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A focused history of women and popular culture in Afghanistan from the Soviet invasion, to 9/11, to the Taliban's takeover. How does normal social, cultural, religious life survive in constant turmoil? How can the people flourish? These basic questions are examined and answered by Razia Sultanova's academic analysis and deep fieldwork, with extensive eyewitness and personal contacts and conversations with a wide variety of Afghan men and women. She looks at basic questions of gender, identity, nation, tradition, history, popular culture and especially the role of music - classical, popular, modern and contemporary - as a vital element for survival. And all is over-shadowed by the Taliban with on-going threat of terror and repression especially for women and girls. Here is a classical story of a people's struggle for everyday normality and preservation of cherished traditions in a war-torn society.
This book explores in what ways both sides involved in the so-called war on terror are using schoolchildren as propaganda tools while putting the children's security at grave risk. The book explores how terrorists use attacks on education to attempt to destabilize the government while the government and the international aid community use increases in school attendance as an ostensible index of largely illusory progress in the overall security situation and in development. The book challenges the notion that unoccupied civilian schools are not entitled under the law of armed conflict to a high standard of protection which prohibits their use for military purposes. Also examined are the potential violations of international law that can occur when government and education aid workers encourage and facilitate school attendance, as they do, in areas within conflict-affected states such as Afghanistan where security for education is inadequate and the risk of terror attacks on education high.
Intervention Narratives examines the contradictory cultural representations of the US intervention in Afghanistan that help to justify an imperial foreign policy. These narratives involve projecting Afghans as brave anti-communist warriors who suffered the consequences of American disengagement with the region following the end of the Cold War, as victimized women who can be empowered through enterprise, as innocent dogs who need to be saved by US soldiers, and as terrorists who deserve punishment for 9/11. Given that much of public political life now involves affect rather than knowledge, feelings rather than facts, familiar recurring tropes of heroism, terrorism, entrepreneurship, and canine love make the war easier to comprehend and elicit sympathy for US military forces. An indictment of US policy, Bose demonstrates that contemporary imperialism operates on an ideologically diverse cultural terrain to enlist support for the war across the political spectrum.
This book examines how dependent development and struggles for power within and outside the state apparatus led to formation of alliances with imperial powers and how the latter used these alliances to manipulate political development in Afghanistan to their own advantage.
Nights of the Dispossessed brings together artistic works, political texts, and research projects from across the world in an endeavor to sense, chronicle, and think through recent riots and uprisings.
Afghanistan has been a strategic prize for foreign empires for more than 200 years. The British, Russians, and Americans have all fought across its beautiful and inhospitable terrain, in conflicts variously ruthless, misguided and bloody. This violent history is the subject of David Loyn's magisterial book. It is a history littered with misunderstandings and broken promises, in which the British, the Russians, and later the Americans, constantly underestimated the ability of the Afghans. In Afghanistan brilliantly brings to life the personalities involved in Afghanistan's relationship with the world, chronicling the misunderstandings and missed opportunities that have so often led to war. With 30 years experience as a foreign correspondent, David Loyn has had a front-row seat during Afghanistan's recent history. In Afghanistan draws on David Loyn's unrivalled knowledge of the Taliban and the forces that prevail in Afghanistan, to provide the definitive analysis of the lessons these conflicts have for the present day.
An innovative exploration of how colonial interventions in Afghanistan have been made possible through representations of the country as 'backward'.
Forced Migration in the Feminist Imagination explores how feminist acts of imaginative expression, community-building, scholarship, and activism create new possibilities for women experiencing forced migration in the twenty-first century. Drawing on literature, film, and art from a range of transnational contexts including Europe, the Middle East, Central America, Australia, and the Caribbean, this volume reveals the hitherto unrecognised networks of feminist alliance being formulated across borders, while reflecting carefully on the complex politics of cross-cultural feminist solidarity. The book presents a variety of cultural case-studies that each reveal a different context in which the transcultural feminist imagination can be seen to operate – from the ‘maternal feminism’ of literary journalism confronting the European ‘refugee crisis’ to Iran’s female film directors building creative collaborations with displaced Afghan women; and from artists employing sonic creativities in order to listen to women in U.K. and Australian detention, to LGBTQ+ poets and video artists articulating new forms of queer feminist community against the backdrop of the hostile environment. This is an essential read for scholars in Women’s and Gender Studies, Feminist and Postcolonial Literary and Cultural Studies, and Comparative Literary Studies, as well as for those operating in the fields of Gender and Development Studies and Forced Migration Studies.