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Fifteen articles written by African American criminologists respond to urban crime and policies to control it. The contributors examine the status of African-American scholars in the field of criminal justice, and consider some of the historical reasons for contemporary escalation of crime and delinquency on a political and psychological level. The investigations also offer insights and potential solutions to the problems of drugs, gang violence, police brutality, AIDS, and the death penalty. Annotation copyright by Book News, Inc., Portland, OR.
This landmark book presents the contributions of African Americans past and present to understanding crime, criminological theory, and the administration of justice. The authors devote individual chapters to African American pioneers Ida B. Wells-Barnett, W. E. B. Du Bois, E. Franklin Frazier, and Monroe N. Work, and contemporary scholars Lee P. Brown, Daniel Georges-Abeyie, Darnell F. Hawkins, Coramae Richey Mann, William Julius Wilson, and Vernetta D. Young. Included for each individual are a biography, information on their contributions to criminological thought, and a list of selected references. A wide range of issues are covered such as lynching, the convict lease system, homicide, female crime and delinquency, terrorism, community policing, the black ethnic monolith paradigm, and explanations of criminality.
Ideal for use in either crime theory or race and crime courses, this is the only text to look at the array of explanations for crime as they relate to racial and ethnic groups. Each chapter begins with a historical review of each theoretical perspective and how its original formulation and more recent derivatives account for racial/ethnic differences. The theoretical perspectives include those based on religion, biology, social disorganization/strain, subculture, labeling, conflict, social control, colonial, and feminism. This new Second Edition includes discussions of "Deadly Symbiosis," critical race theory/criminology, comparative conflict theory, maximization, and abortion, race, and crime. In the closing chapter, the author considers which perspectives have shown the most promise in the area of race/ethnicity and crime.
Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.
In a collection of compelling contributions to the study of the nexus between race, crime, and justice, noted scholars in the field critique many long-held assumptions and myths about race, challenging criminal justice policymakers to develop new and effective strategies for dealing with the social problems such misunderstandings create. In sections devoted to criminological theory, law enforcement, courts and the law, juvenile delinquency, and gender, contributors endeavor to dispel myths about African-American involvement in the criminal justice system. In so doing, a number of important facts are established about the race/crime nexus. For example, in an analysis of criminological theory, it is concluded that race, as a singular social factor, has not been adequately represented in existing paradigms. The subject of police profiling of African-Americans reveals an evolution of court decisions that have marginalized, rather than liberated, African-Americans since slavery. Each contributor challenges both the reader and the criminal justice system to develop meaningful strategies for addressing the racism that still pervades our system of justice. A chapter on women of color in prison makes a compelling argument that such institutions often represent safer environments than the life on the streets women leave behind. This persuasive volume will be of interest to undergraduate and graduate students as well as faculty in Sociology, Criminal Justice, policy development, African-American and Women's Studies.
Study abroad programs have proven beneficial for both the international student as well as the domestic community and school population interacting with the student. In an effort to promote cultural awareness, intercultural communications as well as opportunities for future study abroad program success, universities must take care to provide international students with the resources necessary to succeed while studying abroad. Campus Support Services, Programs, and Policies for International Students explores the role of university administration in successful implementation, regulation, and support of study abroad experiences. Highlighting essential topics relating to legal issues, safety concerns, curriculum development, and intercultural communication, this research-based publication is an ideal reference source for university administrators, school counselors, policymakers, and researchers interested in study abroad program implementation, regulation, and success factors at the administrative level.
This book examines the issue of racial variation in crime rates in the United States and in many other countries using a variety of data sources. It examines the latest genetic data asserting the reality of the concept of race, and various lines of evidence from population genetics, evolutionary biology, and anthropology pertinent to the evolution of racial differences in behavior, with an emphasis on explaining black crime relative to white and Asian crime. In addition to run-of-the-mill street crimes, racial differences in crimes such as mass, spree, and serial killing, hate crime, white-collar crime, and organized crime are examined.
What relationship exists between minority status and crime? Is this relationship generalizable across different societies? Many western nations are becoming concerned with the problem of crime in general and, in particular, the role of minority groups, be they political refugees, guest workers, immigrants, or native ethnic and racial minorities. A unique cross-cultural exploration. Minorities, Migrants, and Crime highlights the empirical realities of crime and these under-studied populations. Each international expert from the United States or Europe surveys national statistical facts and research as well as political and theoretical debates critical to the issues. Revealing a number of surprising similarities and differences, original chapters examine law enforcement priorities, punishment philosophy and practices, and media coverage against the backdrop of contemporary thought and facts about race, ethnicity, migrants, crime, and criminal justice in the United States. Offering an in-depth examination of international perspectives, Minorities, Migrants, and Crime adds a viewpoint crucial to the law and policy making currently taking place in the United States. Minorities, Migrants, and Crime features state-of-the-art research in the international arena of criminal justice. A thought-provoking read, this book will prove to be an ideal resource for researchers, academics, and students in criminology, criminal justice, corrections, policing, sociology, ethnic studies, policy studies, international studies, immigration studies, and public administration.
This ain't no Dreamgirls," Rhodessa Jones warns participants in the Medea Project, the theater program for incarcerated women that she founded and directs. Her expectations are grounded in reality, tempered, for example, by the fact that women are the fastest growing population in U.S. prisons. Still, Jones believes that by engaging incarcerated women in the process of developing and staging dramatic works based on their own stories, she can push them toward tapping into their own creativity, confronting the problems that landed them in prison, and taking control of their lives. Rena Fraden chronicles the collaborative process of transforming incarcerated women's stories into productions that incorporate Greek mythology, hip-hop music, dance, and autobiography. She captures a diverse array of voices, including those of Jones and other artists, the sheriff and prison guards, and, most vividly, the women themselves. Through compelling narrative and thoughtful commentary, Fraden investigates the Medea Project's blend of art and activism and considers its limits and possibilities for enacting social change. Rhodessa Jones is co-artistic director of the San Francisco-based performance company Cultural Odyssey and founder of the Medea Project: Theater for Incarcerated Women. An award-winning performer, she has taught at the Yale School of Drama and the New College of California.