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This is a story from a bygone age recalling the most successful flying-boat airliner ever built. Designed to a specification for Imperial Airways, then Britains national airline, it carried passengers and, more importantly, mail throughout the British Empire. The airliner offered luxurious travel for the privileged few, every journey being an adventure shared by passengers and crew.Short Brothers built 42 Empires at their factory in Rochester during the late 1930s. Imperial Airways were expanding their network to the furthermost outposts of the British Empire, whilst laying down the principles of scheduled airline operation.This is the tale of the realization of a dream and the efforts of those who made it possible. During World War II, the military Sunderland version became an icon.
Originally published in 1991. Focusing on ‘boys' own’ literature, this book examines the reasons why such a distinct type of combative masculinity developed during the heyday of the British Empire. This book reveals the motives that produced this obsessive focus on boyhood. In Victorian Britain many kinds of writing, from the popular juvenile weeklies to parliamentary reports, celebrated boys of all classes as the heroes of their day. Fighting fit, morally upright, and proudly patriotic - these adventurous young men were set forth on imperial missions, civilizing a savage world. Such noble heroes included the strapping lads who brought an end to cannibalism on Ballantyne's "Coral Island" who came into their own in the highly respectable "Boys' Own Paper", and who eventually grew up into the men of Haggard's romances, advancing into the Dark Continent. The author here demonstrates why these young heroes have enjoyed a lasting appeal to readers of children's classics by Stevenson, Kipling and Henty, among many others. He shows why the political intent of many of these stories has been obscured by traditional literary criticism, a form of criticism itself moulded by ideals of empire and ‘Englishness’. Throughout, imperial boyhood is related to wide-ranging debates about culture, literacy, realism and romance. This is a book of interest to students of literature, social history and education.
In this expansive book, David Narrett shows how the United States emerged as a successor empire to Great Britain through rivalry with Spain in the Mississippi Valley and Gulf Coast. As he traces currents of peace and war over four critical decades--from the close of the Seven Years War through the Louisiana Purchase--Narrett sheds new light on individual colonial adventurers and schemers who shaped history through cross-border trade, settlement projects involving slave and free labor, and military incursions aimed at Spanish and Indian territories. Narrett examines the clash of empires and nationalities from diverse perspectives. He weighs the challenges facing Native Americans along with the competition between Spanish, French, British, and U.S. interests. In a turbulent era, the Louisiana and Florida borderlands were shaken by tremors from the American Revolutionary War and the French Revolution. By demonstrating pervasive intrigue and subterfuge in borderland rivalries, Narrett shows that U.S. Manifest Destiny was not a linear or inevitable progression. He offers a fresh interpretation of how events in the Louisiana and Florida borderlands altered the North American balance of power, and affected the history of the Atlantic world.
Three stirring tales of heroism from the age of empire: Rudyard Kipling's 'The Man Who Would Be King', 'King Solomon's Mines' by Sir Henry Rider Haggard and 'With Clive of India' by G A Henty.
Clive Cussler, "The Grand Master of Adventure," sends his intrepid heroes Dirk Pitt and Al Giordino on their wildest, boldest mission into the ancient world, unlocking extraordinary secrets and solving hideous crimes. Another fabulous read from the most beloved series from the #1 New York Times-bestselling author. The murders of a team of United Nations scientists in El Salvador. . . A deadly collision in the waterways off the city of Detroit. . . An attack by tomb raiders on an archaeological site along the banks of the Nile. . . Is there a link between these violent events? The answer may lie in the tale of an Egyptian princess forced to flee the armies of her father three thousand years ago. During what was supposed to be a routine investigation in South America, NUMA Director Dirk Pitt finds himself embroiled in an international mystery, one that will lead him across the world and which will threaten everyone and everything he knows--most importantly, his own family. Pitt travels to Scotland in search of answers about the spread of an unknown disease and the shadowy bioremediation company that may be behind it. Meanwhile, his son and daughter face a threat of their own when the discoveries they have made in an Egyptian tomb put killers on their trail. These seemingly unrelated riddles come together in a stunning showdown on the rocky isles of Ireland, where only the Pitts can unravel the secrets of an ancient enigma that could change the very future of mankind.
Originally published in 1991. Focusing on ‘boys' own’ literature, this book examines the reasons why such a distinct type of combative masculinity developed during the heyday of the British Empire. This book reveals the motives that produced this obsessive focus on boyhood. In Victorian Britain many kinds of writing, from the popular juvenile weeklies to parliamentary reports, celebrated boys of all classes as the heroes of their day. Fighting fit, morally upright, and proudly patriotic - these adventurous young men were set forth on imperial missions, civilizing a savage world. Such noble heroes included the strapping lads who brought an end to cannibalism on Ballantyne's "Coral Island" who came into their own in the highly respectable "Boys' Own Paper", and who eventually grew up into the men of Haggard's romances, advancing into the Dark Continent. The author here demonstrates why these young heroes have enjoyed a lasting appeal to readers of children's classics by Stevenson, Kipling and Henty, among many others. He shows why the political intent of many of these stories has been obscured by traditional literary criticism, a form of criticism itself moulded by ideals of empire and ‘Englishness’. Throughout, imperial boyhood is related to wide-ranging debates about culture, literacy, realism and romance. This is a book of interest to students of literature, social history and education.
The Roman Empire is crumbling, and a shadow looms in the east… 376 AD: the Eastern Roman Empire is alone against the tide of barbarians swelling on her borders. Emperor Valens juggles the paltry border defences to stave off invasion from the Goths north of the Danube. Meanwhile, in Constantinople, a pact between faith and politics spawns a lethal plot that will bring the dark and massive hordes from the east crashing down on these struggling borders. The fates conspire to see Numerius Vitellius Pavo, enslaved as a boy after the death of his legionary father, thrust into the limitanei, the border legions, just before they are sent to recapture the long-lost eastern Kingdom of Bosporus. He is cast into the jaws of this plot, so twisted that the survival of the entire Roman world hangs in the balance…
The world was wild for gold. After discovering the Americas, and under pressure to defend their vast dominion, the Habsburgs of Spain promoted gold and silver exploration in the New World with ruthless urgency. But, the great influx of wealth brought home by plundering conquistadors couldn't compensate for the Spanish government's extraordinary military spending, which would eventually bankrupt the country multiple times over and lead to the demise of the great empire. Gold became synonymous with financial dependability, and following the devastating chaos of World War I, the gold standard came to express the order of the free market system. Warfare in pursuit of wealth required borrowing -- a quickly compulsive dependency for many governments. And when people lost confidence in the promissory notes and paper currencies issued during wartime, governments again turned to gold. In this captivating historical study, Kwarteng exposes a pattern of war-waging and financial debt -- bedmates like April and taxes that go back hundreds of years, from the French Revolution to the emergence of modern-day China. His evidence is as rich and colorful as it is sweeping. And it starts and ends with gold.
At the turn of the twentieth century, the publishing industries in Britain and the United States underwent dramatic expansions and reorganization that brought about an increased traffic in books and periodicals around the world. Focusing on adventure fiction published from 1899 to 1919, Patrick Scott Belk looks at authors such as Joseph Conrad, H.G. Wells, Conan Doyle, and John Buchan to explore how writers of popular fiction engaged with foreign markets and readers through periodical publishing. Belk argues that popular fiction, particularly the adventure genre, developed in ways that directly correlate with authors’ experiences, and shows that popular genres of the late nineteenth and early twentieth centuries emerged as one way of marketing their literary works to expanding audiences of readers worldwide. Despite an over-determined print space altered by the rise of new kinds of consumers and transformations of accepted habits of reading, publishing, and writing, the changes in British and American publishing at the turn of the twentieth century inspired an exciting new period of literary invention and experimentation in the adventure genre, and the greater part of that invention and experimentation was happening in the magazines. ​