Download Free Aesthetic Experience And Moral Vision In Plato Kant And Murdoch Book in PDF and EPUB Free Download. You can read online Aesthetic Experience And Moral Vision In Plato Kant And Murdoch and write the review.

This book addresses how Plato, Kant, and Iris Murdoch (each in different ways) view the connection aesthetic experience has to morality. While offering an examination of Iris Murdoch's philosophy, it analyses deeply the suggestive links (as well as essential distinctions) between Plato's and Kant's philosophies. Meredith Trexler Drees considers not only Iris Murdoch's concept of unselfing, but also its relationship with Kant's view of Achtung and Plato's view of Eros. In addition, Trexler Drees suggests an extended, and partially amended, version of Murdoch's view, arguing that it is more compatible with a religious way of life than Murdoch herself realized. This leads to an expansion of the overall argument to include Kant's affirmation of religion as an area of life that can be improved through Plato's and Murdoch's vision of how being good and being beautiful can be part of the same life-task. Meredith Trexler Drees is the Chair of the Department of Religion and Philosophy and the Director of Experiential Learning at Kansas Wesleyan University, USA. .
This book addresses how Plato, Kant, and Iris Murdoch (each in different ways) view the connection aesthetic experience has to morality. While offering an examination of Iris Murdoch’s philosophy, it analyses deeply the suggestive links (as well as essential distinctions) between Plato’s and Kant’s philosophies. Meredith Trexler Drees considers not only Iris Murdoch’s concept of unselfing, but also its relationship with Kant’s view of Achtung and Plato’s view of Eros. In addition, Trexler Drees suggests an extended, and partially amended, version of Murdoch’s view, arguing that it is more compatible with a religious way of life than Murdoch herself realized. This leads to an expansion of the overall argument to include Kant’s affirmation of religion as an area of life that can be improved through Plato’s and Murdoch’s vision of how being good and being beautiful can be part of the same life-task.
Embark on a journey that transcends the boundaries of art and technology in the groundbreaking realm of Creative Convergence: The AI Renaissance in Art and Design. This isn't just another book on art and technology- it's a journey that sparks curiosity, fuels innovation, and challenges traditional artistic boundaries. Discover the power of generative Artificial Intelligence (AI) as it melds with human expression, propelling artistry into uncharted territories and redefining traditional notions of both originality and creativity. The text is not just about art or AI; it is about the fusion of both, catalyzing a creative revolution that challenges previous assumptions about human-machine collaboration and how ideation, conceptualization, process and execution are radically rethought. Have you ever wondered how/will AI revolutionize training, education and execution in art and design? Delve into this captivating treatment that contextualizes the disruptions we are experiencing today in the technological innovations and artistic responses and integrations of the past five hundred years. Human creativity has always struggled against technological advance, but ultimately integrated and redefined what "art" is in each era. As such, you will see how AI can be incorporated in various artistic disciplines in this study. Explore real-world case studies that showcase AI's practical impact on 3D design, drawing, digital art, and even web design. The book also addresses the controversial question: Can AI be a co-creator in the creative and artistic process, even assisting in creating an original, signature style? Brace yourself for revelations that will challenge your perceptions of traditional artistry.
The decline of religion and ever increasing influence of science pose acute ethical issues for us all. Can we reject the literal truth of the Gospels yet still retain a Christian morality? Can we defend any 'moral values' against the constant encroachments of technology? Indeed, are we in danger of losing most of the qualities which make us truly human? Here, drawing on a novelist's insight into art, literature and abnormal psychology, Iris Murdoch conducts an ongoing debate with major writers, thinkers and theologians—from Augustine to Wittgenstein, Shakespeare to Sartre, Plato to Derrida—to provide fresh and compelling answers to these crucial questions.
In a book that is itself beautifully written, renowned philosopher Roger Scruton explores this timeless concept, asking what makes an object--either in art, in nature, or the human form--beautiful.--From publisher description.
Iris Murdoch was a philosopher and novelist of extraordinary breadth and originality whose work defies simple categorisation. Her philosophical writing engages with an astonishingly wide range of figures, from Plato and Kant to Sartre and Heidegger, and her work increasingly inspires debate in ethics, aesthetics, religion, and literature. The Murdochian Mind is an outstanding reference source to the full span of Murdoch's philosophical work, comprising 37 specially commissioned chapters written by an international team of leading scholars. Divided into five clear parts, the volume covers the following areas: A guide to Murdoch's key philosophical texts, including The Sovereignty of Good and Metaphysics as a Guide to Morals. Core themes and concepts in Murdoch's philosophy, such as love, moral vision, and attention. Murdoch's engagement with the history of philosophy, including Plato, Kant, Hegel, Simone Weil, and Wittgenstein. Interdisciplinary connections with art, literature, and religion, including Judaism, Buddhism, and Christianity. Murdoch and contemporary philosophical debates, including feminism, virtue ethics, and metaethics. The application of Murdoch’s thought to applied ethics, including animal ethics, psychiatric ethics, and the environment. Although recent years have seen a blossoming of interest in Murdoch’s philosophy, The Murdochian Mind is the first volume to do justice to the incredibly rich and wide-ranging nature of her work. As such it will be of great interest to students of philosophy, especially ethics and aesthetics, as well as those in related disciplines such as literature, religion, and gender studies.
Lyra Ekström Lindbäck revisits the crucial distinction between literature and philosophy in Iris Murdoch's work to make a convincing case for understanding the particularity of literature and her insistence on the separation between the two. Iris Murdoch and the Ancient Quarrel makes a break with existing scholarship on Murdoch's philosophy and literature that ultimately re-states the philosophical value of literature, alongside literary aspects of philosophy. This book differs by deepening Murdoch's insistence on the differences between the disciplines, providing a consistent and polemical argument for the distinction between literature and philosophy more generally. Engaging thinkers such as Plato, Kant, Hegel, Sartre, Weil, and Cavell, Iris Murdoch and the Ancient Quarrel delves into the aesthetic characteristics that distinguish philosophy and literature. Through a discussion of the illusion of sense, the role of conceptual thinking in literature, the clash between epistemology and fiction, the artifice of tragedy, and the ambiguous morality of artistic inspiration and experience, this study reveals literature as essentially other to philosophy.
This book will be of great value to philosophers, gender theorists, literary critics and others engaged with the questions of life's meaning and what a deepened understanding of it looks like.
Literature and Moral Theory investigates how literature, in the past 30 years, has been used as a means for transforming the Anglo-American moral philosophical landscape, which until recently was dominated by certain ways of ?doing theory?. It illuminates the unity of the overall agenda of the ethics/literature discussion in Anglo-American moral philosophy today, the affinities and differences between the separate strands discernible in the discussion, and the relationship of the ethics/literature discussion to other (complexly overlapping) trends in late-20th century Anglo-American moral philosophy: neo-Aristotelianism, post-Wittgensteinian ethics, particularism and anti-theory. It shows why contemporary philosophers have felt the need for literature, how they have come to use it for their own (philosophically radical) purposes of understanding and argument, and thus how this turn toward literature can be used for the benefit of a moral philosophy which is alive to the varieties of lived morality.
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.