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At the turn of the twentieth century, the popular image of Brazil was that of a tropical utopia for people of color, and it was looked upon as a beacon of hope by African Americans. Reports of this racial paradise were affirmed by notable black observers until the middle of this century, when the myth began to be challenged by North American blacks whose attitudes were influenced by the civil rights movement and burgeoning black militancy. The debate continued and the myth of the racial paradise was eventually rejected as black Americans began to see the contradictions of Brazilian society as well as the dangers for people of color. David Hellwig has assembled numerous observations of race relations in Brazil from the first decade of the century through the 1980s. Originally published in newspapers and magazines, the selected commentaries are written by a wide range of African-American scholars, journalists, and educators, and are addressed to a general audience. Author note:David Hellwigis Professor of Interdisciplinary Studies at St. Cloud State University in Minnesota.
Alejandro de la Fuente and George Reid Andrews offer the first systematic, book-length survey of humanities and social science scholarship on the exciting field of Afro-Latin American studies. Organized by topic, these essays synthesize and present the current state of knowledge on a broad variety of topics, including Afro-Latin American music, religions, literature, art history, political thought, social movements, legal history, environmental history, and ideologies of racial inclusion. This volume connects the region's long history of slavery to the major political, social, cultural, and economic developments of the last two centuries. Written by leading scholars in each of those topics, the volume provides an introduction to the field of Afro-Latin American studies that is not available from any other source and reflects the disciplinary and thematic richness of this emerging field.
In Afro-Atlantic Flight Michelle D. Commander traces how post-civil rights Black American artists, intellectuals, and travelers envision literal and figurative flight back to Africa as a means by which to heal the dispossession caused by the slave trade. Through ethnographic, historical, literary, and filmic analyses, Commander shows the ways that cultural producers such as Octavia Butler, Thomas Allen Harris, and Saidiya Hartman engage with speculative thought about slavery, the spiritual realm, and Africa, thereby structuring the imaginary that propels future return flights. She goes on to examine Black Americans’ cultural heritage tourism in and migration to Ghana; Bahia, Brazil; and various sites of slavery in the US South to interrogate the ways that a cadre of actors produces “Africa” and contests master narratives. Compellingly, these material flights do not always satisfy Black Americans’ individualistic desires for homecoming and liberation, leading Commander to focus on the revolutionary possibilities inherent in psychic speculative returns and to argue for the development of a Pan-Africanist stance that works to more effectively address the contemporary resonances of slavery that exist across the Afro-Atlantic.
This book provides an insight into the Afro-Brazilian experience of racism in Brazil from the 19th Century to the present day, exploring people of African Ancestry’s responses to racism in the context of a society where racism was present in practice, though rarely explicit in law. Race and Afro-Brazilian Agency in Brazil examines the variety of strategies, from conservative to radical, that people of African ancestry have used to combat racism throughout the diaspora in Brazil. In studying the legacy of color-blind racism in Brazil, in contrast to racially motivated policies extant in the US and South Africa during the twentieth century, the book uncovers various approaches practiced by Afro-Brazilians throughout the country since the abolition of slavery towards racism, unique to the Brazilian experience. Studying racism in Brazil from the latter part of the nineteenth century to the present day, the book examines areas such as art and culture, politics, and tradition. This book will be of interest to scholars and students of Brazilian history, diaspora studies, race/ethnicity, and Luso-Brazilian studies.
Brazil, like some countries in Africa, has become a major destination for African American tourists seeking the cultural roots of the black Atlantic diaspora. Drawing on over a decade of ethnographic research as well as textual, visual, and archival sources, Patricia de Santana Pinho investigates African American roots tourism, a complex, poignant kind of travel that provides profound personal and collective meaning for those searching for black identity and heritage. It also provides, as Pinho's interviews with Brazilian tour guides, state officials, and Afro-Brazilian activists reveal, economic and political rewards that support a structured industry. Pinho traces the origins of roots tourism to the late 1970s, when groups of black intellectuals, artists, and activists found themselves drawn especially to Bahia, the state that in previous centuries had absorbed the largest number of enslaved Africans. African Americans have become frequent travelers across what Pinho calls the "map of Africanness" that connects diasporic communities and stimulates transnational solidarities while simultaneously exposing the unevenness of the black diaspora. Roots tourism, Pinho finds, is a fertile site to examine the tensions between racial and national identities as well as the gendered dimensions of travel, particularly when women are the major roots-seekers.
Most Americans remain oblivious of a new racial phenomenon that may radically alter the political landscape of the United States. In recent years, dramatic increases in racial intermarriage have given birth to a generation of mixed-race children whose interracially married parents refuse to allow them to be shoehorned into neat, pre-existing racial categories. The parents, through organizations they have founded or joined, have lobbied aggressively for the category "multiracial" to be added to official racial classifications at the state and federal levels, including the United States census. Since a nonracial society is one of the stated goals of the multiracialists, Spencer suggests that the undoing of racial classification will come not by initiating a new classification - which will only give Americans the impression that mixed-race people can be neatly classified - but by our increased recognition that there are millions of people who simply defy classification.
This collection of writings comes from Brazilian researchers on issues of race in their country. They include race and colour classification systems; access to education, employment and health; and inequalities in the judiciary and politics.
Brazil's northeastern state of Bahia has built its economy around attracting international tourists to what is billed as the locus of Afro-Brazilian culture and the epicenter of Brazilian racial harmony. Yet this inclusive ideal has a complicated past. Ch
The historical novels of Manuel Zapata Olivella and Ana Maria Gonçalves map black journeys from Africa to the Americas in a way that challenges the Black Atlantic paradigm that has become synonymous with cosmopolitan African diaspora studies. Unlike Paul Gilroy, who coined the term and based it on W.E.B. DuBois’s double consciousness, Zapata, in Changó el gran putas (1983), creates an empowering mythology that reframes black resistance in Colombia, Haiti, Mexico, Brazil, and the United States. In Um defeito de cor (2006), Gonçalves imagines the survival strategies of a legendary woman said to be the mother of black abolitionist poet Luís Gama and a conspirator in an African Muslim–⁠led revolt in Brazil’s “Black Rome.” These novels show differing visions of revolution, black community, femininity, sexuality, and captivity. They skillfully reveal how events preceding the UNESCO Decade of Afro-Descent (2015–2024) alter our understanding of Afro-⁠Latin America as it gains increased visibility. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Never Meant to Survive presents a historical, political, and social assessment of anti-black genocide and liberatory struggles that arose to resist it. Based on fine-grained accounts of community life at the street level, Costa Vargas's work presents crucial examples of political resistance and community activism. By examining two cities linked by common experiences of Blackness, Los Angeles and Rio de Janeiro, this book identifies a prevailing genocidal force that organizes individuals and groups across society. The 1965 and 1992 riots in Los Angeles, the work of the Black Panther Party and favela activists in Brazil, and police brutality in struggles between black communities and the state in both L.A. and Rio de Janeiro all figure importantly in Costa Vargas's compelling account. What emerges from this analysis is a call for the destruction of the conditions that foster the marginalization of black communities and a halt to the internal conflicts between black social groups themselves.