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Here's a one stop resource, containing 100 profiles of your favorite contemporary African American writers, along with complete lists of their works. Focusing on writers who have made their mark in the past 25 years, this guide stresses African American writers of popular and genre literature-from Rochelle Alers and Octavia Butler, and Samuel Delaney to Walter Mosley, and Omar Tyree, with a few classic literary giants also included. Short profiles provide an overview of the author's life and summarize his or her writing accomplishments. Many are accompanied by black-and-white photos of the author. The biographies are followed by a complete list of the author's published works. Where can you find information about popular, contemporary African American authors? Web sites can be difficult to locate and unreliable, particularly for some of the newer authors, and their contents are inconsistent and often inaccurate. Although there are a number of reference works on African American writers, the emphasis tends to be on historical and literary authors. Here's a single volume containing 100 profiles of your favorite contemporary African American writers, along with lists of their works. Short profiles provide an overview of the author's life and summarize his or her writing accomplishments. Many are accompanied by black-and-white photos of the author. The biographies are followed by a complete list of the author's published works. Focusing on writers who have made their mark in the past 25 years, this guide covers African American writers of popular and genre literature—from Rochelle Alers, Octavia Butler, and Samuel Delaney to Walter Mosley, Omar Tyree, and Zane. A few classic literary giants who are popular with today's readers are also included—e.g., Maya Angelou, Toni Morrison, and Richard Wright. Readers who want to know more about their favorite African American authors or find other books written by those authors, students researching AA authors for reports and papers, and educators seeking background information for classes in African American literature will find this guide invaluable. (High school and up.)
This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.
During the winter of 1776, in one of the most amazing logistical feats of the Revolutionary War, Henry Knox and his teamsters transported cannons from Fort Ticonderoga through the sparsely populated Berkshires to Boston to help drive British forces from the city. This history documents Knox's precise route--dubbed the Henry Knox Trail--and chronicles the evolution of an ordinary Indian path into a fur corridor, a settlement trail, and eventually a war road. By recounting the growth of this important but under appreciated thoroughfare, this study offers critical insight into a vital Revolutionary supply route.
Even well-meaning fiction writers of the late Jim Crow era (1900-1955) perpetuated racial stereotypes in their depiction of black characters. From 1918 to 1952, Octavus Roy Cohen turned out a remarkable 360 short stories featuring Florian Slappey and the schemers, romancers and ditzes of Birmingham's Darktown for The Saturday Evening Post and other publications. Cohen said, "I received a great deal of mail from Negroes and I have never found any resentment from a one of them." The black readership had to be satisfied with any black presence in the popular literature of the day. The best known white writers of black characters included Booth Tarkington (Herman and Verman in the Penrod books), Irvin S. Cobb (Judge Priest's houseman Jeff Poindexter), Roark Bradford (Widow Duck, the plantation matriarch), Hugh Wiley (Wildcat Marsden, the war veteran who traveled the country in the company of his goat) and Charles Correll and Freeman Gosden (radio's Amos 'n' Andy). These writers deservedly declined in the civil rights era, but left a curious legacy that deserves examination. This book, focusing on authors of series fiction and particularly of humorous stories, profiles 29 writers and their black characters in detail, with brief entries covering 72 others.
This is the long-hidden saga of how a handful of Americans and East Africans fought the British colonial government, the U.S. State Department, and segregation to transport to, or support at, U.S. and Canadian universities, between 1959 and 1963, nearly 800 young East African men and women who would go on to change their world and ours. The students supported included Barack Obama Sr., future father of a U.S. president, Wangari Maathai, future Nobel Peace Prize laureate, as well as the nation-builders of post-colonial East Africa -- cabinet ministers, ambassadors, university chancellors, clinic and school founders. The airlift was conceived by the unusual partnership of the charismatic, later-assassinated Kenyan Tom Mboya and William X. Scheinman, a young American entrepreneur, with supporting roles played by Jackie Robinson, Harry Belafonte, Sidney Poitier, and Martin Luther King, Jr. The airlift even had an impact on the 1960 presidential race, as Vice-President Richard Nixon tried to muscle the State Department into funding the project to prevent Senator Jack Kennedy from using his family foundation to do so and reaping the political benefit. The book is based on the files of the airlift's sponsor, the African American Students Foundation, untouched for almost fifty years.
The African American Community in Rural New England: W. E. B. Du Bois and His Boyhood Church: W. E. B. Du Bois and His Boyhood Church (formerly published in hardcover as Sewing Circles, Dime Suppers, and W. E. B. Du Bois: A History of the Clinton A. M. E. Zion Church) is a story of a small New England church's role in the national civil rights movement. Featuring more famous figures such as Du Bois, this book also tells the story of the church's lesser known members who struggled to keep it in existence, all the while fighting for their rights in a shifting social climate. The African American Community in Rural New England is the often heroic tale of a small group of African Americans who founded and have maintained their church in a small New England town for nearly 140 years. The church is the Clinton African Methodist Episcopal Zion Church and the town is Great Barrington, Massachusetts - the hometown of the leading African American scholar and activist W. E. B. Du Bois. Du Bois attended the church as a youth and wrote about it; these writings are one source for this history. The book gives readers a broad view of the details of the church's history and recounts the story of its growth. Du Bois plays a crucial role in the national fight for social justice, of which the church was and remains an important part.