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The writers in this text seek to reconcile the established critical perspectives of Irish studies with a forward-looking critical momentum that incorporates the realities of globalisation and economic migration.
Based on readings of some of the leading literary voices in contemporary Irish writing, this book explores how these authors have engaged with the events of Ireland's recent economic 'boom' and the demise of the Celtic Tiger period, and how they have portrayed the widespread and contrasting aftermaths. Drawing upon economic literary criticism, affect theory in relation to shame and guilt, and the philosophy of debt, this book offers an entirely original suit of perspectives on both established and emerging authors. Through analyses of the work of writers including Donal Ryan, Anne Haverty, Claire Kilroy, Dermot Bolger, Deirdre Madden, Chris Binchy, Peter Cunningham, Justin Quinn, and Paul Murray, author Eóin Flannery illuminates their formal and thematic concerns. Paying attention to generic and thematic differences, Flannery's analyses touch upon issues such as: the politics of indebtedness; temporality and narrative form; the relevance of affect theory to understandings of Irish culture and society in an age of austerity; and the relationship between literary fiction and the mechanics of high finance. Insightful and original, Form, Affect and Debt in Post-Celtic Tiger Irish Fiction provides a seminal intervention in trying to grasp the cultural context and the literature of the Celtic Tiger period and its wake.
James Orr was the foremost of the Ulster Weaver poets and has been favourably compared to his near contemporary Robert Burns. Baraniuk looks at Orr's life and work, examining the changing social, political and theological context of his writing and reassessing his contribution to radical literature and culture during the Romantic era.
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Heidelberg (Anglistisches Seminar), course: Landeskunde Irland: Shared Histories - Modern Ireland and Germany, language: English, abstract: After tracing out the limits and meanings of the term identity in general, this paper will deal with the components and characteristics of Irish identity and how it was constructed and developed.
Seminar paper from the year 2016 in the subject Cultural Studies - European Studies, grade: 2,0, , language: English, abstract: This seminar text deals with the cultural influence Arthur Guinness had on the Irish lifestyle. Furthermore, it discusses his displayed mindset through his company which we see today still. From the text: - Arthur Guinness; - Influence on the Irish population; - Influence on the world
This monograph provides the first comprehensive analysis of industrial development in Ireland and its impact on Irish society between 1801-1922. Studies of Irish industrial history to date have been regionally focused or industry specific. The book addresses this problem by bringing together the economic and social dimensions of Irish industrial history during the Union between Ireland and Great Britain. In this period, British economic and political influences on Ireland were all pervasive, particularly in the industrial sphere as a consequence of the British industrial revolution. By making the Irish industrial story more relevant to a wider national and international audience and by adopting a more multi-disciplinary approach which challenges many of the received wisdoms derived from narrow regional or single industry studies - this book will be of interest to economic historians across the globe as well as all those interested in Irish history more generally.