Download Free Aesthetics Of Karnatak Music Book in PDF and EPUB Free Download. You can read online Aesthetics Of Karnatak Music and write the review.

In Indian context.
On Carnatic music, chiefly instrumental; includes musical notation for different ragas.
One of the foremost Karnatik vocalists today, T.M. Krishna writes lucidly and passionately about the form, its history, its problems and where it stands todayT.M. Krishna begins his sweeping exploration of the tradition of Karnatik music with a fundamental question: what is music? Taking nothing for granted and addressing readers from across the spectrum - musicians, musicologists as well as laypeople - Krishna provides a path-breaking overview of south Indian classical music.
Karnataka Music As Aesthetic Form Is Probably The First Serious And Systematic Attempt To Analyse And Explain Aesthetic Experience Of Karnataka Music In The Perspective Of Its Multiple Values. It Deals With A Traditional Art Form Of Indian Music Which Is Performed And Enjoyed By Many Millions Of Music Lovers In India And Abroad. Its Focus In Karnataka Music But Much Of What It Says In The First Half Applies To Indian Music In General. The Book Develops Its Ideas And Concepts Progressively, Beginning With An Analysis Of Art Experience, Set Forth Against A Background Of Human Experience In General And Examines Some Of The Prominent Indian And Western Theoretical Models Of Art Experience And Beauty. The Main Thrust Of Its Argument Presented With Philosophical Insights Is That Experience Of Pure Music Is Qualitatively Different From Other Forms Of Aesthetic Experience, Incomparable And Autonomous, And That Traditional Aesthetic Theories Of Poetry And Theatre Are Inadequate To Explain Musical Experience Per Se. The Author Examines, In The Process, Aesthetic Materials And Compositional Design Of Indian Music As Well As The Musical Forms And Instruments Employed In Contemporary Karnataka Music. Historical Continuity And Chronology Of The Musical System Are Discussed In Relation To General And Particular Historiographical Problems And In Relation To The Historical Evolution Of The Characterising Features Of The System Viz. Raga, Tala, Vadya And Prabandha. It May Be Mentioned That Art Historiography With Special Reference To Indian Music Is One Of The Author'S Major Interests. The Book Is Based On Extensive, Original Sources Drawn From Different Areas Of Study Such As Aesthetics, Indian Music, Vedic And Tantrik Literature.
The book entitled “Aesthetics of Indian Music” is written by Dr. Madhur Lata Bhatnagar. This book deals with traits of beauty in Indian Music as enshrined in the scriptures. Nad, Shruti, Swar, Gram, Moorchchhana, Raga, Tal etc. terms have been discussed with aesthetic approach. The adornment of singing and instrument playing using Gamak(s), Sthaya(s), etc. have been discussed with the angle – as used or to be used in present day music. The rules underlying the compositions are also discussed upon. Various types of compositions which are prevalent today are minutely focused upon to enhance their beauty. The use of good lyrics in the making of compositions has been stressed upon. Traits of artistes, accompanists are also described. Attributes and attitude of the music listeners are also told important to enjoy music better. Aesthetic experience through music and its spiritual aspect is also mentioned importantly. Some suggestions are also given to use music for social messages. In view of modern technology the preservation of music in Audio/Video recordings is also told significant for true and fine development of music deeply and widely. This book is referable in music departments of higher education, so is useful for teachers and scholars as well.
It Studies The Concept Of Form In The Context Of Art, Specifically Hindustani Music. It Investigates The Underlying Philosophical Aesthetics And Some Aesthetical Concepts And Analyses The Basic Forms Of Raga And Tala.