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A collection of animal fables told by the Greek slave Aesop.
Aesop was probably a prisoner of war, sold into slavery in the early sixth century BC, who represented his masters in court and negotiations, and relied on animal stories to put across his key points. All these fables, full of humour, insight and savage wit, as well as many fascinating glimpses of ordinary life, have now been brought together for the first time in this definitive and fully annotated modern edition.
Revive your childhood wonder and fascination with the most exquisitely illustrated edition of Aesop’s Fables —featuring breathtaking original artwork by #1 New York Times bestselling illustrator Charles Santore! Captivating the hearts and minds of kids and adults for generations, Aesop, a former Greek slave, developed simple and meaningful adventures featuring animals or insects to teach a moral standard or lesson for living. The most well-known and well loved of Aesop's fables are included here: - The Hare and the Tortoise - The Lion and the Mouse - The Town Mouse and the Country Mouse - The Wolf in Sheep's Clothing This Classic Edition: - Is great for children ages 4 - 8 - Perfect for family read-alouds or story at bedtime - Lavish illustrations by renowned, New York Times #1 Bestselling artist Charles Santore, the critically-acclaimed illustrator of multiple classic tales, including The Velveteen Rabbit, and The Classic Tale of Peter Rabbit, and The Night Before Christmas - Makes a great holiday, Advent, or Christmas gift Charles Santore’s work has been widely exhibited in museums and celebrated with recognitions such as the prestigious Hamilton King Award, the Society of Illustrators Award of Excellence, and the Original Art 2000 Gold Medal from the Society of Illustrators. He is best known for his luminous interpretations of classic children’s stories, including The Little Mermaid, Alice's Adventures in Wonderland, Snow White, and The Wizard of Oz.
A collection of tales by Aesop, the stories of which serve to illustrate some moral or precept.
The Dynamics of Intertextuality in Plutarch explores the numerous aspects and functions of intertextual links both within the Plutarchan corpus itself (intratextuality) and in relation with other authors, works, genres or discourses of Ancient Greek literature (interdiscursivity, intergenericity) as well as non-textual sources (intermateriality). Thirty-six chapters by leading specialists set Plutarch within the framework of modern theories on intertextuality and its various practical applications in Plutarch’s Moralia and Parallel Lives. Specific intertextual devices such as quotations, references, allusions, pastiches and other types of intertextual play are highlighted and examined in view of their significance for Plutarch’s literary strategies, argumentative goals, educational program, and self-presentation.
Using Greek, Arabic, Persian, and Ottoman sources, this volume looks at the relations between Byzantium and its eastern neighbours in the thirteenth century, and presents a new interpretation of the Nicaean Empire and highlights the evidence for its wealth and power.
The first intertextual study of all (allusions to) fables occuring in Archaic, Classical, and Hellenistic Greek literature, examining both modern and ancient fable theory as well as Greaco-Roman terminology of the genre.
Perhaps it is fully justified to think of Late Antiquity (3rd–7th centuries) as the first Renaissance of the Classical World. This period can be considered a fundamental landmark for the transmission of the Classical Legacy and the transition between the ancient and the medieval individual. During Late Antiquity the Classical Education or enkyklios paideia of Hellenism was linked definitively to the Judeo-Christian and Germanic elements that have modelled the Western World. The present volume combines diverse interests and methodologies with a single purpose—unity and diversity, as a Neo-Platonic motto—providing an overall picture of the new means of researching Late Antiquity. This collective endeavour, stemming from the 2009 1st International Congress on Late Antiquity in Segovia (Spain), focuses not only on the analysis of new materials and latest findings, but rather puts together different perspectives offering a scientific update and a dialogue between several disciplines. New Perspectives on Late Antiquity contains two main sections—1. Ancient History and Archaeology, and 2. Philosophy and Classical Studies—including both overview papers and case studies. Among the contributors to this volume are some of the most relevant scholars in their fields, including P. Brown, J. Alvar, P. Barceló, C. Codoñer, F. Fronterotta, D. Gigli, F. Lisi and R. Sanz.