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This book recounts the adventures of a 12-year-old boy studying and touring in France, Italy, Yugoslavia and Switzerland. The countrysides of each are compared and the ravages of World War II noted. Many areas visited had not seen foreigners since the war. The wonders and beauty of cities like Rome, Naples, Florence, Vienna, Trieste, Belgrade, Lucerne, Geneva and Paris are described and compared. Students in pairs often explored them on their own. How communism worked in Yugoslavia is described in detail.
You do not have to traverse Africa by bicycle, solo extreme climbing routes or snowboard down glaciers in order to have an adventure. Between the extreme adventurer who craves for the adrenaline rush and the tourist who avoids any danger is the traveller. He or she also seeks adventure but without risking life and limb. The memories of seven decades published here show that the average person can also travel adventurously. They contain early travel experiences that made a lasting impression, episodes of youthful wanderlust, hitchhiking trips, long cycling tours, epic road trips through the Balkans and the United States and extensive journeys in South America. Hikes and climbs in the Andes, in Africa and in the Alps round off the picture. Travelling not only makes us experience the present, it also brings us back to the past. How can we walk the border between Austria and Italy in the Dolomites without remembering the First World War? How can we ignore history when we visit Sarajevo or Mostar? And how can we stand in front of La Moneda, the presidential palace in Santiago de Chile and not think about the original Nine Eleven that took place there in 1973? Exploring new regions and foreign countries without relying on tour operators is not entirely risk-free but the independent traveller is rewarded with intensive experiences and unforgettable memories.
Images play an important role in developing consciousness and the relationship of the self to its surroundings. In this distinctive collection, editors Charles A. Hill and Marguerite Helmers examine the connection between visual images and persuasion, or how images act rhetorically upon viewers. Chapters included here highlight the differences and commonalities among a variety of projects identified as "visual rhetoric," leading to a more precise definition of the term and its role in rhetorical studies. Contributions to this volume consider a wide variety of sites of image production--from architecture to paintings, from film to needlepoint--in order to understand how images and texts work upon readers as symbolic forms of representation. Each chapter discusses, analyzes, and explains the visual aspect of a particular subject, and illustrates the ways in which messages and meaning are communicated visually. The contributions include work from rhetoric scholars in the English and communication disciplines, and represent a variety of methodologies--theoretical, textual analysis, psychological research, and cultural studies, among others. The editors seek to demonstrate that every new turn in the study of rhetorical practices reveals more possibilities for discussion, and that the recent "turn to the visual" has revealed an inexhaustible supply of new questions, problems, and objects for investigation. As a whole, the chapters presented here demonstrate the wide range of scholarship that is possible when a field begins to take seriously the analysis of images as important cultural and rhetorical forces. Defining Visual Rhetorics is appropriate for graduate or advanced undergraduate courses in rhetoric, English, mass communication, cultural studies, technical communication, and visual studies. It will also serve as an insightful resource for researchers, scholars, and educators interested in rhetoric, cultural studies, and communication studies.
Some issues include separately paged sections: Better management, Physical theatre, extra profits; Review; Servisection.
As Christopher Nolan’s Batman films and releases from the Marvel Cinematic Universe have regularly topped the box office charts, fans and critics alike might assume that the “comic book movie” is a distinctly twenty-first-century form. Yet adaptations of comics have been an integral part of American cinema from its very inception, with comics characters regularly leaping from the page to the screen and cinematic icons spawning comics of their own. Movie Comics is the first book to study the long history of both comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comic books starring John Wayne, Gene Autry, Bob Hope, Abbott & Costello, Alan Ladd, and Dean Martin and Jerry Lewis. With a special focus on the Classical Hollywood era, Blair Davis investigates the factors that spurred this media convergence, as the film and comics industries joined forces to expand the reach of their various brands. While analyzing this production history, he also tracks the artistic coevolution of films and comics, considering the many formal elements that each medium adopted and adapted from the other. As it explores our abiding desire to experience the same characters and stories in multiple forms, Movie Comics gives readers a new appreciation for the unique qualities of the illustrated page and the cinematic moving image.
Journey back fifty years to explore the decade of baby boomers, the Red scare, and the birth of rock and roll with Robert Rodriguez’s The 1950s’ Most Wanted: The Top 10 Book of Rock & Roll Rebels, Cold War Crises, and All-American Oddities. America was revving its engines when the fifties came along, and its citizens more than ready for everything the historic decade had to offer. Rodriguez takes you on a spin down memory lane with dozens of top-ten lists filled with amazing, amusing, and even astonishing trivia from the 1950s. Television exploded into the mainstream in the 1950s, and in this book you’ll find kids’ television, shows that were immensely popular then but forgotten now, and potential series that never got off the ground. Film and music history are also well represented, with lists highlighting the fathers of rock and roll and some unlikely recording artists, plus catchphrases from contemporary films and first roles of future stars. Relive the most notorious crimes of the decade, such as the one that inspired the TV show and film The Fugitive, and its big scandals, such as the quiz show debacle and the deportation of Charlie Chaplin. You’ll read about politicians, celebrities, fashion, toys, fads, and disasters. Relearn the hip slang of the time while finding out which tales from the fifties were really tall tales or urban legends that are now debunked. Rodriguez gives you a whole decade’s worth of fun, facts, and all-important memories. It may have been half a century ago, but with The 1950s’ Most Wanted™, it’ll seem like just yesterday.
Scholars analyze the emergence of youth culture in music and powerful trends in gender and ethnic-racial representation, sexuality, substance use, and violence in the media in this text. It shows the evolution of teen portrayal, the potential consequences, and the ways policy-makers and parents can respond.