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Excerpt from Adventures With Music and Musicians Music to be used in conjunction with these chapters will be found in the supplement on page 49. This list is intended to be suggestive merely. Some Of the publishers whose music is included will send music on approval if a certain proportion of the order is purchased. It is advisable, whenever it can be arranged, to exam ine the music before making a definite selection, and it is hoped that the individuals who use this music list will find new music that they will want to add to their libraries. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Nicholas Kenyon explores the enduring appeal of the classical canon at a moment when we can access all music—across time and cultures Immersed in music for much of his life as writer, broadcaster and concert presenter, former director of the BBC Proms, Nicholas Kenyon has long championed an astonishingly wide range of composers and performers. Now, as we think about culture in fresh ways, Kenyon revisits the stories that make up the classical tradition and foregrounds those which are too often overlooked. This inclusive, knowledgeable, and enthusiastic guide highlights the achievements of the women and men, amateurs and professionals, who bring music to life. Taking us from pianist Myra Hess’s performance in London during the Blitz, to John Adams’s composition of a piece for mourners after New York’s 9/11 attacks, to Italian opera singers singing from their balconies amidst the 2020 pandemic, Kenyon shows that no matter how great the crisis, music has the power to bring us together. His personal, celebratory account transforms our understanding of how classical music is made—and shows us why it is more relevant than ever.
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Alexandre Dumas' collection features over 40 historical novels, adventure classics, and true crime stories, each illustrated to immerse the reader in the rich and vivid world he creates. Known for his intricate plots, colorful characters, and captivating storytelling, Dumas blends history with fiction flawlessly, offering a unique perspective on various historical events. His writing style is engaging and descriptive, drawing readers in with its intensity and drama. This collection showcases Dumas' versatility as a writer, from swashbuckling adventures to intricate mysteries, appealing to a wide range of literary tastes. The historical backdrop adds depth and authenticity to the narratives, making them both entertaining and educational. Alexandre Dumas himself was a prolific writer with a keen interest in history, fueling his passion for storytelling. His own experiences and observations undoubtedly influenced the themes and characters he weaves into his tales. With this comprehensive collection, readers can truly appreciate Dumas' genius and immerse themselves in the world of his timeless classics. I highly recommend this book to anyone looking for an immersive reading experience filled with adventure, intrigue, and historical insights.
The Garland Handbook of Southeast Asian Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 4, Southeast Asia (1998). Largely revised and updated, the essays offer detailed, regional studies of the different musical cultures of Southeast Asia and examine the ways in which music helps to define the identity of this particular area. Part one provides an in-depth introduction to the area of Southeast Asia and explores a series of issues and processes, such as colonialism, mass media, spirituality, and war. The articles in this section are important in gaining historical, political, and social perspective. Part two focuses on mainland Southeast Asia, with essays representing Cambodia, Thailand, Laos, Burma, Peninsular Malaysia, Vietnam, Singapore, and the minority peoples of mainland Southeast Asia. Part three focuses on island Southeast Asia, dividing the area into three sections: Indonesia, the Philippines, and Borneo. In addition to offering a detailed study of the music of each area, it also offers recent perspectives on the gamelan and theater traditions of Indonesia. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues - musical and cultural - arise when one studies the music of Southeast Asia - issues that might not occur in the study of other musics of the world. An accompanying compact disc offers musical examples from Southeast Asia.