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"Advanced Theory of Tabla" is the second volume of the series "The Complete Reference for the Tabla". It deals with the various aspects of acoustics, physics, compositional theory, rhythmic theory, recording, stagecraft, and other topics of interest to the performing tabla player and the student of tabla.
On Tabla, Indian percussion instrument; also includes musical notations of different beats played on the instrument; a study.
As Pandit Shiv Kumar Sharma Says In His Foreword In The Book, In This Books Detailed System Of Playing- Peshkaar, Kaida, Tihai, Rela, Gat, Paran And Other Elements Of Different Gharanas Of Tabla Playing. Besides That There Are Also Some Very Rare Taals With All The Material Of Playing Solo Tabla. With Dedication, Hard Research Work And Commitment Behind This Effort Makes This Book Very Useful Reference Book For The Students Of Tabla And Musicians In General And This Book Will Surely Find A Place In All The Best Institutes Of India And Abroad.It Will Also Guide Tabla Players Who Are Looking For Traditional Authentic Knowledge Of Tabla Playing. Author Sadanand Naimpalli, Himself One Of The Finest Maestros In The Country Today, Takes Up The Challenge In Theory And Practice Of Tabla For Advanced Students Of Tabla. His Book Will Make A Student Appreciate Fully The Language Of One Of The Most Versatile Percussion Instruments In The World Its Grammar, Aesthetics, Its Powerful Idioms And The Sheer Poetry And Sophistication When Handled By A Competent Player.
Beginning With The Evolution Of The Tabla, The Book Deals Comprehensively With Tabla Rhythm And Explains The Technique Of Producing The Basic Bols. It Further Describes The Way To Do Reyaz On The Tabla, And Explains The Principal Compositions That Make Up A Standard Tabla Recital. The Cd Accompanying The Book Carries Samples Of The Tabla Of The Major Gharanas.
The sitar has been popular since the 1960s. Since that time it has always had a considerable mystique among musicians. It also has an undeserved reputation for being difficult to play. This book/CD set cuts though the mystique and misapprehensions and presents the material in a simple fashion that is easily understood both by Indians and non-Indian musicians alike.Learning the Sitar begins with basic background information, including a discussion of Indian music, the history of the instrument, the parts and other important terms It then moves on to basic exercises and finally finishes with some simple compositions in Bilawal, Kalyan and Kafi. This is covered in a mix of staff notation as well as traditional Indian Sargam notation.
Organic Chemistry: The Name Game: Modern Coined Terms and their Origins is a lighthearted take on the usually difficult and systematic nomenclature found in organic chemistry. However, despite the lightheartedness, the book does not lose its purpose, which is to serve as a source of information on this particular subject of organic chemistry. The book, arranged into themes, discusses some organic compounds and how they are named based on their structure, makeup, and components. The text also explains the use of Greek and Latin prefixes in nomenclature and many other principles in nomenclature. The book also includes an appendix that contains very useful information on nomenclature, such as the etymology of certain element and chemical names, numerical prefixes, and the Greek alphabet. The text is not only for students who wish to be familiarized with a different style of organic chemistry nomenclature, but also for professors who aim to give students an enjoyable yet memorable learning experience.
The tabla, a hand drum which originated in India, has become very popular throughout the world. This method covers everything you need to know to learn to play the tabla, including the history and parts of the tabla, tuning and maintenance, positioning, basic exercises, and numerous techniques and patterns. A glossary is included to help the student decipher the many mnemonics and foreign terms which are essential to the tradition of the tabla. the accompanying CD illustrates many of the exercises, so that this book may be used either with or without a teacher.
Includes rhythm notations on Tabla.