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Dixie Square Mall opened in 1966...closed in 1979...and remains standing in 2008. The local shopping mall - not too far from home - a place to shop, eat, work, and socialize. For the people of Harvey, Illinois Dixie Square Mall was this and more. Since it's closing in 1979, Dixie Square has become something else: a crumbling eyesore and a haven for crime and gang activity. Christopher W. Luhar-Trice's photographs from The Dixie Square Project beautifully document this curious artifact of American consumerism. This full-color book includes historical information about Dixie Square, maps, and over 50 color photographs by the artist telling the visual story of America's most famous dead mall, best known for it's appearance in the 1980 film The Blues Brothers. For updates and more information please visit the companion website: www.dixiesquareproject.com
Art sharing at its sneakiest!Art sharing at its sneakiest! The Art Abandonment Project is your guide to expressing yourself through random acts of art! Create something for the joy of making it, and then leave it for an unsuspecting person to find--be it on a shelf at the library, a park bench, a table at a coffee shop or anywhere a stranger might stumble upon it. Inside you'll discover fun ideas for monthly abandonment challenges, way to connect with other "abandoneers" in the creative community, the value of sharing with others and more. • Learn the ins and outs of being an abandoneer. • Get ideas and inspiration for monthly abandoning challenges. • See examples of abandoned art, and read the stories of the artists as well as the "finders." • Receive helpful encouragement for letting go of your creations (sometimes it's hard!). • Connect with the Art Abandonment community and learn how to share your own stories with others. Join the art abandonment project, set your art fee and make someone's day!
"The Girl transports us with resonant authenticity into the head of a yong woman struggleing to survive the depression of the 1930s in St. Paul, Minnesota. On a backdrop of state violence and poverty, and in a life shaped by desperation and gender-based violence, The Girl illustrates the ways working-class women keep each other alive and seed transformational change through self-organized systems of mutual aid."--Back cover.
“In what I thought would be the end of my life and destruction of everything I had worked for actually been the catalyst to my fi nest creations. I experienced the most tumultuous episodes a person can endeavor; you name it, I went through it; again and again I hit metaphorical rock bottom until my mind was a pulverized mush. Sitting there, in the silence and solitude of my dark corner, I wondered if it was karma or some practical joke that the in asylums where I chose to spend my free time, I became a prisoner of both body and mind. When I wasn’t equipped with my camera, I had my words. What you’ll see and read in Elegance in Abandonment is the outcome of those experiences.”
Abandoned buildings in the West are the subjects of these haunting photographs depicting the daily life and melancholy beauty of what was left behind. The seventy-four color photos are a reminder of the American West as it used to be.
Zones of social abandonment are emerging everywhere in Brazil’s big cities—places like Vita, where the unwanted, the mentally ill, the sick, and the homeless are left to die. This haunting, unforgettable story centers on a young woman named Catarina, increasingly paralyzed and said to be mad, living out her time at Vita. Anthropologist João Biehl leads a detective-like journey to know Catarina; to unravel the cryptic, poetic words that are part of the "dictionary" she is compiling; and to trace the complex network of family, medicine, state, and economy in which her abandonment and pathology took form. An instant classic, Vita has been widely acclaimed for its bold fieldwork, theoretical innovation, and literary force. Reflecting on how Catarina’s life story continues, this updated edition offers the reader a powerful new afterword and gripping new photographs following Biehl and Eskerod’s return to Vita. Anthropology at its finest, Vita is essential reading for anyone who is grappling with how to understand the conditions of life, thought, and ethics in the contemporary world.
Fine art photographer Walter Arnold travels the country in search of abandoned and forgotten historic places and captures the beauty of what remains.
This title examines the motivations for the critiques that have been applied to the idea of aesthetics and argues that theorists and artists now hunger for a new kind of aesthetics, one better calibrated to contemporary art and its moral and political demands. The book shows how, for decades, aesthetic critiques have often concerned art's treatment of beauty or the autonomy of art. Collectively, these critiques have generated an anti-aesthetic stance that is now prevalent in the contemporary art world.