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Intended for those interested in the African continent and the diversity of human history, this work looks at Africa's past and reflects on the changing ways it has been imagined and represented. It illustrates key themes in modern thinking about Africa's history with a range of historical examples.
Examines American foreign policy toward Africa in the 1960s.
That Africa--one of the superpowers' crucial diplomatic and economic battlegrounds--now verges on political developments as dramatic as those of eastern Europe compels us to consider the tremendous influence that East and West have wielded in recent African political development. Drawing from American diplomatic archives, firsthand interviews, and the African and international press, Zaki Laidï presents a historical analysis of how the dialectical relationships of the United States, Soviet Union, and African actors evolved to their present state. The lapse of European influence in the 1960s left a diplomatic void, which the superpowers rushed to fill. Just as Dien Bien Phû and the Suez crisis thrust Asia and the Near East, respectively, into the diplomatic spotlight, so the Angolan crisis lent a multifaceted cast to Africa's international relations. The ebb and flow of African crises is now linked to the rhythm of superpower relations, but Laidï is quick to warn that Africa's internal political circumstances shape the boundaries for external influence and constrain any efforts of the superpowers to exert total control. Laidï's provocative study, here in its first English translation, addresses diplomatic strategy, often neglected economic considerations, the growing influence of the Bretton Woods institutions, and the decline of French influence in Africa.
"A major new history of how, between 1965 and 1985, African nations sought the restitution of works of art stolen during the colonial period, written by the most important and influential figure in the field"--
Winner of the 2013 Choice Award for Outstanding Academic Title Battleground Africa traces the Congo Crisis from post-World War II decolonization efforts through Mobutu's second coup in 1965 from a radically new vantage point. Drawing on recently opened archives in Russia and the United States, and to a lesser extent Germany and Belgium, Lisa Namikas addresses the crisis from the perspectives of the two superpowers and explains with superb clarity the complex web of allies, clients, and neutral states influencing U.S.-Soviet competition. Unlike any other work, Battleground Africa looks at events leading up to independence, then considers the assassination of Patrice Lumumba, the series of U.N.-supported constitutional negotiations, and the crises of 1964 and 1965. Finding that the U.S. and the USSR each wanted to avoid a major confrontation, but also misunderstood its opponent's goals and wanted to avoid looking weak or losing its political standing in Africa, Namikas argues that a series of exaggerations and misjudgements helped to militarize the crisis, and ultimately, helped militarize the Cold War on the continent.
"A highly readable, sweeping, and yet detailed analysis of the African state in all its failures and moments of hope. Crawford Young manages to touch upon all the important issues in the discipline and crucial developments in the recent history of the African continent. This book will be a classic."---Pierre Englebert, author of Africa Unity, Sovereignty, and Sorrow --
One of the frankest books ever done on South Africa. -Robert Cromie, Chicago Tribune First published in the US in 1967 and in Britain in 1968, House of Bondage presented images from South Africa that shocked the world. The young African photographer Ernest Cole had left his country at 26 to find an audience for his stunning exposure of the system of racial dominance known as apartheid. In 185 photographs, Cole's book showed from the vantage point of the oppressed how the system closely regulated and controlled the lives of the black majority. He saw every aspect of this oppression with a searching eye and a passionate heart. House of Bondage is a milestone in the history of documentary photography, even though it was immediately banned in South Africa. In a Chicago Tribune review, Robert Cromie described it as "one of the frankest books ever done on South Africa--with photographs by a native of that country who would be most unwise to attempt to return for some years." Cole died in exile in 1990 as the regime was collapsing, never knowing when his portrait of his homeland would finally find its way home. Not until the Apartheid Museum in Johannesburg mounted enlarged pages of the book on its walls in 2001 were his people able to view these pictures, which are as powerful and provocative today as they were 50 years ago. Ernest Cole was born near Pretoria, South Africa, in 1940. Leaving school at 17 to become a photographer, he secured staff jobs and freelance assignments for newspapers and magazines for black people--honing his skills with a correspondence course from the New York Institute of Photography. Inspired by Henri Cartier-Bresson's book The People of Moscow, in 1960 Cole embarked on a project to document the lives of his people, which resulted in House of Bondage.
The Oxford Handbook of the Cold War offers a broad reassessment of the period war based on new conceptual frameworks developed in the field of international history. Nearing the 25th anniversary of its end, the cold war now emerges as a distinct period in twentieth-century history, yet one which should be evaluated within the broader context of global political, economic, social, and cultural developments. The editors have brought together leading scholars in cold war history to offer a new assessment of the state of the field and identify fundamental questions for future research. The individual chapters in this volume evaluate both the extent and the limits of the cold war's reach in world history. They call into question orthodox ways of ordering the chronology of the cold war and also present new insights into the global dimension of the conflict. Even though each essay offers a unique perspective, together they show the interconnectedness between cold war and national and transnational developments, including long-standing conflicts that preceded the cold war and persisted after its end, or global transformations in areas such as human rights or economic and cultural globalization. Because of its broad mandate, the volume is structured not along conventional chronological lines, but thematically, offering essays on conceptual frameworks, regional perspectives, cold war instruments and cold war challenges. The result is a rich and diverse accounting of the ways in which the cold war should be positioned within the broader context of world history.
Africa is a continent of 54 countries and over a billion people. However, despite the rich diversity of the African experience, it is striking that continuations and themes seem to be reflected across the continent, particularly south of the Sahara. Questions of underdevelopment, outside exploitation, and misrule are characteristic of many - if not most-states in Sub-Saharan Africa. In this Very Short Introduction Ian Taylor explores how politics is practiced on the African continent, considering the nature of the state in Sub-Saharan Africa and why its state structures are generally weaker than elsewhere in the world. Exploring the historical and contemporary factors which account for Africa's underdevelopment, he also analyses why some African countries suffer from high levels of political violence while others are spared. Unveilling the ways in which African state and society actually function beyond the formal institutional façade, Taylor discusses how external factors - both inherited and contemporary - act upon the continent. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
This is a historical narrative and analysis of the unconstitutional changes of government in most West African countries where military rule became institutionalised more than in any other part of the continent from the sixties to the nineties. There is no specific reason why the region has suffered from usurpation of power by soldiers more than any other part of the continent, besides the desire by soldiers to rule, recently demonstrated by coups in Mali in 2020 and 2021, Guinea in 2021, and Burkina Faso in 2022. Governments in West Africa are no more unstable or weaker than their counterparts in other parts of the continent. Overthrowing governments became a continental phenomenon when military rulers went on to legitimise their their seizure of power through rigged elections by turning themselves into civilian rulers. They “civilianised” themselves, not only to claim that they were no longer military rulers but were democratically elected leaders; a manipulation of power that triggered counter-coups by their opponents to end their rule, resulting in many deaths in many countries where this violent change took place. Military rule in Africa started soon after independence in the sixties. The most ambitious goals in the postcolonial era were consolidation of the state and nation building with varying degrees of success in different parts of the continent. Military rulers proved to be no better than their civilian counterparts they had replaced. In most cases, they were even worse and used coercive power of the state to perpetuate themselves in office just as their civilian counterparts did. The result was consolidation of the state as an instrument of oppression, the most oppressive apparatus being the executive branch itself, invested with all the powers, which evolved into the imperial presidency, a phenomenon that persists in some African countries legitimised through rigged elections enabling leaders to remain in office under the guise of democracy “in the name of the people.”