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Dark waters are rising. Who will stay afloat? Architect Vance Nolan has crafted a marvel—shining apartments floating in the peaceful cove of a winding river. The project is partially occupied and about to make investors rich when a sinkhole gives way. Torrential rains quickly flood the cove, leaving a handful of builders, investors, and residents cut off from the rest of the world. The motley group is bitterly divided over how to survive. Vance insists they wait for rescue. Developer Tony Dean wants to strike out into the darkness. And single-mom Danielle Clement, obligated to each man and desperate to protect her young son, Simeon, isn’t sure which one is wiser. Power failure, an unnatural daytime darkness, explosions, and a murder expose hidden intentions and dark histories. Then Simeon spots something strange underwater—beautiful, shifting lights in the dark depths. In this watery world, everyone’s secrets will eventually come to light. And deliverance may mean more than just getting out alive. Another stunning exploration of the human spirit and supernatural possibilities from best-selling author Erin Healy. “Heart-pounding suspense and unrelenting hope that will steal your breath.” —Ted Dekker, New York Times best-selling author (for Never Let You Go) “[Afloat] is full of danger, intrigue, and compelling characters. Readers will enjoy the way she intersperses supernatural elements into this action-packed novel.” —CBA Retailers and Resources “[Afloat] is original and engrossing, with a unique plot and relatable characters.” —Romantic Times
Chosen by Randall Mann as a winner of the Jake Adam York Prize, Brian Tierney’s Rise and Float depicts the journey of a poet working—remarkably, miraculously—to make our most profound, private wounds visible on the page. With the “corpse of Frost” under his heel, Tierney reckons with a life that resists poetic rendition. The transgenerational impact of mental illness, a struggle with disordered eating, a father’s death from cancer, the loss of loved ones to addiction and suicide—all of these compound to “month after / month” and “dream / after dream” of struck-through lines. Still, Tierney commands poetry’s cathartic potential through searing images: wallpaper peeling like “wrist skin when a grater slips,” a “laugh as good as a scream,” pears as hard as a tumor. These poems commune with their ghosts not to overcome, but to release. The course of Rise and Float is not straightforward. Where one poem gently confesses to “trying, these days, to believe again / in people,” another concedes that “defeat / sometimes is defeat / without purpose.” Look: the chair is just a chair.” But therein lies the beauty of this collection: in the proximity (and occasional overlap) of these voices, we see something alluringly, openly human. Between a boy “torn open” by dogs and a suicide, “two beautiful teenagers are kissing.” Between screams, something intimate—hope, however difficult it may be.