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The African Novel and the Modernist Tradition challenges, from a literary perspective, the general thinking that what is European and American is uniquely different from what is African. The book examines key African novels side by side with British and American modernist novels. Through this comparative study, it demonstrates the manner in which several African novelists have taken full advantage of the experimentation that modernism offers to tackle their own 'crisis of culture'. This study shows that African novelists clearly understand what modernism is and employ to advantage its consciousness of disorder, despair, and anarchy. The African Novel and the Modernist Tradition is thus able to conclude that the African novel is part of a larger fictional universe.
DigiCat Publishing presents to you this special edition of "Dream Life and Real Life" (A Little African Story) by Olive Schreiner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
With the publication of Age of Iron--winner of Britain's richest fiction prize, the Sunday Express Book of the Year for 1990--J. M. Coetzee is now recognized as one of the foremost writers of our day. In this timely study of Coetzee's fiction, Susan Gallagher places his work in the context of South African history and politics. Her close historical readings of Coetzee's six major novels explore how he lays bare the "dense complicity between thought and language" in South Africa. Following a penetrating description of the unique difficulties facing writers under apartheid, Gallagher recounts how history, language, and authority have been used to marginalize the majority of South Africa's people. Her story reaches from the beginnings of Afrikaner nationalism to the recent past: the Sharpeville massacre, the jailing of Nelson Mandela, and the Soweto uprising. As a result of his rejection of liberal and socialist realism, Coetzee has been branded an escapist, but Gallagher ably defends him from this charge. Her cogent, convincingly argued examination of his novels demonstrates that Coetzee's fictional response is "apocalyptic in the most profound Biblical sense, obscurely pointing toward ineffable realities transcending discursive definition." Viewing Coetzee's fiction in this context, Gallagher describes a new kind of novel "that arises out of history, but also rivals history." This analysis reveals Coetzee's novels to be profound responses to their time and place as well as richly rewarding investigations of the storyteller's art.
Palmer then on African women novelists. A detailed and absorbing examination of African feminist theory leads to a discussion of novels by Bessie Head, Buchi Emecheta, Mariama Ba, Nawal El Saadawi, and Tsitsi Dangerembga, showing the differing ways in which these novelists explore the condition of the African woman and considering the established as well as new narrative conventions they use to give voice to their concerns. Palmer is particularly impressive in the section where he deals with those novelists, established as well as recent, who deal with social comment, a perennial concern of the African novel and one that is even manifest today. His analyses of Achebe's Anthills of the Savannah, Okri's The Famished Road, Cheney-Coker's The Last Harmattan of Alusine Dunbar, and Benjamin Kwakye's The Sun By Night are particularly illuminating as he shows how these novelists bend the novel form or use new techniques to articulate their own perceptions of recent history.
This volume of the historic journal African Literature Today provides an overview of the position of African literature at the end of the 20th century and an examination of the directions that African literature is now taking with new and emerging writers and the growth of writing by African women. Contributors examine the influence of new concerns such as globalization and the view from the diaspora and anticipate where this might lead the next generation of African writers. Contents: Editorial Article: New Directions in African Literature: Building on the Legacies of the 20th Century by Ernest N. Emenyonu- Articles: African Literature in the 21st Century: Challenges for Writers & Critics by Charles Nnolim-Bursting at the Seams: New Dimensions for African Literature in the 21st Century by Thomas Hale- New Trends in the Sierra Leonean Novel by Eustace Palmer- Transcultural Identity in African Narrative of Childhood by Richard Priebe-The Marks Left on the Surface; Zoe Wicomb's David's Story by Kenneth W. Harrow- Mothering Daughters: The Other Side of the Story by Monica Bungaro-Transcending the Margins: New Trends in Female Writings in Africa by Iniobong I. Uko-Rethinking Nation and Narrative in a Global Era: Recent African Writing by Nana Wilson-Tagoe-A Last Shot at the 20th Century Canon by Bernth Lindfors-Reviews.
The story of a young man who leads his country toward independence in the surging upheaval of modern Africa.
Rediscover the diversity of modern African literatures with this authoritative resource edited by a leader in the field How have African literatures unfolded in their rich diversity in our modern era of decolonization, nationalisms, and extensive transnational movement of peoples? How have African writers engaged urgent questions regarding race, nation, ethnicity, gender, and sexuality? And how do African literary genres interrelate with traditional oral forms or audio-visual and digital media? A Companion to African Literatures addresses these issues and many more. Consisting of essays by distinguished scholars and emerging leaders in the field, this book offers rigorous, deeply engaging discussions of African literatures on the continent and in diaspora. It covers the four main geographical regions (East and Central Africa, North Africa, Southern Africa, and West Africa), presenting ample material to learn from and think with. A Companion To African Literatures is divided into five parts. The first four cover different regions of the continent, while the fifth part considers conceptual issues and newer directions of inquiry. Chapters focus on literatures in European languages officially used in Africa -- English, French, and Portuguese -- as well as homegrown African languages: Afrikaans, Amharic, Arabic, Swahili, and Yoruba. With its lineup of lucid and authoritative analyses, readers will find in A Companion to African Literatures a distinctive, rewarding academic resource. Perfect for undergraduate and graduate students in literary studies programs with an African focus, A Companion to African Literatures will also earn a place in the libraries of teachers, researchers, and professors who wish to strengthen their background in the study of African literatures.