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Siblings Melinda and Felix Hutton learn they have inherited the talent of metamorphosis. Ten-year-old Melinda embraces her Athenite heritage, but her older brother Felix doesn't. Wishing he were normal, Felix resents becoming parts of the myths and fables he's read. But there's a threat rising just as the children are learning of their talents.
Honoring the path of a slave, this dramatic picture-book biography and concise anthology of Aesop's most child-friendly fables tells how a child born into slavery in ancient Greece found a way to speak out against injustice by using the skill and wit of his storytelling--storytelling that has survived for 2,500 years. Stunningly illustrated by two-time Caldecott Honor winner Pamela Zagarenski. The Tortoise and the Hare. The Boy Who Cried Wolf. The Fox and the Crow. Each of Aesop's stories has a lesson to tell, but Aesop's true-life story is perhaps the most inspiring tale of them all. Gracefully revealing the genesis of his tales, this true story of Aesop shows how fables not only liberated him from captivity but spread wisdom over a millennium. This is the only children's book biography about him. Includes thirteen illustrated fables: The Lion and the Mouse, The Goose and the Golden Egg, The Fox and the Crow, Town Mouse and Country Mouse, The Ant and the Grasshopper, The Dog and the Wolf, The Lion and the Statue, The Tortoise and the Hare, The Boy Who Cried Wolf, The North Wind and the Sun, The Fox and the Grapes, The Dog and the Wolf, The Lion and the Boar.
A collection of animal fables told by the Greek slave Aesop.
In 1489 Johan Hurus printed the first collection of fables in Spain, Lavida del Ysopetconsusfabulas hystoriadas. Illustrated with nearly 200 woodcuts, this work quickly became the most-read book in Spain, beloved of both children and adults. Reprinted many times in the next three centuries and carried to the New World, it brought to Spanish letters a cornucopia of Aesopic fables, oriental apologues, and folktales that were borrowed by such writers as Cervantes, Lope de Vega, and especially the fabulists Iriarte and Samaniego. John Keller and Clark Keating now present the first English translation of this important literary work. The Latin and German lineage of La vida was significant, for it placed Spain in the mainstream of European fable lore. The highly fictitious life of Aesop, the misshapen Greek slave who reached the highest social level, contributed to the development of medieval romance and the picaresque novel. The book is thus important to students of comparative literature, literary history, and the development of the Spanish language. Of equal value are the woodcuts, which depict the daily life of medieval Europe and contribute to a better understanding of fifteenth-century art history, bookmaking, natural history, and the visualization of narrative. La vida del Ysopet thus constitutes one of the finest concordances of text and illustration in European literary history.
The Life of Aesop the Philosopher, an anonymous Greek literary work, presents one version of the novelistic biography of Aesop, which dates to the fourth to fifth century CE. In this volume, Grammatiki A. Karla offers an extended introduction to the Life of Aesop in general, the history of the textual tradition, and the MORN manuscript family and its relationship to other versions and papyrus fragments. She then presents a new edition of the late antique version (MORN) alongside David Konstan’s English translation. A commentary addresses editorial choices and focuses on words and phrases that are of interest for the history of the Greek language.
The Aesop's Fable Paradigm is a collection of essays that explore the cutting-edge intersection of Folklore and Science. From moralizing fables to fantastic folktales, humans have been telling stories about animals—animals who can talk, feel, think, and make moral judgments just as we do—for a very long time. In contrast, scientific studies of the mental lives of animals have professed to be investigating the nature of animal minds slowly, cautiously, objectively, with no room for fanciful tales, fables, or myths. But recently, these folkloric and scientific traditions have merged in an unexpected and shocking way: scientists have attempted to prove that at least some animal fables are actually true. These interdisciplinary chapters examine how science has targeted the well-known Aesop's fable "The Crow and the Pitcher" as their starting point. They explore the ever-growing set of experimental studies which purport to prove that crows possess an understanding of higher-order concepts like weight, mass, and even Archimedes' insight about the physics of water displacement. The Aesop's Fable Paradigm explores how these scientific studies are doomed to accomplish little more than to mirror anthropomorphic representations of animals in human folklore and reveal that the problem of folkloric projection extends far beyond the "Aesop's Fable Paradigm" into every nook and cranny of research on animal cognition.
Twenty-four fables, recounted in verse, tell of the hare and the tortoise, the fox and the grapes, the boy who cried wolf, and other timeless morality tales. Includes distinctive silhouette illustrations.
Originally presented as the author's thesis (Ph. D.)--University of Chicago, 1998.
This timeless collection brings together three hundred of the most enduringly popular of Aesop's fables in a collection that will delight young and old readers alike. Here are all the age-old favorites-the wily fox, the vain peacock, the predatory cat, and steady tortoise-just as endearingly vivid and relevant now as they were for their very first audience. Although the three hundred fables in this collection are attributed to Aesop, and his name is synonymous with the form, it seems unlikely he was in fact anything more than a legendary figure. While some historical accounts maintain he was a slave with a prodigious talent for storytelling who lived during the sixth century B.C., many believe it unlikely that this whole stock of fables can be attributed to one individual.