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Generative phonology is a developing field of linguistics, and is producing both rival interpretations and models. This book provides a clear and accessible evaluation of the debate. It provides a detailed overview of the main models, revealing that they are often complimentary rather than contradictory, and how these can be interconnect and be used together to explore the subject.
This practical and accessibly written textbook provides a thoughtfully ordered introduction to a wide range of phonological phenomena. It contains many exercises combining classic datasets with newly compiled problems. These help the student learn to discover sound patterns nested in complex linguistic data, beginning with concrete introductory examples and stepping through a series of progressively more complex phonological phenomena. It covers alternation, vowel harmony, phonemic analysis, natural classes and distinctive features, abstractness and opacity, syllable structure, tone, stress, prosodic morphology, feature geometry, and optimality theory. It is essential reading for students of linguistics around the world.
Combining a collection of data on phonological acquisition with attention to Optimality Theory, this book blends the studies of linguistics, psycholinguistics, and speech-language pathology in reference to phonological development. It also contains an evaluation of competing theories and presents a view of non-linear phonology.
Phonology: Critical Concepts, the first such anthology to appear in thirty years and the largest ever published, brings together over a hundred previously published book chapters and articles from professional journals. These have been chosen for their importance in the exploration of theoretical questions, with some preference for essays that are not easily accessible.Divided into sections, each part is preceded by a brief introduction which aims to point out the problems addressed by the various articles and show their relations to one another.-
First published in 1994. This study aims to provide evidence for the natural class of sounds comprised of front vowels, front glides and coronal consonants. The author also shows that a revised definition of the articulator feature [coronal] properly characterises this natural class of sounds. The study provides a formal representation of front vowels and coronal consonants and their interaction within a nonlinear model of feature organisation. This title will be of interest to students of language and linguistics.
Advances in Clinical Phonetics focuses on important developments in phonetic description. Recent years have seen increasing developments in phonetic description, in both instrumental and impressionistic approaches. Not restricted to the phonetics of normal speech, clinical phoneticians and speech scientists working with disordered speech, have been at the forefront of recent work. Some instrumental developments (such as electropalatography), and some transcription developments (such as extIPA symbols), have been spearheaded by clinical phoneticians. The present collection describes and explores these developments. Part one consists of major accounts of advances in clinical phonetics contributed by major international researchers: Raymond D. Kent; William Hardcastle; Martin J. Ball and John Local; and Wolfram Ziegler and Erich Hartmann. The second part comprises six chapters where such advances are illustrated in the context of specific case studies, by authors from America and Europe: Fiona Gibbon, William Hardcastle, Hilary Dent and Fiona Nixon; Marie-Thèrése Le Normand and Claude Chevrie-Muller; Kate Moore and Anna-Maja Korpijaakko-Huuhka; Martin J. Ball and Joan Rahilly; P. Dejonckere and G. Wieneke; Nigel Hewlett, Nicola Topham and Catherine McMullen; and Shaween Awan. Demonstrating the wideranging and lively nature of the field of clinical phonetics the current contributions offer building blocks for further developments in phonetic description — both improvements in instrumentation and refinements in impressionistic transcription, leading to an increase in our understanding of the speech production process, both in normal and atypical speakers.
This volume explores a variety of aspects of second language speech, with special focus on contributions to the field made by (primarely) generative linguists looking at the sounds and sound systems of second language learners. "Second Language Phonology" starts off with an overview of second language acquisition research in order to place the study of L2 speech in context. This introductory chapter is followed by an outline of traditional approaches to investigating interlanguage phonology. The third chapter consists of a discussion of relevant aspects of a learning theory that must be included in a treatment of how people learn sound systems. The next three chapters focus on particular aspects of the mental represenation of phonological competence; segments, syllables, and stress, respectively. The penultimate chapter deals with issues related to the mechanisms that govern the changing of interlanguage grammars over time. The volume ends with a summary of the issues raised throughout the text.
Rewriting rules, derivations and underlying representations is an enduring characteristic of generative phonology. In this book, John Coleman argues that this is unnecessary. The expressive resources of context-free Unification grammars are sufficient to characterize phonological structures and alternations. According to this view, all phonological forms and constraints are partial descriptions of surface representations. This framework, now called Declarative Phonology, is based on a detailed examination of the formalisms of feature-theory, syllable theory and the leading varieties of nonlinear phonology. Dr Coleman illustrates this with two extensive analyses of the phonological structure of words in English and Japanese. As Declarative Phonology is surface-based and highly restrictive, it is consistent with cognitive psychology and amenable to straightforward computational implementation.