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This book examines textual representations of Africa in the Indian imagination from 1928 to 1973. It critically analyses Bengali literature during this period, their imitation of colonial racial prejudices and how it allowed Bengalis to fashion their identity. It analyses the development of ‘Africa’ as an idea and historical reality through the writings of five Bengali writers including the Bengali novelist Bibhutibhushan Bandyopadhyay, the children’s author Hemendra Kumar Roy, the poet and philosopher Rabindranath Tagore, the playwright Ganesh Bagchi and the surrealist poet and founding editor of Transition magazine Rajat Neogy. The book shows how these writers engage with the idea of Africa and their influence in the construction of the Bengali cultural identity during the freedom struggle, the Partition of Bengal in 1947 and the creation of Bangladesh in 1971. The book offers readers a glimpse of the exotic imaginary locales of Africa while offering an in-depth look into the interconnected histories, cartographic routes and cultural exchange between India and Africa. A first of its kind, this book will be an excellent read for students and scholars of literature, comparative literature, history, cultural studies, postcolonial studies, South Asian studies, African studies and diaspora studies. .
In Africa in the Indian Imagination Antoinette Burton reframes our understanding of the postcolonial Afro-Asian solidarity that emerged from the 1955 Bandung conference. Afro-Asian solidarity is best understood, Burton contends, by using friction as a lens to expose the racial, class, gender, sexuality, caste, and political tensions throughout the postcolonial global South. Focusing on India's imagined relationship with Africa, Burton historicizes Africa's role in the emergence of a coherent postcolonial Indian identity. She shows how—despite Bandung's rhetoric of equality and brotherhood—Indian identity echoed colonial racial hierarchies in its subordination of Africans and blackness. Underscoring Indian anxiety over Africa and challenging the narratives and dearly held assumptions that presume a sentimentalized, nostalgic, and fraternal history of Afro-Asian solidarity, Burton demonstrates the continued need for anti-heroic, vexed, and fractious postcolonial critique.
What does it mean to be a citizen? In depth research with a stateless population in Bangladesh has revealed that, despite liberal theory’s reductive vision, the limits of political community are not set in stone. The Urdu-speaking population in Bangladesh exemplify some of the key problems facing uprooted populations and their experience provides insights into the long term unintended consequences of major historical events. Set in a site of camp and non-camp based displacement, it illustrates the nuances of political identity and lived spaces of statelessness that Western political theory has too long hidden from view. Using Bangladesh as a case study, Statelessness and Citizenship: Camps and the creation of political space argues that the crude binary oppositions of statelessness and citizenship are no longer relevant. Access to and understandings of citizenship are not just jurally but socially, spatially and temporally produced. Unpicking Agamben’s distinction between ‘political beings’ and ‘bare life’, the book considers experiences of citizenship through the camp as a social form. The camps of Bangladesh do not function as bounded physical or conceptual spaces in which denationalized groups are altogether divorced from the polity. Instead, citizenship is claimed at the level of everyday life, as the moments in which formal status is transgressed. Moreover, once in possession of ‘formal status’ internal borders within the nation-state render ‘rights-bearing citizens’ effectively ‘stateless’, and the experience of ‘citizens’ is very often equally uneven. While ‘statelessness’ may function as a cold instrument of exclusion, certainly, it is neither fixed nor static; just as citizenship is neither as stable nor benign as the dichotomy would suggest. Using these insights, the book develops the concept of ‘political space’ – an analysis of the way history and space inform the identities and political subjectivity available to people. In doing so, it provides an analytic approach of relevance to wider problems of displacement, citizenship and ethnic relations. Shortlisted for this year’s BSA Philip Abrams Memorial Prize.
This book argues that contemporary world literature is defined by peripheral internationalism. Over the twentieth and twenty-first centuries, a range of aesthetic forms beyond the metropolitan West - fiction, memoir, cinema, theater - came to resist cultural nationalism and promote the struggles of subaltern groups. Peripheral internationalism pitted intellectuals and writers not only against the ex-imperial West, but also against their burgeoning national elites. In a sense, these writers marginalized the West and placed the non-Western peripheries in a new center. Through a grounded yet sweeping survey of Bengali, English, and other texts, the book connects India to the Soviet Union, China, Vietnam, Latin America, and the United States. Chapters focus on Rabindranath Tagore, M. N. Roy, Mrinal Sen, Mahasweta Devi, Arundhati Roy, and Aravind Adiga. Unlike the Anglo-American emphasis on a post-national globalization, Insurgent Imaginations argues for humanism and revolutionary internationalism as the determinate bases of world literature.
Even though many of France's former colonies became independent over fifty years ago, the concept of "colony" and who was affected by colonialism remain problematic in French culture today. Seloua Luste Boulbina, an Algerian-French philosopher and political theorist, shows how the colony's structures persist in the subjectivity, sexuality, and bodily experience of human beings who were once brought together through force. This text, which combines two works by Luste Boulbina, shows how France and its former colonies are haunted by power relations that are supposedly old history, but whose effects on knowledge, imagination, emotional habits, and public controversies have persisted vividly into the present. Luste Boulbina draws on the work of Michel Foucault, Frantz Fanon, and Édouard Glissant to build a challenging, original, and intercultural philosophy that responds to blind spots of inherited political and social culture. Kafka's Monkey and Other Phantoms of Africa offers unique insights into how issues of migration, religious and ethnic identity, and postcolonial history affect contemporary France and beyond.
Book 1: Embark on a spiritual journey with “Lectures from Colombo to Almora” by SWAMI VIVEKANANDA. Immerse yourself in the insightful discourses that traverse the spiritual landscapes from Colombo to Almora. Vivekananda's profound teachings offer a transformative experience, guiding readers on a path of self-realization and inner awakening. Book 2: Complementing this spiritual odyssey is “First Footsteps in East Africa” by Sir Richard Francis Burton, an adventurous exploration of East Africa. Burton's vivid accounts of discovery and encounters in a land of mystery and beauty provide a fascinating contrast to the spiritual discourses. This combination invites readers on a dual odyssey, blending the spiritual and the adventurous for a holistic reading experience
As they seek to explore evolving and conflicting ideas of nationhood and modernity, India's writers have often chosen forests as the dramatic setting for stories of national identity. India's Forests, Real and Imagined explores how these settings have been integral to India's sense of national consciousness. Alan Johnson demonstrates that modern writers have drawn on older Indian literary traditions of the forest as a place of exile, trial and danger to shape new ideas of India as a modern nation. The book casts new light on a wide range of modern writers, from Bankim Chandra Chattopadhyay – widely regarded as the first Indian novelist – to contemporary authors such as Amitav Ghosh, Arundhati Roy, and Salman Rushdie as well as local attitudes to nationhood and the environment across the country.
Kazi Nazrul Islam (1899-1976) is widely remembered as the fiery iconoclast who fought against the structures of oppression and orthodoxy. The iconic ‘rebel poet’ of Bengal, Nazrul continues to be loved for his songs and poetry. But what of his prose, his journalism, and his politics? Selected Essays reveals to us the extraordinary versatility of Nazrul as an essayist. Addressing subjects as diverse as social reform, politics, communal harmony, environmental concerns, education, aesthetics, ethics, and philosophy, this rich collection showcases Nazrul’s dynamic vision and unique use of language as an instrument of change. The essays chart his evolving consciousness as a thinker, writer and activist, offering vivid glimpses of the ethos of his times, his relationships with leading figures such as Tagore and Gandhi, and his active engagement with social, political and cultural processes. These new translations bring Nazrul’s powerful voice to life, all its vibrant immediacy.
​ Within Childhood Research starkly different theoretical and empirical concerns characterize the global south-north divide. Hia Sen attempts to bridge the gap in Childhood Research which usually addresses childhoods differently according to their 'developing/developed', 'western/non-western' contexts, and finds its middle ground in the context of the urban middle classes in contemporary West Bengal. The author documents areas such as leisure practices and everyday lives of school children in India for three cohorts, where it is possible to have a comparative perspective of childhoods given the existing rich ethnographic and historical research on childhoods in other cultural contexts.
The book illuminates the spatial utopianism of South Asian anti-colonial texts by showing how they refuse colonial spatial imaginaries to re-imagine the British Indian colony as the postcolony in diverse and contested ways. Focusing on the literary field of South Asia between, largely, the 1860s and 1920s, it underlines the centrality of literary imagination and representation in the cultural politics of decolonization. This book spatializes our understanding of decolonization while decoupling and complicating the easy equation between decolonization and anti-colonial nationalism. The author utilises a global comparative framework and reads across the English-vernacular divide to understand space as a site of contested representation and ideological contestation. He interrogates the spatial desire of anti-colonial and colonial texts across a range of genres, namely, historical romances, novels, travelogues, memoirs, poems, and patriotic lyrics. The book is the first full-length literary geographical study of South Asian literary texts and will be of interest to an interdisciplinary audience in the fields of Postcolonial and World Literature, Asian Literature, Victorian Literature, Modern South Asian Historiography, Literature and Utopia, Literature and Decolonization, Literature and Nationalism, Cultural Geography, and South Asian Studies.