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In 1900, Paris had no skyscrapers, no tourist helicopters, no drones. Yet well before aviation made aerial views more accessible, those who sought such vantages had countless options available to them. They could take in the vista from an observation ride, see a painting of the view from Notre-Dame, or overlook a miniature model city. In Aeroscopics, Patrick Ellis offers a history of the view from above, written from below. Richly illustrated and premised upon extensive archival work, this interdisciplinary study reveals the forgotten media available to the public in the Balloon Era and after. Ellis resurrects these neglected spectacles as “aeroscopics,” opening up new possibilities for the history of aerial vision.
In this bold rewriting of visual culture, Brooke Belisle uses dimensionality to rethink the history and theory of media aesthetics. With Depth Effects, she traces A.I.-enabled techniques of computational imaging back to spatial strategies of early photography, analyzing everyday smartphone apps by way of almost-forgotten media forms. Drawing on the work of Maurice Merleau-Ponty, Belisle explores depth both as a problem of visual representation (how can flat images depict a voluminous world?) and as a philosophical paradox (how do things cohere beyond the limits of our view?). She explains how today's depth effects continue colonialist ambitions toward totalizing ways of seeing. But she also shows how artists stage dimensionality to articulate what remains invisible and irreducible.
INSECTS PROVIDE an ideal medium in which to study all the problems of physiology. But if this medium is to be used to the best advantage, the principles and peculiarities of the insect's organization must be first appreciated. It is the purpose of this book to set forth these principles so far as they are understood at the present day. There exist already many excellent text-books of general ento mology; notably those of Imms, Weber, and Snodgrass, to mention only the more recent. But these authors have necessarily been preoccupied chiefly with describing the diversity of form among insects; discussions on function being correspondingly condensed. In the present work the emphasis is reversed. Struc ture is described only to an extent sufficient to make the physiological argument intelligible. Every anatomical peculiarity, every ecological specialization, has indeed its physiological counterpart. In that sense, anatomy, physiology and ecology are not separable. But regarded from the standpoint from which the present work is written, the endless modifications that are met with among insects are but illustrations of the general principles of their physiology, which it is the aim of this book to set forth. Completeness in such a work is not possible, or desirable; but an endeavour has been made to illustrate each physiological characteristic by a few concrete examples, and to include sufficient references to guide the student to the more important sources. The physiology of insects is to some the handmaid of Economic Entomology.
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Hymenoptera. Diptera. Lepidoptera. Strepsiptera. Coleoptera. Hemiptera. Thysanoptera. Trichoptera. Mecoptera. Plecoptera. Neuroptera. Odonata. Corrodentia. Orthoptera. Dermaptera. Thysanura.
Featuring completely updated chapters, additional authors, and an increased emphasis on alternatives to traditional pesticides, the second edition of Ecological Entomology is the field's leading reference on the role of insects in ecosystems. The authors cover insect growth and development, what they eat, how they reproduce, and how they move in various environments. The book also examines how insects interact with the plant community and how to control insect populations naturally.