Download Free Adventures With A Texas Humanist Book in PDF and EPUB Free Download. You can read online Adventures With A Texas Humanist and write the review.

The author discusses the writers and trends in Texas literature beginning with early twentieth-century writer J. Frank Dobie and Larry McMurtry during the 1960s and places writers, politicians, and cultural leaders in the context of each age.
From the Guadalupe Mountains of the Chihuahuan Desert to the Hill Country to the Red River, the vast geographic landscape of Texas has afforded the cultural depth and diversity to inspire its writers. The richness of Texas folklore, history, and traditions has left an unmistakable mark on the art of the region. Both native and transplant Texas writers alike have been keenly shaped by the distinctive aroma of fresh corn tortillas, tales of Mescalero Apaches, and Tejano and ranchera music. Jameson has compiled an assorted collection of fourteen essays by some of the most prominent Texas writers through which he hopes to explore the following questions: “How did they accomplish their goals? Why did they choose the writing life? What influence did the history, lore, and culture of Texas play in their creative process?” While readily citing the “decidedly Texas flavor” in his own fiction, Jameson seeks to uncover the inspirations in other writers from both the expansive and rugged Texas terrain as well as the varied people therein. The fourteen writers who comprise Notes from Texas range from the captivating and often humorous essayist Larry L. King to the beloved historical novelist Elmer Kelton. Other contributors include James Ward Lee, known for his expertise in Texas cuisine and culture, and poet and songwriter Red Steagall. This collection bestows each with a “chance to express what they wished to share about their art and their life as a Texas writer.”
Set primarily during the early 1940s, A Texas Jubilee is a collection of short stories about life in fictional Bodark Springs, Texas. Through these stories, author Jim Lee paints a humorous picture of the politics, friendships, and secrets that are part of day-to-day life in this eccentric little Texas town. Stories like “Rock-ola” and “Pink-Petticoat” reveal secrets and raise questions about many of the town’s more colorful characters. Will Grady Dell reunite with his lost love, Eva? Is there a connection between Edna Earle Morris’s murder and her mysterious visit from Jesus? Other stories like “Navy, Blue, and Gold” highlight the ways that World War II is causing life to change for everyone in the town. Young Tommy Earl Dell and Fred Hallmark now spend their afternoons staring at the pictures of boys from Eastis County on the Gold Star shelf in the power company's window, dreaming of the day when they will be old enough to join the army. Townspeople now hold their breaths any time John Ed Hallmark, the town’s official messenger, drives his “Chariot of Death” up the street to deliver the news to one of his neighbors that a brother, son, or husband is not coming home from war. Although the pace of life in this small town is slow, there is never a dull moment in A Texas Jubilee. From the first to last page, readers will be constantly entertained by the exotic and unexpected in this imaginative collection of tales. A Texas Jubilee includes a preface by Jeff Guinn.
A collection of fifteen essays which cover Indians, Mexican Americans, African Americans, women, religion, war on the homefront, music, literature, film, art, sports, philanthropy, education, the environment, and science and technology in twentieth-century Texas.
The Girls of the Golden West tells the tale of ninety-five-year-old John Quincy Adams the Second (no relation to the famous historic figure), who meets a graduate student named Annie Baxter and agrees to help her write a history of the culture of the South by sharing his experiences through the decades. The redheaded Annie looks just like Liz Denney, one of John Q.’s old lovers, which immediately endears her to him. After welcoming Annie to the small, fictional town of Bodark Springs, he shares hours of stories on Annie’s tape recorder, with little prompting along the way. John Q.’s memories follow histories of love and jealousy, misunderstanding and murder, giving a picture not only of Bodark Springs, but also of Texas. Meanwhile, John Q.’s inner dialogue reveals secrets of his own, including the long months he disappeared in order to protect his family from a deadly threat. Author James Ward Lee easily carries readers through this humorous cultural pilgrimage of the West. While John Q.’s pace of life is slow, his mind is razor sharp and keeps readers on their toes, waiting for his next harmlessly bawdy joke or flare of seriousness. The Girls of the Golden West is ultimately a story of finding love for other people and for one’s homeland. From the first moment John Q. bemoans opening his door for nosy townsfolk, readers come face-to-face with a blend of wisdom and fun that will keep them coming back for more.
The history of New Texas, the Texas we know today—oil-rich, insufferably loud, and unbearably proud of itself—begins in the late 1920s, when a horned frog wakes from its thirty-one-year nap in a courthouse cornerstone and flabbergasts the nation. In slightly over two decades ten individuals—their words, actions, and accomplishments—come to define the New Texas of the twenty-first century. While the history of Old Texas rests on oft-told legends of Houston, Austin, Travis, Crockett, Rusk, Lamar, and Seguin, today’s New Texas—proud, loud, self-promotional, sports-crazy, and too rich for its own good—is the Texas that percolates throughout the nation’s popular culture. In Texas Loud, Proud, and Brash: How Ten Mavericks Created the Twentieth-Century Lone Star State, author Rusty Williams profiles ten largely unsung men and women responsible for the Texas you love, hate, and (secretly) envy today.
According to Renaissance woman and Pepper Lady Jean Andrews, although food is eaten as a response to hunger, it is much more than filling one's stomach. It also provides emotional fulfillment. This is borne out by the joy many of us feel as a family when we get in the kitchen and cook together and then share in our labors at the dinner table. Food is comfort, yet it is also political and contested because we often are what we eat--meaning what is available and familiar and allowed. Texas is fortunate in having a bountiful supply of ethnic groups influencing its foodways, and Texas food is the perfect metaphor for the blending of diverse cultures and native resources. Food is a symbol of our success and our communion, and whenever possible, Texans tend to do food in a big way. This latest publication from the Texas Folklore Society contains stories and more than 120 recipes, from long ago and just yesterday, organized by the 10 vegetation regions of the state. Herein you'll find Senator Kay Bailey Hutchinson’s Family Cake, memories of beef jerky and sassafras tea from John Erickson of Hank the Cowdog fame, Sam Houston's barbecue sauce, and stories and recipes from Roy Bedichek, Bob Compton, J. Frank Dobie, Bob Flynn, Jean Flynn, Leon Hale, Elmer Kelton, Gary Lavergne, James Ward Lee, Jane Monday, Joyce Roach, Ellen Temple, Walter Prescott Webb, and Jane Roberts Wood. There is something for the cook as well as for the Texan with a raft of takeaway menus on their refrigerator.
An interdisciplinary study of Katherine Anne Porter’s troubled relationship to her Texas origins and southern roots, South by Southwest offers a fresh look at this ever-relevant author. Today, more than thirty years after her death, Katherine Anne Porter remains a fascinating figure. Critics and biographers have portrayed her as a strikingly glamorous woman whose photographs appeared in society magazines. They have emphasized, of course, her writing— particularly the novel Ship of Fools, which was made into an award-winning film, and her collection Pale Horse, Pale Rider, which cemented her role as a significant and original literary modernist. They have highlighted her dramatic, sad, and fragmented personal life. Few, however, have addressed her uneasy relationship to her childhood in rural Texas. Janis P. Stout argues that throughout Porter’s life she remained preoccupied with the twin conundrums of how she felt about being a woman and how she felt about her Texas origins. Her construction of herself as a beautiful but unhappy southerner sprung from a plantation aristocracy of reduced fortunes meant she construed Texas as the Old South. The Texas Porter knew and re-created in her fiction had been settled by southerners like her grandparents, who brought slaves with them. As she wrote of this Texas, she also enhanced and mythologized it, exaggerating its beauty, fertility, and gracious ways as much as the disaffection that drove her to leave. Her feelings toward Texas ran to both extremes, and she was never able to reconcile them. Stout examines the author and her works within the historical and cultural context from which she emerged. In particular, Stout emphasizes four main themes in the history of Texas that she believes are of the greatest importance in understanding Porter: its geography and border location (expressed in Porter’s lifelong fascination with marginality, indeterminacy, and escape); its violence (the brutality of her first marriage as well as the lawlessness that pervaded her hometown); its racism (lynchings were prevalent throughout her upbringing); and its marginalization of women (Stout draws a connection between Porter’s references to the burning sun and oppressive heat of Texas and her life with her first husband).
When Elmer Kelton died in the fall of 2009, the literary world lost a consummate writer, a man the New York Times called a “novelist who brought the sensibility of the old-style western to bear on a modern Texas landscape of oil fields and financially troubled ranches.” Kelton was also a modest, kind man, always willing to advise a struggling writer or write a blurb for a first time published author, or assign publishing rights to his six masterpieces to a small university press. TCU Press owes a great debt of gratitude to Kelton, and this volume, Elmer Kelton: Memories and Essays, attempts to explore just what it is that made Kelton its leading author. Editors Judy Alter and James Ward Lee gathered together a group of Kelton aficionados who had either published or taught or sold his books, or were simply friends. In several meetings, they divided up the main themes of Kelton’s writing: Alter provides the overview of Kelton’s career; Felton Cochran, longtime owner of Cactus Books in San Angelo, describes how the friendship between bookstore owner and author grew over the years; Ricky Burk, pastor of the church from which Kelton was buried, talks about the man’s influence in his community; Kelton’s son, Steve, explains how Kelton’s career as journalist permeated his novels; Ruth McAdams, who has taught Kelton for years, explores how he deals with the themes of endurance and change; Joyce Roach delicately covers how race and ethnicity figure in Kelton’s plots and the development of his unforgettable characters; Lee gives readers his inimitable take on the Hewey Calloway Trilogy—The Good Old Boys, The Smiling Country, and Six Bits a Day; and Bob J. Frye takes a wry look at Kelton’s use of humor throughout his career. The book also contains Kelton’s own view of the history of the Western novel, a response to revisionist criticism. And finally Cochran provides us a list of most, not all, of Elmer Kelton’s extraordinary body of work.
Winifred Sanford is generally regarded by critics as one of the best and most important early twentieth-century Texas women writers, despite publishing only a handful of short stories before slipping into relative obscurity. First championed by her mentor, H. L. Mencken, and published in his magazine, The American Mercury, many of Sanford’s stories were set during the Texas oil boom of the 1920s and 1930s and offer a unique perspective on life in the boomtowns during that period. Four of her stories were included in The Best American Short Stories of 1926. Questioning the sudden end to Sanford’s writing career, Wiesepape, a leading literary historian of Texas women writers, delved into the author’s previously unexamined private papers and emerged with an insightful and revealing study that sheds light on both Sanford’s abbreviated career and the domestic lives of women at the time. The first in-depth account of Sanford’s life and work, Wiesepape’s biography discusses Sanford’s fiction through the lens of the sociohistorical contexts that shaped and inspired it. In addition, Wiesepape has included two previously unpublished stories as well as eighteen previously unpublished letters to Sanford from Mencken. Winifred Sanford is an illuminating biography of one of the state’s unsung literary jewels and an important and much-needed addition to the often overlooked field of Texas women’s writing.