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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Colonial powers and Ethiopian frontiers 1880–1884 is the fourth volume of Acta Aethiopica, a series that presents original Ethiopian documents of nineteenth-century Ethiopian history with English translations and scholarly notes. The documents have been collected from dozens of archives in Africa and Europe to recover and present the Ethiopian voice in the history of Ethiopia in the nineteenth century. The present book, the first Acta Aethiopica volume to appear from Lund University Press, deals with how Ethiopian rulers related to colonial powers in their attempts to open Ethiopia for trade and technological development while preserving the integrity and independence of their country. In addition to the correspondence and treatises with the rulers and representatives of Italy, Egypt and Great Britain, the volume also presents letters dealing with ecclesiastical issues, including the Ethiopian community in Jerusalem.
The volume offers new insights into the intricate theme of silence in Greek literature, especially drama. Even though the topic has received respectable attention in recent years, it still lends itself to further inquiry, which embraces silence's very essence and boundaries; its applications and effects in particular texts or genres; and some of its technical features and qualities. The particular topics discussed extend to all these three areas of inquiry, by looking into: silence's possible role in the performance of epic and lyric; its impact on the workings of praise-poetry; its distinct deployments in our five complete ancient novels; Aristophanic, comic and otherwise, silences; the vocabulary of the unspeakable in tragedy; the connections of tragic silence to power, authority, resistance, and motivation; female tragic silences and their transcendence, against the background of male oppression or domination; famous tragic silences as expressions of the ritualized isolation of the individual from both human and divine society. The emerging insights are valuable for the broader interpretation of the relevant texts, as well as for the fuller understanding of central values and practices of the society that created them.
Argues that, although Fielding condemned romance, he shared virtually the same aesthetic assumptions as Mme. de Scudery and other heroic novelists. Calling this tradition of seventeenth-century epics in prose the Heliodoran novel, Lynch analyzes how romance conventions serve a clear aesthetic purpose.
Aquatic Plants: Pharmaceutical and Cosmetic Applications provides a concise description of popular aquatic plants found across the globe. The chapters in this beautifully illustrated, full-color book focus on the aquatic species native to specific continents. Written by a global team of experts, this book explains the distribution, ethnobotanical uses, genome sequencing, chemical compounds, and biological activity of these plants and addresses the cultivation and sustainable production of aquatic and wetland plants. Features: Describes the biological activity of a large collection of aquatic plants. Color photographs highlight each plant’s ethnobotanical characteristics, and structural formulae show their chemical constituents. Contributions come from leading scientists from countries including the United States, India, Mauritius, South Africa, and Cyprus. Aquatic Plants: Pharmaceutical and Cosmetic Applications is a valuable resource for academics conducting research on aquatic plants and for professionals in the pharmaceutical and cosmetic industries who are involved with the therapeutic applications of these plants and their sustainable usage.
Prose fiction, although not always associated with classical antiquity, flourished in the early Roman Empire, not only in realistic Latin novels but also and indeed principally in the Greek ideal romance of love and adventure. Enormously popular in the Renaissance, these stories have been less familiar in later centuries. Translations of the Greek stories were not readily available in English before B.P. Reardon’s first appeared in 1989.Nine complete stories are included here as well as ten others, encompassing the whole range of classical themes: romance, travel, adventure, historical fiction, and comic parody. A foreword by J.R. Morgan examines the enormous impact this groundbreaking collection has had on our understanding of classical thought and our concept of the novel.