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William Fox's writing for the last several years has been focused on how we construct aerial views, either physically (by flying) or in our imaginations. In Aereality, he flies over earthworks in Nevada and Utah, soars through the world's largest open pit mine, and surveys Los Angeles, circumnavigating large swaths of true American urban sprawl. On the East Coast, he examines the elevated art of the Hudson River Valley and New York City. And finally, in Australia, Fox examines the history and current practice of both Euro–Australian and Aboriginal aerial views, and searches for the cognitive roots of our aerial imagination. Accompanying Fox throughout his travels is a rolling cast of enlightened fliers: geographers, museum curators, landscape photographers, anthropologists, and artists. He traverses the sky in prop planes, helicopters, and hot air balloons, all with the ultimate goal of knowing and experiencing the earth from the air.
NOMINATED AND SHORT LISTED FOR THE SURVEILLANCE STUDIES BOOK PRIZE 2011! This theoretically informed research explores what the development and transformation of air travel has meant for societies and individuals. Brings together a number of interdisciplinary approaches towards the aeroplane and its relation to society Presents an original theory that our societies are aerial societies, or 'aerealities', and shows how we are both enabled and threatened by aerial mobility Features a series of detailed international case studies which map the history of aviation over the past century - from the promises of early flight, to World War II bombing campaigns, and to the rise of international terrorism today Demonstrates the transformational capacity of air transport to shape societies, bodies and individual identities Offers startling historical evidence and bold new ideas about how the social and material spaces of the aeroplane are considered in the modern era
Cross-Border Networks in Writing Studies coordinates mixed methods approaches to survey, interview, and case study data to study Canadian writing studies scholars. The authors argue for networked disciplinarity, the notion that ideas arise and flow through intellectual networks that connect scholars not only to one another but to widening networks of human and nonhuman actors. Although the Canadian field is historically rooted in the themes of location and national culture, expressing a tension between Canadian independence and dependence on the US field, more recent research suggests a more hybridized North American scholarship rather than one defined in opposition to “rhetoric and composition” in the US. In tracing identities, roles, and rituals of nationally bound considerations of how disciplinarity has been constructed through distant and close methods, this multi-scaled, multi-scopic approach examines the texture of interdependent constructions of the Canadian discipline. Cross-Border Networks in Writing Studies also launches a collaborative publishing network between Canadian publisher Inkshed and US publisher Parlor Press.
In Incidence of Travel, archaeologist Jerry Moore draws on his personal experiences and historical and archaeological studies throughout South America to explore and understand the ways traditional peoples created cultural landscapes in the region. Using new narrative structures, Moore introduces readers to numerous archaeological sites and remains, describing what it is like to be in the field and sparking further reflection on what these places might have been like in the past. From the snow-capped mountains of Colombia to the arid deserts of Peru and Chile, ancient peoples of South America built cities, formed earthen mounds, created rock art, and measured the cosmos—literally inscribing their presence and passage throughout the continent. Including experiences ranging from the terrifying to the amusing, Moore’s travels intersect with the material traces of traditional cultures. He refers to this intersection as "the incidence of travel." Braiding the tales of his own journeys with explanations of the places he visits through archaeological, anthropological, and historical contexts, Moore conveys the marvelous and intriguing complexities of prehistoric and historic peoples of South America and the ways they marked their presence on the land. Combining travel narrative and archaeology in a series of essays—accounts of discoveries, mishaps of travel, and encounters with modern people living in ancient places—Incidence of Travel will engage any general reader, student, or scholar with interest in archaeology, anthropology, Latin American history, or storytelling.
This is a highly original account of the design and development of Pakistan's capital city; one of the most iconic and ambitious urban reconstruction projects of the twentieth century. Balancing archival research with fresh, theoretical insights, Markus Daechsel surveys the successes and failures of Greek urbanist Constantinos A. Doxiadis's most ambitious endeavour, Islamabad, analysing how the project not only changed the international order, but the way in which the Pakistani state operated in the 1950s and 1960s. In dissecting Doxiadis's fraught encounter with Pakistani policy makers, bureaucrats and ordinary citizens, the book offers an unprecedented account of Islamabad's place in post-war international development. Daechsel provides new insights into this period and explores the history of development as a charged, transnational venture between foreign consultants and donors on the one side and the postcolonial nation state on the other.
Used for everything from geographic evaluation to secret spy missions, aerial photography has a rich and storied history, ably recounted here in Photography and Flight. Aerial photography is marked by its dependency on technological developments in both photography and aerospace, and the authors chart the history of this photography as it tracked the evolution of these technologies. Beginning with early images taken from hot-air balloons, fixed platforms, and subsequent handheld camera technology, Denis Cosgrove and William Fox then explain how military reconnaissance and governmental projects were instrumental in catalyzing these and other innovations in the field. They examine pivotal historical moments in which aerial photography began to establish itself as essential tool, such as in World War II military strategies, high-altitude photography taken from postwar rockets and aircraft, and the use of aerial photography during the cold war and the Cuban Missile Crisis. The book also explores the advancement of geographic scholarship through aerial photography, ranging from military excursions into Antarctica to the images of the curvature of the earth taken during the Apollo space missions. While digital technology and remote sensing have changed the landscape of photography, Photography and Flight argues that they have not diminished the significance of aerial photography in providing images of the earth. Rather, new technologies and resulting innovations such as Google Earth have enabled the mass democratization of access to such information. Photography and Flight ultimately reveals how the camera lens from far away continues to unearth telling details about the land and those who live upon it.
Mobility justice is one of the crucial political and ethical issues of our day. We are in the midst of a global climate crisis and extreme challenges of urbanization. At the same time it is difficult to ignore the deaths of thousands of migrants at sea or in deserts, the xenophobic treatment of foreign-born populations, refugees and asylum seekers, as well as the persistence of racist violence and ethnic exclusions on our front doorstep. This, in turn, is connected to other kinds of uneven mobility: relations between people, access to transport, urban infrastructures and global resources such as food, water, and energy. In Mobility Justice, Mimi Sheller makes a passionate argument for a new understanding of the contemporary crisis of mobility. She shows how power and inequality inform the governance and control of movement, connecting these scales of the body, street, city, nation, and planet into one overarching theory of mobility justice. This can be seen on a local level in the differential circulation of people, resources, and information, as well as on an urban scale, with questions of public transport and 'the right to the city'. On the planetary scale, she demands that we rethink the reality where tourists and other kinetic elites are able to roam freely, the military origins of global infrastructure, and the contested politics of migration and restricted borders. Mobility Justice offers a new way to understand the deep flows of inequality and uneven accessibility of a world in which the mobility commons has been enclosed.
The first genuine appraisal of Virilio's contribution to contemporary art, photography, film, television and more. This collection of 13 original writings, including a newly translated piece by Virilio himself, is indispensable reading for all students and researchers of contemporary visual culture. Paul Virilio is one of the leading and most challenging critics of art and technology of the present period. Re-conceptualising the most enduring philosophical conventions on everything from technology and photography to literature, anthropology, cultural, and media studies through his own original theories and arguments, Virilio's work has produced substantial debate, compelling readers to ask if his criticism is out of touch or out in front of traditional perspectives.
How do artists and writers engage with environmental knowledge in the face of overwhelming information about catastrophe? What kinds of knowledge do the arts produce when addressing climate change, extinction, and other environmental emergencies? What happens to scientific data when it becomes art? In Infowhelm, Heather Houser explores the ways contemporary art manages environmental knowledge in an age of climate crisis and information overload. Houser argues that the infowhelm—a state of abundant yet contested scientific information—is an unexpectedly resonant resource for environmental artists seeking to go beyond communicating stories about crises. Infowhelm analyzes how artists transform the techniques of the sciences into aesthetic material, repurposing data on everything from butterfly migration to oil spills and experimenting with data collection, classification, and remote sensing. Houser traces how artists ranging from novelist Barbara Kingsolver to digital memorialist Maya Lin rework knowledge traditions native to the sciences, entangling data with embodiment, quantification with speculation, precision with ambiguity, and observation with feeling. Their works provide new ways of understanding environmental change while also questioning traditional distinctions between types of knowledge. Bridging the environmental humanities, digital media studies, and science and technology studies, this timely book reveals the importance of artistic medium and form to understanding environmental issues and challenges our assumptions about how people arrive at and respond to environmental knowledge.