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"The imagery of Marquesan art is testament to the myriad beings and creatures who inhabited the Marquesan universe - gods, ancestors, humans, lizards, turtles, fish - and to the islands' complex social and political organization. These art forms are explored in the present volume, published in conjunction with the exhibition "Adorning the World: Art of the Marquesas Islands," held at The Metropolitan Museum of Art."--BOOK JACKET.
Pacific Encounters brings together for the first time many stunning Polynesian objects collected by voyagers and missionaries during the eighteenth and nineteenth centuries. Illustrated are over 270 items gathered from the major regions of Polynesia. Many are from the British Museum, which houses fine and rare material from the expeditions of Captain Cook, Captain Vancouver, and members of the London Missionary Society. Ranging from massive images of gods to small fish hooks, they are discussed in the contexts of their local use and meanings, and their journeys to museums all over the world. These pieces have remarkable stories to tell of encounters between humans and their gods, between Polynesians and Europeans, their respective chiefs and priests, beliefs, and technologies. Pacific Encounters is a groundbreaking book that conveys the wonder and excitement not only of the objects themselves, but of the fascinating Polynesian cultures that produced them.
The Pacific Ocean covers one-third of the earth's surface. Comprising thousands of islands and hundreds of cultural groups, Polynesia and Micronesia cover a large part of this vast ocean, from the dramatic mountains of Hawaii to the small, flat coral islands of Kiribati. Including both traditional and contemporary arts, this book introduces the rich artistic traditions of these two regions, traditions that have had a considerable impact on western art in the twentieth century through the influence of artists such as Gauguin. Instead of looking at Polynesia and Micronesia separately, the book focuses on the artistic types, styles, and concepts that they share, placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler looks at religious and sacred rituals and objects, carving, architecture, tattooing, personal ornaments, basket-making, clothing, textiles, fashion, the oral arts, dance, music and musical instruments - even canoe-construction - to provide the ultimate introduction to the rich and vibrant artistic cultures of the Polynesian and Micronesian islands.
The Getty Research Journal showcases the remarkable original research underway at the Getty. Articles explore the rich collections of the J. Paul Getty Museum and Research Institute, as well as the Research Institute's research projects and annual theme of its scholar program. Shorter texts highlight new acquisitions and discoveries in the collections, and focus on the diverse tools for scholarship being developed at the Research Institute. This issue includes essays by Scott Allan, Adriano Amendola, Valérie Bajou, Alessia Frassani, Alden R. Gordon, Natilee Harren, Sigrid Hofer, Christopher R. Lakey, Vimalin Rujivacharakul, and David Saunders; the short texts examine a Nuremberg festival book, translations of a seventeenth-century rhyming inventory, the print innovations of Maria Sibylla Merian, Karl Schneider's Sears designs, Clement Greenberg's copy of T. S. Eliot's The Waste Land, the Marcia Tucker papers, a mail art project by William Pope.L, the L.A. Art Girls' reinvention of Allan Kaprow's Fluids, and Jennifer Bornstein's investigations into the archives of women performance artists.
This book tackles photography’s role during Robert Louis Stevenson’s travels throughout the Pacific Island region and is the first study of his family’s previously unpublished photographs. Cutting across disciplinary boundaries, the book integrates photographs with letters, non-fiction, and poetry, and includes much unpublished material. The original readings of photographs and non-fiction highlight Stevenson’s engagement with colonial ideology and reality and advance new arguments about Victorian travel, settlement, and colonialisms in the Pacific. Like the Stevensons, the book moves from the Marquesas to the atolls of the Gilbert Islands in Micronesia; from the Kingdom of Hawai‘i’s political ambitions to Samoan plantations and the Stevensons’ settlement at Vailima. Central to this study is the notion that Pacific history and Pacific Island cultures matter to the interpretation of Stevenson's work, and a rigorous historical and cultural contextualization ensures that local details structure literary and photographic interpretation. The book’s historical grounding is key to its insightful conclusions regarding travel, settlement, photography, and colonialism.
#1 best-selling guide to the South Pacific* Lonely Planet South Pacific is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Laze on New Caledonia's white sand beaches; learn traditional dance in Tahiti or hike through Fiji's 'Garden Island', all with your trusted travel companion. Get to the heart of the South Pacific and begin your journey now! Inside Lonely Planet's South Pacific Travel Guide: Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, environmental issues, culture, arts, cuisine, health, language Over 110 colour maps Covers Easter Island, Fiji, Rarotonga, the Cook Islands, Samoa, American Samoa, the Solomon Islands, Tahiti, French Polynesia, Tonga, Vanuatu and more eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet South Pacific, our most comprehensive guide to all the islands of the South Pacific, is perfect for both exploring top sights and taking roads less travelled. About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, gift and lifestyle books and stationery, as well as an award-winning website, magazines, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places they find themselves in. TripAdvisor Travelers' Choice Awards 2012, 2013, 2014, 2015 and 2016 winner in Favorite Travel Guide category 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia) *Best-selling guide to South Pacific. Source: Nielsen BookScan. Australia, UK and USA Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
When the first European explorers ventured into the unknown Pacific Ocean, their minds were filled with tales of remote, paradisiacal islands. Hopeful ideas of noble savages, ecological balance, and immense riches gave them the courage to search for a new world – even when faced with the unimaginable. The South Sea Island – A Geography of Pleasure is a journey through the history of ideas and literature over three centuries of European and American narratives about islands, oceans, and archipelagos. Literary scholar Frits Andersen reads and analyses travel accounts, paintings, films, and novels from the 18th century up until the present day by visual artists and authors including Paul Gauguin, Herman Melville, Robert Louis Stevenson, Jules Verne, and Thor Heyerdahl. These readings, combined with Andersen’s eye for pleasure, sense, and longing, give rise to a novel literary history of the disappearing Pacific islands. At the same time, the book offers historical models that we can use today to enhance our understanding of, and find new answers to, global political and climate-related challenges. Frits Andersen is a professor of Comparative Literature at Aarhus University, Denmark. His previous works include The Dark Continent? Images of Africa in European Narratives about the Congo (2016). The Danish edition of this book, entitled Sydhavsøen. Nydelsens geografi received the Georg Brandes Prize.
French artist Eugène Henri Paul Gauguin (1848–1903) once reproached the Impressionists for searching “around the eye and not at the mysterious centre of thought.” But what did he mean by this enigmatic phrase? In this innovative investigation into Gauguin’s art and thought, Dario Gamboni illuminates Gauguin’s quest for this “mysterious centre” and offers a fresh look at the artist’s output in all media—from ceramics and sculptures to prints, paintings, and his large corpus of writings. Foregrounding Gauguin’s conscious use of ambiguity, Gamboni unpacks what the artist called the “language of the listening eye.” Gamboni shows that the interaction between perception, cognition, and imagination was at the core of Gauguin’s work, and he traces a line of continuity in them that has been previously overlooked. Emulating Gauguin’s wide-ranging curiosity with literature, psychology, theology, and the natural sciences—not to mention the whole of art history—this richly illustrated book provides new insight into the life and works of this well-known yet little understood artist.
An engaging explanation of Oceanic art and an important gateway to wider appreciation of Oceanic heritage and visual culture