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Adoption has long been enmeshed in the politics of abortion. But as award-winning journalist Joyce makes clear, adoption has lately become entangled in the conservative Christian agenda.
This work interweaves Indian history, educational history, family history, and child welfare policy to tell the story of Indian orphanages within the larger context of the orphan asylum in America. It relates the history of these orphanages and the cultural factors that produced and sustained them.
A New York Times Notable Book The shocking truth about postwar adoption in America, told through the bittersweet story of one teenager, the son she was forced to relinquish, and their search to find each other. “[T]his book about the past might foreshadow a coming shift in the future… ‘I don’t think any legislators in those states who are anti-abortion are actually thinking, “Oh, great, these single women are gonna raise more children.” No, their hope is that those children will be placed for adoption. But is that the reality? I doubt it.’”[says Glaser]” -Mother Jones During the Baby Boom in 1960s America, women were encouraged to stay home and raise large families, but sex and childbirth were taboo subjects. Premarital sex was common, but birth control was hard to get and abortion was illegal. In 1961, sixteen-year-old Margaret Erle fell in love and became pregnant. Her enraged family sent her to a maternity home, where social workers threatened her with jail until she signed away her parental rights. Her son vanished, his whereabouts and new identity known only to an adoption agency that would never share the slightest detail about his fate. The adoption business was founded on secrecy and lies. American Baby lays out how a lucrative and exploitative industry removed children from their birth mothers and placed them with hopeful families, fabricating stories about infants' origins and destinations, then closing the door firmly between the parties forever. Adoption agencies and other organizations that purported to help pregnant women struck unethical deals with doctors and researchers for pseudoscientific "assessments," and shamed millions of women into surrendering their children. The identities of many who were adopted or who surrendered a child in the postwar decades are still locked in sealed files. Gabrielle Glaser dramatically illustrates in Margaret and David’s tale--one they share with millions of Americans—a story of loss, love, and the search for identity.
Ancestry magazine focuses on genealogy for today’s family historian, with tips for using Ancestry.com, advice from family history experts, and success stories from genealogists across the globe. Regular features include “Found!” by Megan Smolenyak, reader-submitted heritage recipes, Howard Wolinsky’s tech-driven “NextGen,” feature articles, a timeline, how-to tips for Family Tree Maker, and insider insight to new tools and records at Ancestry.com. Ancestry magazine is published 6 times yearly by Ancestry Inc., parent company of Ancestry.com.
Thirty or forty years ago, everybody knew what that phrase meant: a girl or a young, unmarried woman had gotten herself pregnant. She was “in trouble.” She had brought indescribable shame on herself and her family. In those days it was unthinkable that she would have her child and keep it. Instead she had to hide. Most likely she would be sent away to a home for unwed mothers, where she would stay in secrecy until her baby was born and given up for adoption. “Gone to an aunt’s” was the usual cover story, a fiction that everyone understood but no on talked about –until now. In Gone to an Aunt’s, journalist and long-time television host Anne Petrie takes us back into these homes for unwed mothers. Most cities in Canada had at least one home, several as many as five or six, most of them run by religious organizations. Here, in institutional settings, the girls were kept out of sight until their time was up and they could return to the world as if nothing had happened. Seven women –including the author – recount their experiences in Gone to an Aunt’s, talking openly, some for the first time, about how they got pregnant; the reaction of their parents, friends, boyfriends, and lovers; why they wound up in a home; and how they managed to cope with its rules and regulations –no last names, no talking about the past –and the promise of salvation that could come only through work and prayer. Gone to an Aunt’s is a profoundly moving and compassionate –even alarming – account. It comes as a reminder that we not get too wistful for the supposedly innocent times before the sexual revolution. That innocence, Petrie shows vividly, was a charade made believable only because the thousands of girls who had broken the rules were hidden away.
From 1854 to 1929 about 150,000 orphans from New York City and the surrounding area were placed in homes in the Midwest and West. The children were sent out on "Orphan Trains." This is the first volume in a series of stories written by orphan train riders and their descendants.
For almost three decades, renowned baby-seller Georgia Tann ran a children's home in Memphis, Tennessee -- selling her charges to wealthy clients nationwide, Joan Crawford among them. Part social history, part detective story, part expose, The Baby Thief is a riveting investigative narrative that explores themes that continue to reverberate today.
This book illuminates the hidden history of South Korean birth mothers involved in the 60-year-long practice of transnational adoption. The author presents a performance-based ethnography of maternity homes, a television search show, an internet forum, and an oral history collection to develop the concept of virtual mothering, a theoretical framework in which the birth mothers' experiences of separating from, and then reconnecting with, the child, as well as their painful,ambivalent narratives of adoption losses, are rendered, felt and registered. In this, the author refuses a universal notion of motherhood. Her critique of transnational adoption and its relentless effects on birth mothers’ lives points to the everyday, normalized, gendered violence against working-class, poor, single mothers in South Korea’s modern nation-state development and illuminates the biopolitical functions of transnational adoption in managing an "excess" population. Simultaneously, her creative analysis reveals a counter-public, and counter-history, proposing the collective grievances of birth mothers.
Author Juliese Y. Padgett, adopted in 2008 from Guangzhou, China, has written her first children's book The Newest Flower to encourage all children to respect the differences in each other. In her free time, Juliese loves reading, playing school, and taking both ballet and violin lessons. Currently, this young author resides in Maine with her parents, two older brothers, and a younger sister, who was adopted from the Shandong province of China in 2011.