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This volume contains George Bernard Shaw's collection of short stories entitled "The Black Girl in Search of God, and Some Lesser Tales". It was first published in 1934. "The Black Girl In Search Of God" is a short story that follows a young girl who is newly converted to Christianity - and who embarks on a literal search for God. On her way, she comes into contact with a number of religious figures, each trying to convert her to their own faiths. This wonderfully sardonic allegory highlights Shaw's unorthodox ideas on faith and race, and was highly controversial when first published. George Bernard Shaw (1856 - 1950) was an Irish playwright who co-founded of the London School of Economics. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.
So controversial was Black Girl when it first appeared in 1932 that it provoked public outcry with Shaw decried as a blasphemer. Today, it remains a surprisingly irreverent depiction of the universal search for God. Dissatisfied with the teachings of respectable white missionaries, an African girl embarks upon her own quest for God and Truth. Journeying through the forest, she encounters various religious figures, each one seeking to convert her to their own brand of faith. This brilliantly sardonic allegory showcases some of Shaw's most unorthodox thoughts on religion and race. George Bernard Shaw (1856–1950) is best known for his dramatic works, of which Pygmalion is the most famous.
"One of the most profound yet joyous new Canadian plays in recent memory."--Richard Ouzounian, Toronto Star
This is the first comprehensive annotated bibliography of works by and about Bernard Shaw. No book has appeared before that has surveyed all of the research and writing that the life and work of Bernard Shaw have evoked. The greatest dramaturgist in English after Shakespeare, Shaw was one of the dominant public figures of his time, a long lifetime (1856-1950) that began in the mid-Victorian period and extended into the Atomic Age. Inevitably, someone who straddled his age so visibly and so memorably, and whose works retain a continuing fascination, has been the subject of thousands of articles and hundreds of books, from criticism of individual works to multivolume biographies, editions, and studies. Stanley Weintraub has distilled his forty years of experience of Shaw studies to bring them into useful focus and sort out the significant writings from the burgeoning mass of publications. This book is an essential tool for both scholars and general readers interested in the multifarious world of Shaw. Readers will not only find out what has been done, but what still remains to be accomplished in Shaw studies; what Shaw's influence has been on other writers; even where Shaw has appeared as a character in other writers' poetry, fiction, and drama.
This book explores all aspects of Brophy's literary career, alongside contributions on animal rights, vegetarianism, anti-vivisectionism, humanism, feminism and sexual politics, not only celebrating Brophy's eclectic achievements but fully reflecting them.
Alasdair Gray is Scotland's best known polymath. Born in 1934 in Glasgow, he graduated in design and mural art from the Glasgow School of Art in 1957. After decades of surviving by painting and writing TV and radio plays, his first novel, the loosely autobiographical, blackly fantastic Lanark, opened up new imaginative territory for such varied writers as Jonathan Coe, A.L. Kennedy, James Kelman, Janice Galloway and Irvine Welsh. It led Anthony Burgess to call him 'the most important Scottish writer since Sir Walter Scott'. His other published books include 1982 Janine, Poor Things (winner of the Whitbread Award), The Book of Prefaces, The Ends of our Tethers and Old Men in Love. In this book, with reproductions of his murals, portraits, landscapes and illustrations, Gray tells of his failures and successes which have led his pictures to be accepted by a new generation of visual artists.
T. E. Ruth (1875–1956) was one of the most controversial Baptist ministers ever to serve in Australia. After a successful career in England as preacher, pastor, and writer, Ruth came to the significant Collins Street Baptist Church in Melbourne in 1914. During the tumultuous years of the World War, Ruth cared for the bereaved and bewildered people in his congregation and in the city. He also led public debates about conscription, engaging in intense platform clashes with his Catholic opponent, Archbishop Daniel Mannix. He later moved to the Pitt Street Congregational Church in Sydney where he was soon involved in public opposition to the Labor premier J. T. Lang as well as becoming a popular columnist in the secular press. To his critics he was a “sectarian bigot” and was mocked as “Ruthless Ruth”; to others, he was an ardent Empire loyalist, an admired and successful Protestant defender. Some critics accused him of being a Christian spiritualist and others have suggested that he formulated a theology for fascism. Ruth denounced millennial Adventism and hellfire eschatology as he affirmed universalism and a continuing spiritual development after death. This fascinating study of a progressive thinker, public theologian, and controversialist illuminates one of the more divisive and formative periods in Australian religious and political life.