book show that mass media become more, not less, critical of dominant power groups, institutions and value systems as they become more "corporatized."This proposition is part of a larger theoretical model that integrates the role of both social structure and human agency in explaining the persistence of modern capitalism. The structural part of the theory also enables scholars to make predictions about the future of mass media, including the ideas that the Internet is "stealing" some of the mediating power of traditional mass media, and the market power of global media will grow in absolute terms but will shrink in relative terms because of increasing competition from new and traditional media.
Winner of the American Historical Association’s 2022 Eugenia M. Palmegiano Prize. White publishers and editors used their newspapers to build, nurture, and protect white supremacy across the South in the decades after the Civil War. At the same time, a vibrant Black press fought to disrupt these efforts and force the United States to live up to its democratic ideals. Journalism and Jim Crow centers the press as a crucial political actor shaping the rise of the Jim Crow South. The contributors explore the leading role of the white press in constructing an anti-democratic society by promoting and supporting not only lynching and convict labor but also coordinated campaigns of violence and fraud that disenfranchised Black voters. They also examine the Black press’s parallel fight for a multiracial democracy of equality, justice, and opportunity for all—a losing battle with tragic consequences for the American experiment. Original and revelatory, Journalism and Jim Crow opens up new ways of thinking about the complicated relationship between journalism and power in American democracy. Contributors: Sid Bedingfield, Bryan Bowman, W. Fitzhugh Brundage, Kathy Roberts Forde, Robert Greene II, Kristin L. Gustafson, D'Weston Haywood, Blair LM Kelley, and Razvan Sibii
The Handbook of Communication History addresses central ideas, social practices, and media of communication as they have developed across time, cultures, and world geographical regions. It attends to both the varieties of communication in world history and the historical investigation of those forms in communication and media studies. The Handbook editors view communication as encompassing patterns, processes, and performances of social interaction, symbolic production, material exchange, institutional formation, social praxis, and discourse. As such, the history of communication cuts across social, cultural, intellectual, political, technological, institutional, and economic history. The volume examines the history of communication history; the history of ideas of communication; the history of communication media; and the history of the field of communication. Readers will explore the history of the object under consideration (relevant practices, media, and ideas), review its manifestations in different regions and cultures (comparative dimensions), and orient toward current thinking and historical research on the topic (current state of the field). As a whole, the volume gathers disparate strands of communication history into one volume, offering an accessible and panoramic view of the development of communication over time and geographical places, and providing a catalyst to further work in communication history.
During World War I, the publishers of America's crusading black newspapers faced a difficult dilemma. Would it be better to advance the interests of African Americans by affirming their patriotism and offering support of President Wilson's war for democracy in Europe, or should they demand that the government take concrete steps to stop the lynching, segregation, and disfranchisement of blacks at home as a condition of their participation in the war? This study of their efforts to resolve that dilemma offers important insights into the nature of black protest, race relations, and the role of the press in a republican system. William Jordan shows that before, during, and after the war, the black press engaged in a delicate and dangerous dance with the federal government and white America--at times making demands or holding firm, sometimes pledging loyalty, occasionally giving in. But although others have argued that the black press compromised too much, Jordan demonstrates that, given the circumstances, its strategic combination of protest and accommodation was remarkably effective. While resisting persistent threats of censorship, the black press consistently worked at educating America about the need for racial justice.
This guide represents the first serious academic assessment of the relationships between peoples in Africa and of African descent and Afro mass media around the world. Experts on communications in sub-Saharan and North Africa and the Caribbean and African-American media in the United States characterize the settings and philosophical contexts for media in the countries that they survey; the development of often difficult relationships between government, society, and the media; the education and training of media personnel; and the implications of new technologies and future challenges. Designed for students, teachers, and professionals in communications and in the social sciences broadly. This comparative study of Afro mass media, the impact of social and political systems, of culture and ideology, of different communications mechanisms, and of special problems is designed for students, teachers, and professionals in all areas of communications and mass media, and in government, sociology, economics, and African and African-American studies.
Those who have wondered whatever "happened" to the Black press will find answers in this informative and entertaining book that addresses the various issues that contributed to the decline of African American newspapers and examines whether new media platforms of the 21st century can fill the void. Written by a recognized Black press scholar and professional journalist, the book explores the historic development of African American newspapers from their African roots to the founding of their first weekly journal and into the glory years as the communication foundation for the Civil Rights Movement. In the process the author reveals little known facts about the ways in which the Black press wove itself into the fabric of American culture among the White and Black populations. Along the way this easy-to-read volume brings to life interesting historical facts including: -- The early development of literary and publishing endeavors among Black people in colonial America and what Thomas Jefferson wrote about them. -- The ironic consequences that visited White publications following the U.S. Supreme Court's racial segregation decision in Plessy vs. Ferguson. -- The roles played by aviation pioneers Wilbur and Orville Wright in the launch of a Black newspaper published by Paul Laurence Dunbar. -- How the Black press reacted to the controversial success of the Amos 'N' Andy radio show in the 1930s. -- Why the Black press found itself at a disadvantage in reporting the Civil Rights Movement for which it had been largely responsible. -- What factors led to the strained relationship between the Black press and African American journalists who work for White-owned news organizations. Whither the Black Press? is a well written, interpretive historical account of African American newspapers and their struggle for survival against the backdrop of hegemonic White political, social and economic forces. It brings perspective and understanding of how a venerable African American institution journeyed through a glorious past into an uncertain future.
Tells how Blacks used radio