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In this highly perceptive and original study Evert traces Keats' formulation in his early work of mythography of the imagination founded on Apollo through its radical qualification in his later work. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In this highly perceptive and original study Evert traces Keats' formulation in his early work of mythography of the imagination founded on Apollo through its radical qualification in his later work. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This study seeks elements of self-definition in Keats's work, the quest for the poetical character. From both his poems and letters, an aesthetic emerges which locates the poetical character in terms of a responsible role in a creative process: a transcendent imagination infuses beauty into the material world; these particulars become a source of inspiration for the artist, the foundation of the simple imaginative mind. The readings of Keats's poems depend on these stages, on the two kinds of imagination and the mediation between them. This study is the one of the first to yield this particular synthesis, and the importance of historicism to Keats's aesthetic has before not always been weighted.
Focusing in a new and thoroughgoing way on Keats's widely discussed interest in Greek myth, Professor Van Ghent finds the underlying coherence in both his poetry and his letters to be archetypes of the hero and his double"--pervasive myths of creation and generation reflected in his poetics of desire. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
"Hyperion" is an epic poem by 19th-century English Romantic poet John Keats. It is based on the Titanomachia, and tells of the despair of the Titans after their fall to the Olympians. Keats wrote the poem from late 1818 until the spring of 1819, when he gave it up as having "too many Miltonic inversions." The themes and ideas were picked up again in Keats's The Fall of Hyperion: A Dream, when he attempted to recast the epic by framing it with a personal quest to find truth and understanding. John Keats (1795 - 1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature. Table of Contents: Introduction: Life of John Keats by Sidney Colvin Hyperion Book I. Hyperion Book II. Hyperion Book III.
This book proposes a fresh and original interpretation of Keats' use of classical mythology in his verse. Dr Aske argues that classical antiquity appears to Keats as a supreme fiction, authoritative yet disconcerting, and his poems represent hard endeavours to come to terms with the influence of that fiction. The major poems (most notably Endymion, Hyperion, the Ode on a Grecian Urn and Lamia) form a stage, as it were, upon which is played out a psychic drama between the modern poet and his classical muse. The study is especially bold in its assimilation of historical scholarship and literary theory to a close reading of the texts. Individual poems are discussed in the context of late Enlightenment and Romantic attitudes towards antiquity and in the light of recent critical theory, in particular the theory of literary history and influence formulated by Harold Bloom and Geoffrey Hartman. Keats emerges as a significant example of the way in which a poet tries to establish a distinct identity under the burden of history and of literary tradition.
Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures.
In this incisive volume Siler traces the uneasy relationship between the content of Keats' poems and social history. In the process, he discovers that the early poems are linked with the mission statement of the radical journal Annals of the Fine Arts, whilst the poems after Endymion reveal a poet more concerned with the nature of poetic representation--its why and wherefore.
A revaluation of the poet's works reveals his critical feelings towards the literature, sexuality, religion and politics of his time as well as his uncertainties as a second generation Romantic.
The poems of John Keats have traditionally been regarded as most resistant of all Romantic poetry to the concerns of history and politics. But critical trends have begun to overturn this assumption. Keats and History brings together exciting work by British and American scholars, in thirteen essays which respond to interest in the historical dimensions of Keats's poems and letters, and open alternative perspectives on his achievement. Keats's writings are approached through politics, social history, feminism, economics, historiography, stylistics, aesthetics, and mathematical theory. The editor's introduction places the volume in relation to nineteenth- and early twentieth-century readings of the poet. Keats and History will be welcomed by students of English literature, and by all those interested in English Romanticism.