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Haley Bombauer, aka Flash Jackson, confronts the summer of her seventeenth year with glorious anticipation. She envisions herself roaming the hillsides and forests on her beloved horse, venturing farther and farther away from her sleepy hometown and her overprotective mother. But when Haley falls through the rotted roof of the barn, she is destined to spend the summer in a thigh-high cast, stuck at home with her mother, enduring visits from her spooky grandmother, and pondering the error of her impulsive ways. The year that follows will, in fact, transform not only her life but also the lives of those around her. Set in Mannville, New York, William Kowalski's signature town, here is the story of one young woman's emergence into a world that, in her words, "was not designed with girls in mind" and her efforts to find a way to fit in without giving up her independence.
Haley Bombauer (a.k.a. Flash Jackson) confronts the summer of her seventeenth year with glorious anticipation. She envisions herself roaming the surrounding hillsides and forests on her beloved horse. But when she falls through the rotted roof of the barn, she is consigned to spending the summer in a thigh-high cast, stuck at home. The year that follows will transform Haley's life, for it gives her peculiar grandmother the chance to pass along some of the mystical arts that only she remembers. As Haley comes to realise who her grandmother is, she is transformed - from tomboy scamp to extraordinary, powerful woman.
Sixteen-year-old Haley "Flash Jackson" Boomhauer, tomboy extraordinaire, confined to her room after breaking her leg, unexpectedly finds her boredom allieviated by her eccentric grandmother who teaches her the magical arts.
A no-holds-barred memoir from the primary architect of hip hop and one of the culture's most revered music icons—both the tale of his life and legacy and a testament to dogged determination. Grandmaster Flash and the Furious Five fomented the musical revolution known as hip hop. Theirs was a groundbreaking union between one DJ and five rapping MCs. One of the first hip hop posses, they were responsible for such masterpieces as “The Message” and “Adventures of Grandmaster Flash on the Wheels of Steel.” In the 1970s Grandmaster Flash pioneered the art of break-beat DJing—the process of remixing and thereby creating a new piece of music by playing vinyl records and turntables as musical instruments. Disco-era DJs spun records so that people could dance. The original turntablist, Flash took it a step further by cutting, rubbing, backspinning, and mixing records, focusing on “breaks”—what Flash described as “the short, climactic parts of the records that really grabbed me”—as a way of heightening musical excitement and creating something new. Now the man who paved the way for such artists as Jay-Z, Sean “P. Diddy” Combs, and 50 Cent tells all—from his early days on the mean streets of the South Bronx, to the heights of hip hop stardom, losing millions at the hands of his record label, his downward spiral into cocaine addiction, and his ultimate redemption with the help and love of his family and friends. In this powerful memoir, Flash recounts how music from the streets, much like rock ’n’ roll a generation before, became the sound of an era and swept a nation with its funk, flavor, and beat.
The year is 2147. Chago, twenty-four, is a prisoner in a world made up only of prisoners and those who guard them. The only bright spot in Chago’s life is his son, Jim-Jim, whose mother is a guard. In an effort to resolve overcrowding in the prison, the warden introduces the Innocence Device, a high-tech machine he claims can determine innocence or guilt. Prisoners are encouraged to walk through the Innocence Device and experience its rewards: immediate freedom or death. When they discover the machine is rigged, the prisoners riot and take over the prison. After witnessing the execution-style death of the mother of his son, and surviving a brief stint outside the prison walls, Chago ends up in a position of power. But he soon finds the new regime little different from the old, and he sets out to save the only thing he values—his son.
Walter Davis is young, handsome, intelligent, dynamic, personable and homeless. The product of a bi-racial marriage but abandoned by his father as a young child, he prides himself on three things: his drive to succeed, his fine clothes and never having been late for anything in his life. Walter is also homeless. The medical expenses that came with his mother's brief and unsuccessful battle against cancer have left him destitute. Still, ever the optimist, Walter believes that if he lives in his car for a few months, he will have the time he needs to find a good job in the business world and turn his life around. His situation gets more complicated when he finds himself attracted to a girl he meets at the mailing center where he keeps a post box. But trying to impress a girl when you have no fixed address proves difficult, and when he's caught in a lie, she shuns his company. Walter's struggles grow when his car is impounded and he can't afford to pay the fine. Only resilience, ingenuity and his drive to succeed can bring Walter back from the brink of despair.
To change the world, first you have to change yourself.
Kat is a tough, independent woman who makes her living as a professional poker player. She is single, childless and happy about it. But when her best friend, Josie, commits suicide, she names Kat as the temporary guardian of her ten-year-old son, David, until his father can come for him. In the few weeks that David is with her, Kat finds herself changed in ways she had never thought imaginable. With the old poker adage “bet with your head, not your heart” ringing in her head like a warning bell, Kat nevertheless finds that all the money and success in the world don’t mean a thing unless you have someone to share it with...and that maybe there is more to life than winning after all.
With his widely acclaimed debut, 28-year-old William Kowalski emerged as one of the most exciting and distinctive new American writers in years. In his hew book, Kowalski once again proves himself an extraordinarily gifted writer as he follows his hero Billy Mann on his search for the mother who deserted him as a baby. Now 20 years old, Billy travels atop his beloved motorcycle to the last known address he has for her ot a side street named Santa Fe, New Mexico. It is a journey that will teach him many things about family, friends, love - and death. Filled with wondrous imagery and lyricism, Somewhere South of Here has a lightness of touch that belies how very much it has to say about life's greatest themes of all.
Fiction. Asian & Asian American Studies. From fragmented ransom notes to hanging footnotes, contemporary fairy tales to coded text, interconnecting pieces of modal flash fiction to backwards fractal narratives about gradual blindness, transgressive listicles to how-to guides for performative wokeness, variable destinies in downtown Chicago to impossible dating applications, counterfactual relationships to the French translation of adolescence, the conceptual, language-driven short stories in COUNTERFACTUAL LOVE STORIES AND OTHER EXPERIMENTS are an exploration of not just mixed-race/hapa identity in Michigan (and the American Midwest), but also of the infinite ways in which stories can be told, challenged, celebrated, and subverted.