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From ancient Greece to the CAT scanner, these essays examine the 'education of the senses' in medical diagnosis and treatment.
The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.
Two volumes, including works by the three foremost seventeenth-century Flemish artists{u2014}Rubens, Van Dyck, and Jordaens{u2014}as well as works by their contemporaries. -- Metropolitan Museum of Art website.
Preliminary Material --Contributors /S. Lock, L. A. Reynolds and E. M. Tansey --Introduction /Stephen Lock --Webs of Drug Dependence: Towards a Political History of Tobacco /Jordan Goodman --'A Microbe of the Devil's Own Make': Religion and Science in the British Anti-Tobacco Movement, 1853-1908 /Matthew Hilton and Simon Nightingale --The Moral Symbolism of Tobacco in Dutch Genre Painting /David Harley --Tobacco and Victorian Literature /Hugh Cockerell --Pushing the Weed: The Editorializing and Advertising of Tobacco in the Lancet and the British Medical Journal, 1880-1958 /Peter Bartrip --The First Reports on Smoking and Lung Cancer /Richard Doll --Science and Policy: The Case of Postwar British Smoking Policy /Virginia Berridge --Blow Some My Way: Passive Smoking, Risk and American Culture /Allan M. Brandt --Smoking and the Royal College of Physicians /Christopher C. Booth --Ashes to Ashes: Witness on Smoking /Francis Avery Jones --The Story of the Reports on Smoking and Health by the Royal College of Physicians /Charles Fletcher --ASH: Witness on Smoking /David Simpson --Austin Bradford Hill and the Nobel Prize /John Crofton --Horace Joules' Role in the Control of Cigarette Smoking /Keith Ball --The History of the Norwegian Ban on Tobacco Advertising /Kjell Bjartveit --Concluding Remarks /Roy Porter --Index /S. Lock, L. A. Reynolds and E. M. Tansey.
Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a "new" philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans. From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans' objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.
Future historians will wonder why, despite the risks, society persisted in its warm relationship with the cigarette; by the end of the century global consumption was still rising. The 1995 symposium at the Wellcome Institute for the History of Medicine not only examined tobacco's connection with health, but the varied attitudes towards smoking, which have included regarding it as ‘manly', relaxing, fashionable - and decadent. A particular feature was a witness seminar attended not only by those who had made the initial discovery but by those with a crucial role in promoting public awareness of the dangers. And, as shown in this book, we still cannot escape the paradox that, while a considerable proportion of a country's population is hooked on the cigarette, the tobacco industry and the government are equally addicted to the profits and tax revenues it generates.